When you’re talking about death metal bands that have a great discography, Possessed is likely going to be mentioned. Seven Churches is largely considered one of the greatest albums of the genre, and while Beyond The Gates is generally an inferior work, it still has some good moments. Even the demos from 1991 and 1993, which featured a very different lineup than the “classic” lineup, are a curiosity to listen to.
Amidst the soulless mediocrity of the Nowadays era labeled by some as “modernity”, there exist certain currents of contemporary music which hearken to a perennial spirit, evoking reminiscences of an ancient and timeless existence of a more vibrant, numinous nature – ultimately putting the listener in contact with a deep intimation of the greater Reality of which they are a part. It is assumed that many readers of this site intuitively recognize that the best of Metal exemplifies this. Many fans and musicians of Metal also tend to recognise similar expressions as they emerge in other styles of music, whether it be Classical, Electronic, Prog, Punk, Folk, Industrial, Goth, or whatever. One enduring group which especially stands out to the sensitively attuned is, of course, the eternal Dead Can Dance.
Serpent Lord classify themselves as occult heavy metal and are adorned with the typical attire and related videos of the same rehashed cliches that Mercyful Fate popularized. The music takes mainly from Iced Earth,Black Sabbath,Death and Mercyful Fate and fails to invoke the greater aspects of those bands while invoking the worst from Death. This is a very young that have rushed their development fairly quickly and the lack of consistency in the quality of the compositions hurts a very promising band that is often confused with what they are trying to achieve.
Jered Threatin’s masterful illusion has become the biggest “metal” story of 2018. But while his stunning viral campaign has bewildered many, no one has really picked up on the bigger picture of exactly what Threatin was able to pull off.
Sammath who have kept us on edge with the imminent release of their latest offering, will finally play a concert outside of their zone comfort as they are known not to venture too far from home for their concerts. If any Hessians find themselves in Serbia or are near enough to go see such a show, they should not miss this event on February the 9th. For more information, see the Facebook event link for those interested in what guarantees to be a delight as the band will play new segments of their album including “Ferocious Mortar Fire.”
The end of the year for some people is a time where they participate in debauchery and related idiocy as they are convinced that the arbitrary beginning of a calendar year absolves them of past mistakes and gives them the possibility to renew themselves without the burden of accepting reality. Those who don’t hide behind such comforting fallacies accept that this is a day like no other and that no actual changes will occur except for remembering to write 19 instead of 18 when it comes to paperwork. Metal has continued its sad and hilarious explosion to the top of the mainstream while pushing out less and less meaningful art. Rather than go ever end of the year lists as they are just useless and contain mostly salvaged junk with the occasional pearl. Here at DMU we shall analyse new compositional tools we would like to see implemented and which ones should be discarded.
The task before a reviewer varies widely. If you want to be a big shot, you need to write about what the labels want, since they are the only source of top-down money coming into the genre. They will then reward your publication with advertising, it will then reward you with a promotion, and eighteen months later, you can ditch it and move up to the big leagues.
Among pipe smokers, the Virginia/Perique genre retains a perennial appeal because it mixes the sweetness of Virginia varietals with the tangy fruitiness of fermented Perique, creating a unique flavor that provides a nice transition from the monolithic sweetness of aromatics into the world of natural tobaccos.
Brutal yet melodic Dutch-German black metal fire team Sammath plan to unleash their latest album, Across the Rhine Is Only Death, during early second quarter 2019. This album extends their work on Godless Arrogance which took the grandeur of Strijd to its logical conclusion given the increasing viciousness and technicality of intervening albums.