Serpent Lord – Towards The Damned (2018)


Serpent Lord classify themselves as occult heavy metal and are adorned with the typical attire and related videos of the same rehashed cliches that Mercyful Fate popularized. The music takes mainly from Iced Earth,Black Sabbath,Death and Mercyful Fate and fails to invoke the greater aspects of those bands while invoking the worst from Death. This is a very young that have rushed their development fairly quickly and the lack of consistency in the quality of the compositions hurts a very promising band that is often confused with what they are trying to achieve.

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Sammath Concert in Belgrade,Serbia

Sammath who have kept us on edge with the imminent release of their latest offering, will finally play a concert outside of their zone comfort as they are known not to venture too far from home for their concerts. If any Hessians find themselves in Serbia or are near enough to go see such a show, they should not miss this event on February the 9th. For more information, see the Facebook event link for those interested in what guarantees to be a delight as the band will play new segments of their album including “Ferocious Mortar Fire.”

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Sammath Unleashes Live Video Of “Totenhügel” From Upcoming 2019 Album Across the Rhine Is Only Death

Brutal yet melodic Dutch-German black metal fire team Sammath plan to unleash their latest album, Across the Rhine Is Only Death, during early second quarter 2019. This album extends their work on Godless Arrogance which took the grandeur of Strijd to its logical conclusion given the increasing viciousness and technicality of intervening albums.

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SMR – DMU Eradicates Perrenial NSBM Losers Militant Zone


M8L8TH and Peste Noire’s Famine have joined forces in creating one of the weirdest movements to have ever existed in metal, Commercially friendly NSBM! Best of all was that the partnership released a whole load of ridiculous music and fashion items. Famine who represents all the worst French stereotypes imaginable and who has made a career of his first album that was essentially a well executed Burzum ripoff but with Rock elements to make the whole much more digestible. M8L8TH play metalcore/RAC with a few Black metal aesthetics in the riffs and pretty much consist of frontman Alexey known for killing a few immigrants and whoever is willing to write music for him to rant over.

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Deep Switch – Nine Inches of God (1986)

The NWOBHM movement defined the basis for what both underground and commercial metal would become, everything was present from the gallops, the harmonized melodies, unconventional song structures and the reverence for the riff above all else. The movement struggled with commercializing itself and so even the more vicious bands were obligated in selling out and writing a ballad or a mid-paced rock song in hopes of being picked up by a major label as there was at that time money to be made. The micro-genre eventually burned out due to two main reasons. First was that the door to mainstream success had been closed permanently for the British bands as the media loved Def Leppard and the like. The second reason was that there were far too many bands releasing the same rehashed material while bands elsewhere were exploring unventured paths and the standards were on average raised as the pub rock riffs of most of the NWOBHM were simply not up to par. Enter Deep Switch, a band that appeared in the scene after the death of the genre and were set to make some of the most bizarre NWOBHM imaginable but falling to the same pitfalls as their predecessors.

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Internal Bleeding – Corrupting Influence (2018)

If we had to concoct a subgenre that would be a form of Spinoza Ray Prozak Vijay Prozak Brett Stevens sonic Hell, it could well be slam: a death metal influenced continuation of what Pantera and Meshuggah did to speed metal, giving it a bit of groove and lots of chromatic fills based on rhythmic expectation. Internal Bleeding pretty much pioneered this subgenre.

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Rippikoulu – Musta Seremonia (1993)

Its name translating to “Black Ceremony,” Rippikoulu’s legendary demo was released only on tape at the time before being reissued by Svart Records seventeen years later, allowing for the democratisation of this powerful release for those would endure such a bludgeoning. Clear yet rumbling production allows for distinctly Finnish melodies in a simple death/doom form that is derived from the grindcore available at the time. Though this could be qualified as being a second or third tier Finnish record, very few are able to muscially evoke physical oppression as well as Rippikoulu.

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