Article by Lance Viggiano
Darkthrone have spent the records FOAD through The Underground Resistance regressing into their pre-Celtic Frost influences. Sensing their customers’ growing unpopularity with this black ‘n’ roll approach, Fenriz and Nocturno Culto try to save face on Artic Thunder by regressing into their own work. The upshot is that nobody but Miller Lite Throne can sell mediocre riffs in cyclical songs as well as these two. The downshift is that they cannot muster enough enthusiasm or energy to play their own ideas with the dedication of a devoted bar-tier cover band.
Continue reading Darkthrone – Arctic Thunder (2016)
Arghoslent, a speed metal/black metal hybrid famous for their politically provocative lyrics, have taken notice of criticism of their songs as disconnected bundles of riffs and heavy metal conventions which go nowhere despite having promising beginnings. Those who read the subtext of their statement, “CORRECTION: The band has decided not to write new music since it is ‘merely a collection of riffs and heavy metal wank’,” can infer that the band is re-focusing on their songwriting as a result of those quoted incendiary statements made here at Death Metal Underground.
Continue reading Arghoslent Declare Intent To Complete Songs
Arghoslent are working on new material according to their website. Hopefully the “melodic death metal” band’s extended downtime has allowed them to refine their material into something not merely a collection of riffs and heavy metal wank like their last few records.
Continue reading Arghoslent Working on New Material
Article by Lance Viggiano.
Norma Evanglium Diaboli announced a new EP from crusty noise rock band Teitanblood. Accursed Skin consists of two lengthy tracks: “Accursed Skin” (14:28) and Sanctified Dysecdysis (11:46). Writing riffs is hard because it requires some modicum of actual creativity when you aren’t bashing power chords or lifting material from others. That’s why Teitanblood quit trying immediately after the mediocre Seven Chalices and let itself be carried by presentation and aesthetic to a greater degree than that record was on Death. Accursed Skin will be the second instance of this band using already released material to pad out the run-time of an EP as they cannot conjure up enough static, lukewarm grind/crust riffs and cool vocals to fill a release with new material.
Congratulations! Your society continues to squeeze out lumpy, furry, greasy and fragrant turds into the fresh bedding. Your government is corrupt; almost everyone in business and society is a robotic zombie; your mass culture is garbage and your jobs, jails. People are miserable inside but refuse to acknowledge it for fear of seeming weak.
On top of all of that, your future is grim as you slip further into third-world levels of filth, disorder, promiscuity, corruption, disorganization, perversity, crime and rotted infrastructure. How’s that whole modern society thing — consumerism, democracy, mass media — working out for you?
Continue reading Sadistic Metal Reviews 12-06-16
Death Metal Underground contributor Max Bloodworth has edited, mixed, and mastered the cassette tapes of the Peckerwood Boys’ review of Metallica’s Hardwired… to Self-Destruct for our loyal readers enjoyment.
Continue reading Audio Review of Hardwired… to Self-Destruct
Article by Lance Viggiano.
2016 has been a dismal year for metal in terms of albums one might want to carry with them for the rest of their aimless and futile material embodiment. Fortunately, other genres are not so bereft of endearing symbolic language. Kretchmer is an electro composer who draws from the “braindance” acid of middle period Aphex Twin and the romantic melodic sensibilities of Kraftwerk. Each track possess an underlying narrative whose structure reveals itself via the gradual buildup of layers to a moderate density. A primary motif is looped or varied upon through the course of a given track. To further fill space, chords occupy the background and often provide a resolve to the melody as it cycles. Par for the course for this music, the drum and synth bass tracks play with the open space in between musical themes and function as harmonic rather than strictly rhythmic components. The emergent polyphonic circuitry pays tribute to classical sensibilities but eschews the theatrical; drawing instead from the grounded drama of the moving body.
Continue reading Kretchmer – Music in the key of Major (2016)
Supercuck fetish SJW Kevin Rucker has seen his fortunes fall since leaving generic nu-death metal band Bestial Evil (USA) in a huff of pretense, and so he created a call-out video to attack vituperative Death Metal Underground writer Brett Stevens, who has if nothing else left a host of deserving enemies in his wake.
Continue reading Ex-Bestial Evil (USA) Guitar SJW Kevin Rucker Complains About Brett Stevens
Article by Lance Viggiano.
Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.
Continue reading Deathspell Omega – The Synarchy of Molten Bones (2016)
Death Metal Underground staffers Lance Viggiano and Corey M. reviewed Marko Laiho’s new ambient mix he created for Radio Helsinki.
Marko Laiho’s forays into electronic music can be described as anything but explorations of the myth of the machine. Though his aesthetic pallet draws from future invocations – anything we say of the future is always about the present – he blurs the line between the biological and mechanical unlike so much of the greater genre proper. For this mix, created for Radio Helsinki, the bohemian devil troubadour crafts an enveloping near-ambient journey using samples of original work and that of other artists as well. The success or failure of music in this mode is dependent entirely upon pacing over the course of an unbroken set which in this case does not falter. Broken into halves, the latter is more recessed while the former is more pronounced.
Continue reading Marko Laiho – Ambient RH020151A (2016)