Betrayer – Infernum in Terra (2015)

betrayer-infernum_in_terra

Style gives voice to content, which means that the wrong style can distort content and present it incoherently, which is a problem since disorganization creates all the bad music in the world. Metalheads also suffer from popularity, since we do not understand it, so when one type of metal style becomes popular, the tendency is to incorporate it even if it does not fit.

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Lord of Evil

Garage-level bands are usually condemned to the usage of the same rudimentary forms which causes their music to be dominated by the distorted guitar which constitutes the common ground for metal, hardcore, grind and oi. But at the same time there is often a struggle to somehow project desired message into those almost universal, objective structures with only small variations, just as Hellhammer was struggling with confinements of the form, despite being wholly avant-garde in its visions. And it seems that if there is truly a will, it will successfully color those rudimentary structures with desired character.

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USBM: A Revolution of Identity in American Black Metal (2020)

Pandering to the aging millennials who still blight the black metal scene, USBM: A Revolution of Identity in American Black Metal attempts apologize for writing a book about “racist and misogynist bands” while simultaneously attempting to celebrate the same “racist and misogynist” bands. This baffling move should ensure that both USBM fans and SJW posers alike take a hard pass on buying a book that hates the very scene it features while also hating the values it claims to propagate.

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