Most of us hate change because change is rarely good. If something works well enough, in all but a few instances, change will bring an inferior version with more profit for some free loader or another who does not deserve it or really, belong in the society of decent, intelligent, realistic, and morally alert people.
7 CommentsTags: cigars, new caney, pipe tobacco, tobacco barn
Part VI – Hammerheart
The crown-jewel of this album is titled after the previous record, Hammerheart and uses epitaphial lyrics by Quorthon over the music of British composer Gustav Holst. It summarizes the affinity between Bathory and classical music by being a tribute on metal’s compositional heritage and romantic roots, but also going beyond that; it summarizes the beauty of self-sacrifice, a Viking funeral on the eschaton of human existence. Our analysis ends here.
No Comments
Part V – Nostos
In Nomine Satanas. One of the greatest black metal songs that have ever been or will ever be, a few parallel vocal movements of fifths is transformed into a hymn to love, sojourn and homecoming: Bond of Blood. This is a beautiful song. It celebrates two things:
No Comments
Many of you have enjoyed Eikona’s musically advanced take on Dungeon Synth and perhaps find yourselves wanting to know more about this enigmatic act. Thankfully, the musician behind Eikona made time available to answer a few questions.
5 CommentsTags: Alexios Kakoulidis, dungeon synth, eikona, interview
Part IV: The Spiritual Significance of Struggle and the Mountain
“The most spiritual men, as the strongest, find their happiness where others would find their destruction: in the labyrinth, in hardness against themselves and others, in experiments. Their joy is self-conquest: asceticism becomes in them nature, need, and instinct. Difficult tasks are a privilege to them; to play with burdens that crush others, a recreation. Knowledge-a form of asceticism. They are the most venerable kind of man: that does not preclude their being the most cheerful and the kindliest.”
1 Comment
(review can be found here)
Is it delusional to believe in a revitalization of our much beloved music? Judging by the everflowing stream of nonsense bombarding our ears for the last 20 years or so, it is all too easy to answer the question affirmatively. What ultimately makes it worth hanging around just a little longer are the precious few and often unexpected discoveries that somehow manage to make it to your stereo. Like Zarathustrian Impressions by the debuting epic death/black metal ensemble Polemicist. With a combined assault of evocative melodies, erudite songwriting and conceptual rigeur, these Philadelphians have not only helped restore faith in underground music, but also cleared the path for further exploration in the crossection between black, death and heavy metal.
3 CommentsTags: friedrich nietzsche, interview, polemicist, zathrustrian impressions
Some say the spirit of black metal experienced an afterlife in dungeon synth, the fusion of Conan soundtracks and traditional folk music that took life in projects like Lord Wind, later Burzum, Ice Ages, and even tangential more ambient soundscape projects from Ildjarn, Beherit, and Neptune Towers.
No CommentsTags: Ambient, dungeon synth, eikona
Part III: Man and his place in the Cosmos
Perhaps the most anthropocentric song by Bathory. And this is a good thing, since this is not the humanism of egalitarianism and mediocrity, it is rather a vision of mankind’s destiny and potential that should find a good use to our technology and knowledge. This destiny shall propel us towards the stars!
No Comments
Part II: The Gods
Through Blood By Thunder was considered to become the title of the album. A song with an intro that picks elements hinted at by Twilight of the Gods, herein the godless period of darkness is succeeded by a dithyramb of religious fervor, the lyric ‘there is no thrones up in the sky’ is supplanted by ‘my father’s gods, I’ll die for you’ and blood becomes a crucial element in this loose epic poem, namely the ‘bond of blood’.
8 Comments
