Longtime flowing black metal pioneers Graveland introduce their latest, Hour of Ragnarok, as a digi-CD via Forever Plagued Records.
1 CommentTags: forever plagued records, graveland
Longtime flowing black metal pioneers Graveland introduce their latest, Hour of Ragnarok, as a digi-CD via Forever Plagued Records.
1 CommentTags: forever plagued records, graveland
Demoncy originally recorded Empire of the Fallen Angel in 2003 and a dozen years later has re-recorded and re-issued these compositions as Empire of the Fallen Angel (Eternal Black Dominion). Having thought for years that the original release deserved a second look, it was great to see it ride again.
Recorded solely by Demoncy creator Ixithra without the benefit of a band as happened on the original, this new edition includes four new compositions which will be of a style familiar to listeners of Enthroned is the Night: more melodic than the classic Joined in Darkness, but still furious in intensity. The re-created older tracks feature better vocals and better production, giving the guitars greater power and fitting songs together more tightly. Empire of the Fallen Angel came out when “depressive black metal” was first a trend, and represents a response to that in the form of black metal that is often doomy: slow, morbid, and atmospheric. While the traditional powerhouse Demoncy riffing that sounds like all the savagery of Incantation and Profanatica undergirded with melody is present, much of this release also resembles the mood-oriented immersive pieces of bands like Black Funeral or even Ras Algethi. This album was always a more sensible method of expressing that sensation in black metal than the “depressive” variant, which amounted to essentially Burzum ripoffs that never changed riff, and now with more powerful production it reveals its strength. A listener might also note pervasive influences from Gorgoroth throughout this material.
Much of the album also uses faster material of the type seen on Enthroned is the Night: fast angular riffing that preserves melodic affinity between internal phrases, keeping a sense of mystery and ongoing discovery vital in the music. The new vocals have all of the whispering abrasive sound that made Joined in Darkness sound like a communication from dark gods hidden underneath the earth, but with the intensified production both float above and complement the guitars. While this album is not as intensely violent and confrontational as Joined in Darkness, nor as death metal influenced and energetic as Enthroned is the Night, it captures both the esoteric fury of American black metal like Black Funeral and the melodic intensity of European acts, all within its own voice. This classic not only rides again, but does so with a new life of its own.
Tracklist:
1. Invocation To Satan
2. Risen From The Ancient Ruins
3. Scion Of The Dark
4. Eternal Black Dominion
5. Sepulchral Whispers
6. My Kingdom Enshrouded In Necromantical Fog
7. The Enchanted Woods Of Forgotten Lore
8. The Obsidian Age Of Ice
9. Night Song (Apocalyptic Dawn)
10. Empire Of The Fallen Angel
11. Shadows Of The Moon (The Winter Solstice)
12. Warmarch Of The Black Hordes
13. The Ode To Eternal Darkness
Empire of the Fallen Angel (Eternal Black Dominion) will see release on June 29, 2015 via Forever Plagued Records.
8 CommentsForever Plagued Records has licensed Demoncy Joined in Darkness and issued it with an inverted-cross fold-out digipak, in addition to giving the album a remastering that may enhance the original recording.
The label has posted the first pictures of the inverted digipak and it is likely that it will inflame some Hessian aggression. Not only is the new artwork striking, but the inverted cross motif underscores the totality of commitment which has made Demoncy one of the few USBM bands to retain a fanatical following.
1 CommentMusicians who go back and improve former works get all respect from me. For example, Godflesh re-imagining Love and Hate as a dub album, or even the recent Nausea re-working of demo-era material. Demoncy — long the reigning black metal band from the United States — announced the re-issue of its fourth album as Empire of the Fallen Angel (Eternal Black Dominion) which will see release on Forever Plagued Records in 2015.
This re-issue follows the new version of Joined in Darkness which will be available March 9, 2015 on both gatefold vinyl and digipack CD with an inverted cross booklet layout. Where that album was remastered, Empire of the Fallen Angel was re-recorded by Ixithra during 2013-2014 and may be substantially altered from the original.
Tracklist:
1. Invocation To Satan
2. Risen From The Ancient Ruins
3. Scion Of The Dark
4. Eternal Black Dominion
5. Sepulchral Whispers
6. My Kingdom Enshrouded In Necromantical Fog
7. The Enchanted Woods Of Forgotten Lore
8. The Obsidian Age Of Ice
9. Night Song (Apocalyptic Dawn)
10. Empire Of The Fallen Angel
11. Shadows Of The Moon (The Winter Solstice)
12. Warmarch Of The Black Hordes
13. The Ode To Eternal Darkness
For more information, see the Forever Plagued Records website.
3 CommentsTags: Black Metal, demoncy, forever plagued records, ixithra
Mourning Mist use the increasingly popular approach of making underground metal music without explicitely subscribing to any particular subgenre. Unlike many of the clueless out there, they do know that despite the positive aspects of such an open approach, a basis must be chosen on which to serve as foothold.
For this they choose a death and black metal amalgam that ultimately has more of the latter and is only sprinkled with the technique of the former. Stylistically, the rest wanders a little into a sort of Euro-pop/rock, or at least this is how I can describe it in my little experience with that kind of music. I found myself thinking of Moby at one point. A more superficial element that contributes significantly to the atmosphere of the record is the solo violin which spurs in avant-garde manner which brought memories of Jean Luc Ponty, even though the actual music connection might be weak.
One can grow tired of mentioning and pointing out the same mistakes that seem to plague most musicians in general. It must be part of the mediocrity which is just part of the average. This band does not escape this and while there are moments in which their light bulb obviously lit up (there is a commendable build up in the 5th track which lasts about 4 minutes and culminates in that Moby moment), these are drowned in wallpaper filler. This is especially prominent towards the end of the album. It’s almost as if the band started with good ideas and they had solid content to drive the music. But as the minutes go by, as the first, and second songs finish, they start to increasingly rely on the contrasting styles rather than actual content to move the song forward.
The bad parts indirectly affect any good effect the content-rich parts might have because from the integral point of view, each part contributes to a whole, but if the whole is greatly composed of meaningless filler, the content itself seems either diluted or even confused. Mourning Mist’s album ends up with the latter
effect, like someone speaking while a gag is wrapped around his head.
This re-issue gives a classic black metal treatment to this underground powerhouse, which previously was heard as being more of a death metal album owing to its production more resembling that of the Incantation/Revenant vein of metal, in addition to many of its riffs fitting within the same form. With more spacious sound, the album sounds more distant and less loud which gives it a background resembling that of the Norse black metal which inspired the first wave of black metal. This more resonant sound brings out more of the tone in these songs and allows the melodic sense to shine, giving the album as a whole less abrasion but more atmosphere. As if to underscore this choice, the re-issue includes “The Ode to Eternal Darkness,” a nine-minute song which emphasizes the building of mood through repetition with internal melody in the style of black metal bands recognized more for their melodic sensibility. Although I am a sentimental bastard prone to like what I know, I prefer this mix to the original or the intermediate re-issue and hope the same treatment is given to other Demoncy albums which remain under-recognized despite their high quality.
With art by Chris Moyen and this powerful new sound, the Forever Plagued Records re-issue of Joined in Darkness stands poised to introduce a new generation of fans to one of the top handful of black metal releases to come from the New World.
3 CommentsIn addition to unleashing a re-issue of its classic Joined in Darkness, nocturnal subterranean black metal band Demoncy plans to release a new EP entitled Risen From the Ancient Ruins and a re-issue of its full-length Empire of the Fallen Angel a/k/a Eternal Black Dominion.
Forever Plagued Records intends to release both of these “this year,” according to an announcement on its email newsletter, but this language does not clarify which year this is since 2014 is nearly done. Most likely, this announcement was intended for early 2015 and reflects a 2015 street date for these albums.
Here is the full statement:
3 CommentsForever Plagued Records is also very proud to announce DEMONCY will be releasing a new EP this year entitled “Risen From The Ancient Ruins”, it will include three new tracks and one ambiant. As a follow up, another DEMONCY release FPR has planned for this year, namely, the new rendition of “Empire Of The Fallen Angel aka Eternal Black Dominion”. Both releases will feature IXithra’s voice of unclean spirits.
Classic hybrid of aggressive black metal and tunneling death metal in the Incantation style, Demoncy Joined in Darkness not only set a new high point of intensity for the genre, but also created a feeling of dark ritual foreboding that remains distinct to it. On February 9, 2015, Forever Plagued Records will re-issue this classic album.
The new Joined in Darkness will feature cover art by underground artist Chris Moyen and be remastered so that fans may hear it “as it was always intended.” While the re-issue will be a digipak, a format not beloved of fans or collectors, this will allow more of the artwork and imagery to show through where it would otherwise be obscured by the spine plastic of the compact disc case. As this release is the second re-issue of this classic album, care has been taken to show the original intent.
Demoncy manifested out of the mind of Ixithra, who previously served in Havohej/Profanatica, and shows the influence of the style that Ledney-linked bands Profanatica, Revenant and Incantation developed of long phrasal riffs with internal structural counterpoint, but takes this further with the incorporation of melody and a Celtic Frost styled setting of theatrical transitions in song, creating an atmosphere changing like scenery at a Wagner opera.
This tracklist adds “The Ode To Eternal Darkness” which was not present on the original Joined in Darkness.
2 Comments