Article by Lance Viggiano.
Burzum and Beherit each represent two summits of black metal’s many perspectives – in particular its looking back to look ahead ethos. The work of Laiho is exploratory and spiritual while the work of Varg is seeking and religious. Each composer followed a similar trajectory of mapping this landscape through metal first, then ambient. Each phase reveals strengths and weakness in each of their aims which results in a somewhat complementary synthesis between two highly individual bodies of work.12 Comments
Manilla Road‘s unreleased “Mark of the Beast” album, recorded between Invasion and Metal, has been pressed to CD and LP by High Roller Records as Dreams of Eschaton. This is the highest fidelity version yet, pressed from a collector’s tape that originated from Mark Shelton himself as detailed on the Nuclear War Now! forum:4 Comments
Dismembered ’88 shirts are back up! We won’t be able to ship anything out until next Tuesday, as Monday is a holiday. Also, please note the slight increase in postage; we didn’t realize how ridiculous it costs to send shirts to Canada and overseas and unfortunately there’s nothing we can do…sorry! As always, thanks for sharing n’ caring!
Paramus, NJ band Monument Of A Memory creates what some call “modern death metal” and others, with a nod to its origins in a late punk/death metal hybrid, deathcore. The band is about to release its second recording, Catharsis, and vocalist Tommy Gehringer and bassist Josh Correa took the time to give us some insight on music and the theory of being a metal band in the current age.7 Comments
Coming soon to a used CD bin near you!64 Comments
Tags: acanthrophis, Age of Agony, Aggressive Mutilator, Arktogäa, beer metal, Black Metal, blackened death metal, Cranial Engorgement, Dawn of Disease, Dead War, deathcore, folk metal, Garroted, gothenburg metal, Hardcore, Hardcore Punk, hipster bullshit, In the Court of Nyarlahotep, melodeaf, national socialist black metal, nsbm, nu-metal, pseudo-prog, pseudo-progressive, sadistic metal reviews, sludge, stinking shit, techdeaf, tek-deth, Tennger Cavalry, Victorian Whore Dogs
All metalheads secretly want the return of early 1990s death metal and black metal. Instead we get nostalgia bands who prey on our desires by delivering aesthetic imitation of the past, but with none of its depth, and by doing so, make a mockery of the underground as desperate metalheads embrace this stuff.20 Comments
I didn’t read the whole thing, just wanted to leave this here:
– The Highline is a bar located in the widely known “Gay Neighborhood” of Capital Hill in Seattle, WA.
– Gay Pride weekend was taking place during this show.
– Owning a bar (or any business) in this kind of a neighborhood is different.
– Sure there’s the whole “I GERT MAH FREEDOM ERV SPEECH”, but come on, with everything going on lately and the environment this neighborhood was trying to provide for this weekend, it only makes perfect sense for the management to make such a decision.
If the lazy piece of shit had bothered to read the article or the actual complaints, he would have realized that homosexuals weren’t the ones complaining. The whiners like “666 YOLO SWAG 666” were crusty, white heterosexual women who felt Fornicator’s incomprehensible lyrics threatened their communist worldviews. I highly doubt a death metal show would be appealing to the stereotypical gay pride festival marcher outside of the leather jackets. Actually, “666 YOLO SWAG 666” is the only person implying that Fornicator actually wanted to physically harm homosexuals like the closeted Islamic fundamentalist turned terrorist in Orlando. Continue pumping Drake “666 YOLO SWAG 666”.