Thomas Hewitt Jones is a British composer mainly known for being an important figure in the realm of British sacred music. An organ scholar at the incredibly prestigious Gonville and Caius College, Cambridge before then branching off into composing for a plethora of styles that include, ballets, choirs and a notorious piece based on the few hummed notes performed by former British Prime Minister David Cameron as he resigned. Electro Cello is a new take on Neo-romanticism that seeks to focus on the joys of wonder and pensive contemplative.
Tags: contemporary classical, electro cello, Neo-romanticism, thomas hewitt jones
Metallica’s mark on metal in both the mainstream and underground still continues to grow as every riff, drum fill,solo etc has been plagiarized. As Metallica progressed towards much tamer territories, the band did the opposite of what common sense dictated at the time. Instead of reneging their previous records, they embraced them and relished their mainstream status as kings of “The Big 4”. This allowed them to exist in a bizarre duality alternating between mainstream Radio Rock and furious Heavy metal depending on the fan. Through this duality many bands have taken from both periods to create a curious mix that resonates with with a wider audience. Demonpalm fall into this category but their music carries potential for something better in some of the brief glimpses shown here.
Tags: demonpalm, hard rock, iron maiden, metallica, NWOBHM
Formed in the heyday of the Norwegian Black metal movement and even rehearsing with one of main participants, Hellhammer. Mysticum never fell into the trap of copying the more popular bands and though the death of Euronymous and various issues had delayed the release of their first album, Mysticum are the first band to create what is referred to as “Industrial Black metal”. Being left out the narrative due to their late entry was probably a blessing in disguise as this removed any pressure for the band to copy their first album or to completely change style. Planet Satan takes off from where In the Streams of Inferno left off and develops further the cosmic psychedelic horror that the band started to experiment with other two decades ago.
Tags: 2014, Industrial Black Metal, mysticum, Planet Satan
Dark metal band Mefitis have finally released the album of the decade Emberdawn. The full review can be found here. According to the band, a physical release is planned for September for those who don’t care for digital purchases. Either way it is compulsory listening for all our readers.
Musical surprises come in various forms and sometimes even within the most cliched tropes, bands manage to escape mimicking their peers with creativity and the will to truly express themselves through pre-defined methods. Here we look at three songs outside the metal universe that attempt such concepts with varying degrees of success.
Tags: 2019, Bizarre Curiosities, math rock, Post-Punk, rock
DMU song contest #3 winners Mefitis return with their glorious debut album Emberdawn. “Kolossos Pt II” which was featured in the song contest gave us a glimpse into some of the incredible ideas that this band has shown. Mefitis has existed for over twelve years and had been plagued by various problems before being put on hiatus for a few years until remaining members Vatha and Pendath who had always been the core duo behind the band managed to reform and eventually release the excellent Widdrim Hymn. A powerful bond marked by shared philosophy has allowed this duo to craft what can easily be referred to as this decade’s greatest metal album. Combining the twin guitar approach of early At the Gates with the melodic sense of Demigod and then layered in the Norwegian Black metal style. Where these approaches have produced a dead end and hordes of imitators, for Mefitis they have opened up new methods for their brand of Dark metal.
Tags: 2019, album of the decade, Album of the Year, Black Metal, dark metal, death metal, emberdawn, mefitis, widdrim hymn
Street Cannibal Gluttony/rehearsal 05/2019 consists of the Cannibal Gluttony demo and two new songs played in rehearsal,”Sadistic Drive” and a cover of Discharge’s “Maimed and Slaughtered”. A short release clocking in at just over seventeen minutes but shows the progression from a band alternating between Demilich like riffs and rapid fire Grindcore, to a band combining both in a smooth melange.
Tags: Carbonized, Finnish Death Metal, Grindcore, sadistic drive, street cannibal gluttony: rehearsal 05/2019
For those of you interested in the Underground Record Labels in 2159 story by Joe Slater the last three chapters are available here.
Part 3 can be found here
Tags: short story, Underground Record Labels in 2159
Upon initially hearing “Dead” on Autopsy’s Mental Funeral. Many would imagine that the second half consists of the same idea played on two different octaves before being harmonized together. While the call and response nature of this section may allude to that, the truth is surprisingly more complex as Chris Reifert and co decide to explore a much trickier idea of contrasting two related ideas played in opposition before reconciling them. Such notions are abound in rock music where the voice will alternate with the guitars during the verse before uniting with the chorus but in Metal such attempts have been met with general laughter. The more technical Hardcore bands would then introduce the poisonous and confused idea of then contrasting two completely unrelated ideas. Here Autopsy show that despite the simple nature of the melodies, that they are truly masters of the genre.
Tags: autopsy, brief analysis, call and response, Dead, Mental Funeral
Sometimes it is essential to completely stray away from Metal for short periods of time. Like all passions, one must be willing to step aside and to distance the mind from it so that it does not morph into a constantly bombarding blur of tropes. This time I decided to shock my understanding of music by exploring styles that did not interest me or that I had strayed from over the years. Here are some of the more tolerable finding in what can be described as a sea of idiotic music comparable to the like of Metallica’s Lulu
Tags: Bizarre Curiosities, unexplored genres