Intestine Baalism are a Death metal band formed in the suburbs of Tokyo in 1991, their first full length only came out in 1997, having only released a pair of demos featuring songs that ended up on this album, it is safe to confirm that Intestine Baalism is a latecomer to a genre that had already seen it’s apex and was now slowly descending into Brutal and Technical Death metal territory. Anatomy of a beast takes advantage of the power of hindsight to successfully fusion the works of Carnage,Dismember and Suffocation against the more Heavy metal derived melodies of Sentenced, bringing to life a potent record that is at times just as peculiar as the band’s name.
Tags: An anatomy of the beast, Black Metal, carnage, death metal, Dismember, Intestin Baalism, Like an everflowing stream, sentenced
The end of the year for some people is a time where they participate in debauchery and related idiocy as they are convinced that the arbitrary beginning of a calendar year absolves them of past mistakes and gives them the possibility to renew themselves without the burden of accepting reality. Those who don’t hide behind such comforting fallacies accept that this is a day like no other and that no actual changes will occur except for remembering to write 19 instead of 18 when it comes to paperwork. Metal has continued its sad and hilarious explosion to the top of the mainstream while pushing out less and less meaningful art. Rather than go ever end of the year lists as they are just useless and contain mostly salvaged junk with the occasional pearl. Here at DMU we shall analyse new compositional tools we would like to see implemented and which ones should be discarded.
Tags: Antichrist, behemoth, Black Metal, Boethiah, Dawnbreaker, death metal, disma, dissection, ectovoid, entombed, gorgoroth, Intestine Baalism, Join US, judas priest, massacra, MetalSucks, Necromaniac, necromantia, Nihilist, rotting christ, sacramentum, sammath, suffocation, Thin Lizzy, varathron
Since Metallica defined the use of palm muting in metal and made a motif of using the technique to add more emphasis to the rhythmic potency of their music, less creative bands have followed this route to the point where in modern metal melody has taken a secondary importance. Where metal was once about creating the best melodies and exploiting their full potential through arrangements, it has now become music to be listened to with the feet and other parts of the body. Bands seek to make people want to headbang through catchy Jazz like rhythms. By using one note riffs that eschew melody in favor of complexity and groove, metal has become a literal joke. All it takes now is proficiency with the right hand in playing combinations of triplets, single notes and sixteenth note with decent precision so that the sound engineer can readjust everything to a thousandth of a millisecond. Rhythm when used well is an expressive tool that can convey emotions just as well as melody as long as it is used in conjunction with a well formed melody. Let us see two examples of rhythm that have made fantastic songs even better.
Tags: Blizzard Beasts, de profundis, immortal, rhythm, vader
If we had to concoct a subgenre that would be a form of
Spinoza Ray Prozak Vijay Prozak Brett Stevens sonic Hell, it could well be slam: a death metal influenced continuation of what Pantera and Meshuggah did to speed metal, giving it a bit of groove and lots of chromatic fills based on rhythmic expectation. Internal Bleeding pretty much pioneered this subgenre.
Tags: internal bleeding, pantera, slam, unique leader records
Continuing from part 1, here we analyze a different set of both good and bad vocalists who either achieved notoriety through a set of gimmicks or by being particularly gifted in a vocal style that has come to define Metal in the public eye. Unlike other genres of music, no universally acknowledged methodology has been created nor do formal teaching centers exist for growls. Yet in a time where such vocalizations have drawn more people than anyone could have expected it is necessary to seek those who do it well and add a layer of depth to the music, and to denigrate those who make a mockery or seek monetary gain from what was the most inaccessible form of singing conceived by man.
Tags: Alissa White-Gluz, anders strokirk, Arch Enemy, asphyx, cannibal corpse, Chris Barnes, gorgoroth, Hat, martin van drunen, necrophobic, pestilence, vocal analysis
At a time when most of the worthy metal was being produced in England with a few exceptions in Europe and America as most bands emerging were straddling the line between Hard Rock and Heavy metal or resorting to recreating the dirty rock of the early 70s in order to achieve mainstream success as there was much more to be gained financially from such endeavors. Iron Maiden had dazzled the world with Killers, Melissa and Kill ‘Em All were just around the corner and metal would proceed through a very sudden transformation with these releases. In between all this former heroes like Judas Priest,Motorhead and Scorpions were embracing the stadiums. In such a frantic period, in a country where music had never been a cultural strength. Sortilège, after studying their cousins from across the pond would release one of the greatest Heavy metal EPs of all time only for the aforementioned bands to overshadow them and relegate them to cult favorite;
Tags: classic, france, Heavy Metal, NWOBHM, Sortilège
When one hears the name Fleshcrawl, the first thing that comes to mind is the legendary Autopsy song from Mental Funeral, yet a very peculiar German band carries that name. Descend Into the Absurd marks their highest peak musically and rightfully so. Taking more from the fully formed European style of the time that was influenced by Autopsy than Autopsy themselves. Combining Doom dirges that exude morbidity and flowing pensive phrasal riffs, Fleshcrawl create a forgotten classic and an important addition to Death metal.
Tags: classic, Descend Into the Absurd, fleshcrawl, German Death Metal
Continuing our interview with underground modern black metal band Darkened Nocturn Slaughtercult…
Tags: Black Metal, darkened nocturn slaughtercult, interview
Some people here don’t like negative metal reviews. I disagree, as I believe that pointing out bad music, and more importantly explaining why bad albums are bad, is necessary.
Tags: Arch Enemy, behemoth, Belphegor, blut aus nord, dark funeral, dying fetus, immortal, Kalmah, Sewer, six feet under, terrible metal, terrible music, vader
Welcome to the second and final part of the second DMU song contest, where we cherish the winners and destroy the losers in what has been a very eventful and varied list of bands.
Tags: Chupacabra, death metal, Funeral of God, Minervium, Pheretrum, Salustiano, song contest, Tardus Mortem, Undermine