Heavy metal channels aggression into inspiration

heavy_metal_channels_aggression_into_action

In contrast to previous studies showing that aggressive music boosted aggressive responses, a new study shows that instead heavy metal channels aggression into inspiration. While this goes against appearance by making it appear that one can “fight fire with fire,” it makes sense that the expression of a sensation will reduce that sensation and leave the logic behind the emotion.

One article summarized the situation through statements from the researchers:

“We found the music regulated sadness and enhanced positive emotions,” Ms Sharman said.

“When experiencing anger, extreme music fans liked to listen to music that could match their anger.

“The music helped them explore the full gamut of emotion they felt, but also left them feeling more active and inspired.

“Results showed levels of hostility, irritability and stress decreased after music was introduced, and the most significant change reported was the level of inspiration they felt.”

In other words, people who are stressed out, when they listen to aggressive music, discover the reasons for those emotions and feel inspired in turning to address them. This viewpoint seems consistent with the attraction of heavy metal for high-intensity personalities who are often very effective at what they do, but equally appalled by what is around them.

Perhaps this will not lead to blasting of heavy metal in shopping malls, since this effect only works with those who are already feeling stress, anger and aggression. The music helps them channel and understand those emotions, which is consistent with how books and other forms of music solidify wild impressions into clear calls to action.

No Comments

Tags: , , , ,

MoshKing Southern California metal concerts site returning

moshking
Southern California institution MoshKing.com, which has faithfully reported the metal concert events in that region since 1997, went on hiatus some time ago, but now has announced plans to return. Last year, the personality known as MoshKing posted the following notice:

Greetings Southern California Metalheads,

I want to wish everyone an outstanding new year.

As you may have noticed, Moshking.com has not been updated in some time.

I have decided to take a break from the site to pursue other interests.

I intend to start up the site again sometime in the future, bringing back an improved version of Moshking.com.

For now, I bid you all the best and thank you much for the support throughout the years.

Denis P. Recendez (Owner & Chief Editor)
Moshking.com
For The Southern California Metal Scene

Many of us were saddened, having relied on the site for years and appreciated Dennis’ editorial judgment. Luckily, the site appears to be returning, as indicated by a Twitter message (tweets are for birds) posted on July 14:

The phoenix to be resurrected soon. What features would you like to see on http://Moshking.com v.3 ?

To encourage him devilspeed in this endeavor, hop on over to MoshKing.com to see what a “for metal, by metals” concert listing site looks like.

No Comments

Tags: , , ,

SLAYER – Metal Eagle Edition content announced!

Slayer-Metal-Eagle

Last week, SLAYER announced their heaviest release ever – the Metal Eagle Edition of their upcoming album »Repentless«. Made of aluminum alloy, measuring 15” X 17” X 3” and weighing in at a hefty 7.8 pounds, the Metal Eagle Edition will house a deluxe digipak of the new »Repentless« CD plus bonus material detailed below. The limited (only 3,000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mailorder online stores.

Now, the time has come to reveal the special contents of this limited collector’s piece.
The Metal Eagle will include the following exclusive items:

– Deluxe digipak (folds out into “inverted cross“)
– Bonus BluRay & DVD incl. »SLAYER Live At Wacken 2014« & »Making Of »Repentless« Documentary«
– Bonus live CD »SLAYER Live At Wacken 2014«
– Fold-out poster
– Album sticker
– Numbered certificate

Pre-order your copy of the »Repentless« Metal Eagle Edition here: http://nblast.de/SlayerRepentlessEagle

No Comments

Tags: , , ,

A tentative list to get into death metal

TheSoundofDeathMetal

Getting into underground metal styles has never been a straightforward thing for anyone. The exception might be the Cannibal Corpse crowd that approach this music as fix for a certain mood, but see little beyond the most sensual appeal of the music. For those actually trying to appreciate the music anywhere beyond the surface either in a technical manner, it’s significance or the experience it provides beyond simple monochromatic sensual indulgence, the path consists of several steps in not one path but a multitude of paths that conform to the singular state and journey of each listener.

The present list does not attempt to give a template that will fit all as that is impossible. It is simplistic in its attempt to generalize and exemplify. The most important starting assumption is that the listener is at least fond of traditional heavy metal or hard rock in the worse case. I tried to avoid using of overtly offensive gateway bands like Craddle of Filth, Dimmu Borgir or Arch Enemy but these should not be completely discarded as possibilities to enable a smooth and pleasant transition into death and black metal.

For this example of a road map towards understanding and appreciation of death metal I have distinguished five different steps with suitable albums as follows:

I. Easy-going quasi death metal

  1. Carcass – Heartwork
  2. Entombed – Left Hand Path

II. Welcoming and easy-to-understand simple death metal that is only complex on a local level and so can inspire a sense of technical wonder in the listener while maintaining mood.

  1. Death – Spiritual Healing
  2. Adramelech – Psychostasia
  3. Demigod – Slumber of Sullen Eyes

III. Excellent, but mostly on a technical level, with raw power and refinement in style, solid and well-produced albums that do not transcend their technical aspects

  1. Morbid Angel – Covenant
  2. Cryptopsy – None so Vile 
  3. Vader – Litany 

IV. Authentic, representative of the core of the death metal spirit while being original

  1. Demilich – Nespithe https://www.youtube.com/watch?v=RjutXYAwc_0
  2. Deicide – Legion
  3. Suffocation – Effigy of the Forgotten

V. Completely past appearances and technical infatuation, almost on the spiritual level of true and good black metal

  1. At the Gates – The Red in the Sky is Ours
  2. Immolation – Unholy Cult
  3. Gorguts – Obscura

 

88 Comments

Tags: , , , , , , , , , , , , , , , ,

Deicide continues tour after Metal Alliance Tour 2015 is cancelled

deicidetour

Due to unforeseen financial issues, Continental Concerts and the “Metal Alliance Tour” regret to announce that the 2015 “Metal Alliance Tour” has been cancelled. However, the remaining dates will continue on as a Deicide headlining run, featuring special guests as support (Entombed A.D. is not on the bill due to the aforementioned issues).

DEICIDE USA headlining tour dates

  • June 11 – Las Vegas, NV @ LVCS
  • June 12 – Mesa, AZ @ Club Red
  • June 13 – El Paso, TX @ Mesa Music Hall
  • June 14 – Lubbock, TX @ Depot “O” Bar Live
  • June 15 – Austin, TX @ Empire Garage
  • June 16 – Dallas, TX @ Gas Monkey Live!
  • June 18 – New York, NY @ Gramercy Theater
  • June 19 – Baltimore, MD @ Ottobar
  • June 20 – Charlotte, NC @ Tremont Music Hall

https://www.facebook.com/OfficialDeicide

No Comments

Tags: , , ,

Shadow Woods Metal Fest: Location Moves To White Hall, Maryland

shadowwoodsmetalfest

The inaugural September installation of Shadow Woods Metal Fest, the new mid-Atlantic, open-air, camping-based metal fest, has moved slightly Southeast, from its initial placement in Southern Pennsylvania to White Hall, in Harford County, Maryland.

Set to take place September 25th – 27th, 2015, the new location of Shadow Woods Metal Fest is similar to the previous site, with deep woods, cabins and tent camping fields, yet is slightly closer to both Baltimore and Philadelphia, making it even more accessible to East Coast metallers planning on attending the diverse three-day festival. The more intimate setup of the new camp is equipped with several cabins, modern plumbing bathrooms, a professional kitchen, a lodge building, and access to a river, as well as an indoor stage.

Since initial announcements, Menace Ruine dropped from the lineup and was replaced by Black Table, yet the remainder of the Shadow Woods Metal Fest lineup remains the same, including lead performances from Midnight, Falls of Rauros, Occultation, Velnias, Iron Man, Anagnorisis, The Flight of Sleipnir and Stone Breath, along with twenty-six additional acts. The fest is also likely to be the first live performance for the surviving members of Wormreich since their tragic vehicle crash in April. The gathering showcases underground black, doom, death, and noise and experimental metal bands on two alternating stages all day Friday and Saturday. Camping and workshops on topics such as runes, guitar maintenance, yoga and more will be offered and are included in the ticket price. Artists and record labels will be vending alongside several onsite food stands.

There will be ZERO ticket sales at the gate for Shadow Woods Metal Fest– advance presales to those 21 years of age and older is the only way into the fest, and is still BYOB. Cabin beds are now included in the ticket price but are limited to first-come first-served. There is a list you can sign up on mentioned in the private group. There are only 350 tickets in total, and half of those tickets have been sold.

Additionally, the Shadow Woods Metal Fest website has been redesigned to include a store — including a new poster for the event designed by Fred Grabosky of Sadgiqacea. — as well as the newly-launched Shadow Woods Radio, showcasing artists set to perform at the festival. Check it all out RIGHT HERE.

SHADOW WOODS METAL FEST 2015 Alphabetical Lineup:

  1. Anagnorisis (Louisville, KY – black metal)
  2. Anicon (New York, NY – black metal)
  3. Ashagal (New Hope, PA – ritual folk)
  4. Black Table (NYC/NJ – experimental metal)
  5. Bridesmaid (Columbus, OH – instrumental doom-sludge)
  6. Cladonia Rangiferina (VA – ritual black metal, doom, acid rock)
  7. Dendritic Arbor (Pittsburgh, PA – black metal / powerviolence)
  8. Destroying Angel (Philadelphia, PA – folk music for exorcisms)
  9. Dreadlords (Philadelphia, PA – ritual black metal blues)
  10. Dweller In The Valley (Frederick, MD – black, death, doom)
  11. Existentium (Baltimore, MD – melodic technical death metal)
  12. Falls of Rauros (Portland, ME – folk/atmospheric black metal)
  13. Fin (Chicago, IL – black metal; unsigned)
  14. Heavy Temple (Philadelphia, PA – psychedelic doom)
  15. Hivelords (Philadelphia, PA – experimental psychedelic black doom)
  16. Immortal Bird (Chicago, IL – black/death metal)
  17. Iron Man (MD – doom metal/heavy rock)
  18. Midnight (Cleveland, Ohio – black heavy metal)
  19. Molasses Barge (Pittsburgh, PA – traditional doom metal)
  20. Occultation (New York, NY – doom metal)
  21. Oneirogen (New York, NY – dark, doom, drone)
  22. Psalm Zero (New York, NY – experimental black doom)
  23. Sentience (Woodland Park, NJ – death metal)
  24. Slagstorm (Hagerstown, MD – prehistoric doom thrash)
  25. Snakefeast (Baltimore, MD – jazz metal sludge)
  26. Stone Breath (Red Lion, PA – experimental folk)
  27. The Black Moriah (Dallas/Fort Worth, TX – Western occult black/thrash)
  28. The Day of the Beast (Virginia Beach, VA – blackened death metal)
  29. The Expanding Man (Baltimore, MD – solo improvisational electronic soundscapes)
  30. The Flight of Sleipnir (Denver, CO – black metal)
  31. The Owls Are Not What They Seem (York, PA – experimental ritual soundscapes)
  32. Tyrant’s Hand (Baltimore, MD – deathened black metal)
  33. Unsacred (Richmond, VA – savage black metal)
  34. Velnias (Denver, CO – blackened folk/doom metal)
  35. Wormreich (Huntsville, AL & Nashville, TN – black metal)
  36. ZUD (Portland, ME – bluesy outlaw black metal)

http://shadowwoodsmetalfest.com
http://www.facebook.com/shadowwoodsmetalfest

 

1 Comment

Tags: ,

Death to False Metal Festival, Tickets Now Available

deathtofalsemetalfestival

Death to False Metal Festival hopes to create what they hope will become one of the premiere metal festivals in the US. Sponsored by Metal Insider and Earsplit PR, the initial gathering will take place Friday, August 14th and Saturday the 15th at The Outer Space & Ballroom in Hamden, just outside of New Haven, Connecticut.

Advance tickets for both days of Death to False Metal Festival are now available at THIS LOCATION.

Death to False Metal Festival also was recently featured in a festival season guide at Heavy Blog Is Heavy RIGHT HERE.

Death to False Metal Festival 2015 Lineup:

8/14/2015 The Outer Space & Ballroom – Hamden, CT

w/ Whiplash, Valkyrie, Imperial Triumphant, Nightbitch, Vengeance, Bedroom Rehab Corporation

8/15/2015 The Outer Space & Ballroom – Hamden, CT

w/ Krieg, Secrets Of The Sky, Immortal Bird, Destroyer Of Light, Godhunter, Secret Cutter, Tomb & Thirst, Grizzlor, Archaic Decapitator

1 Comment

Tags: ,

Early Music for Metalheads Part 2: Organum

42-17214683
The influence of classical Greek thought was present in most aspects of intellectual life in the middle ages. Aristotelian thought is central to the works of Thomas Aquinas, perhaps the best known theologian of the era and neoplatonism was influential on those theologians of a more mystical inclination. In the musical world, the basis of medieval music theory – the Church modes – was derived directly from the medieval understanding of Greek musical theory. This musical theory had its origins in the Pythagorean school. Pythagoras was the first westerner to record the mathematical relationships between pitches and used these relationships to derive musical modes. Related to this was the idea, also attributed to Pythagoras, of the music of the spheres, the concept that the proportions of the movements of celestial bodies create an inaudible music that is superior to any form of audible music. Implied in this idea is the belief that audible music should microcosmically re-create this celestial music.

 

Medieval music theorists did not interpret this Pythagorean conception of music as a mere metaphor. There existed a consensus that certain musical intervals were superior to others by virtue of their simpler and therefore more universal harmonic ratios. As a result the earliest examples of organum in medieval music involved the doubling of a chant melody at a consonant interval (1). Over time this practice evolved organically, with the added voice being granted greater independence from the original melody. Eventually organum evolved into a practice where the notes of the chant melody were extended into lengthy drones while the added voice sung extended composed melismas. This practice was known as florid organum.

 

This example shows an earlier form of organum with the added voice having some independence, however parallel consonsances still form a significant component of the musical texture.

 

This next example comes from the St. Martial of Limoges school of composition which produced a large number of works in the 12th century. This piece is not based on a chant melody and is therefore not an organum but rather a conductus. This shows the trend towards more freely composed music.

 

By the latter part of the 12th century the practice of organum was widespead across Europe and numerous theoretical treatises had been produced which shed light on the musical thought of the time. One of these treatises came from an English music student studying in Notre-Dame, Paris, who is known only as Anonymous IV. He wrote at length about the two musical masters working out of Notre-Dame whom he called Leonin and Perotin. If not for Anonymous IV’s treatise the names of these composers would not be known. Together these composers made a number of significant innovations in the composition of organum and other genres which ushered in a new era of musical composition and played a key role in the eventual development of counterpoint and harmony.

 

The older of the two composers of the Notre-Dame school, Leonin, is best known for his organum duplum (organum with one voice added to a chant melody) which employ a form of rhythmic organisation using six rhythmic modes (short rhythmic patterns). Leonin’s younger contemporary, Perotin, was probably the earliest composer to add a third and fourth voice in his organum. He was therefore instrumental in the development of counterpoint of which his music is an early example albeit following different rules to those that governed the counterpoint of later composers. Perotin also utilised the six rhythmic modes although in contrast to Leonin’s free and improvisatory use of these modes Perotin created thematic structures from these rhythmic materials which were developed and varied throughout a piece. Through the use of this and other techniques Perotin composed organum which were an early example of large scale, structured compositions of the kind which became the standard during the common practice period.

 

This example is a somewhat stylised performance of an organum composed by Leonin. The use of rhythmic modes and melismas above a chant melody are made quite clear.

 

And here we have one of Perotin’s two surviving organum quadruplum: Sederunt Principes.

 

 


[1] It may be of interest to note here that this doubling of a melody at a consonant interval is precisely the same technique as playing a melody in power chords rather than single notes since the melodic line is doubled at the fifth.

13 Comments

Tags: , , , , , , , , ,

Sadistic Metal Reviews 05-27-2015

desroyCds01

Sadistic Metal Reviews function as your goto list for albums that should be recycled as material for making more copies of actually good music, if that’s even possible. These releases deserve no better than to be piled up and flattened by a machine. They’re wasting space and resources on completely useless, half-assed art.

Ethereal – Opus Aethereum (2015)

Playing a pseudo-symphonic black metal, Ethereal play a speed metal blanketed by racing, blasting drums with no creativity at all. The blanket comes in the form of the synth special “orchestral” effects which outline melodies on top of the repetitive music which never builds up to anything. The emphasis of the music is on how fast and brutal it is alone, in the spirit of the gimmicks of Godflesh Apocalypse. There are a few beautiful moments here and there in the album and this is the sort of candy some people will latch on to, but as an integral music work, it is of extremely sparse quality.

Mellevon – Solace (2015)

Somehow trying to unite ambient, pop “metal” and deathcore, Mellevon embarrass themselves with this blatant attempt at making pseudo-progressive music, the modern misconception of what progressive music is. The songs are driven by groovy rhythms in power chords, alternated by single-string tremolos that are just the backbones for chords (as opposed to being motifs), with a synth outlining the Epica/Nightwish – like melodies with a modern cliche “prog” twist.

Opium Lord – Eye Of Earth (2015)

Your typical sludge-like experience, this band’s music goes nowhere. It all relies on one rhythm, one riff and the pushing of this sole element by upholding how “heavy” it is. Representing one of the most superficial genres, Opium Lord give us 7 tracks with 10 riffs that are “ultra-heavy”. Get ready to headbang, brainless potheads.

Saturnian Mist – Chaos Magick (2015)

Saturnian Mist play a cheap brand of alternative metal that tries very hard to be tough and to insert “extreme” elements to sound tougher. The whole attitude of this band seems to be based on that all too common sentiment of posing at being a tough kid. The songs follow a pop format, and are based on chords with screamed lyrics on top of them. Major impact is in the contrast of certain sections. Endings are just abrupt, the songs do not lead from one clear point to another, but are rather just very messy.

Svärta – Sepultus (2015)

Ah, the black metal stereotype of flat-dynamics throughout a song have lead so many astray. With the idea tha black metal consists only on flat and intense sound repeated ad nauseam without any other aim than “Creatng atmosphere”, Svärta gives the world yet another bland modern black metal album. This band at least has the sense to be relatively consistent and they try to bring riffs back, or their main ideas at least. The lacking vision shows most clearly when they insert sections with no drums and clean guitar strums out of the blue with little relation to the rest of the song in order to create the cliche anti-climax that the unimaginative minds can summon as their only proposition.

Cold Cell – Lowlife (2015)

More pseudo black metal from the modern sludge crowd with post-metal tendencies. They try to “improve” on black metal by bringing in more clean picked chords, inserting more blank spaces in the music and forcing variety on songs. Not the kind of variety that is linked strongly within a song through different musical dimensions, but the kind of variety that results from not fucking knowing what to write and so being forced to insert whatever comes into your mind. This is not creativity, this is mediocrity.

Nightwish – Forms Most Beautiful (2015)

Representing the cheapest moves by the so-called symphonic metal bands, Nightwish makes songs with long, varied intros that vary from straight-up pop flares to the modern pseudo-prog groovy intros. Do not let anything here fool you, this is is just simple and low-quality pop music with catchy leads. The entire value fans of this music give it is reduced t “nice melodies”. It’s insulting that these people even want to sell themselves as metal. This is pop music, accept it once and for all and put all these candy-rock pop in the shelf next to Miley Cyrus.

Profezia – Black Misanthropic Elite – Moon Anthem (2015)

More intense, low-fi black metal that does nothing but ride a riff and repeat it until the band feels it has filled enough minutes. Combine this with slower tracks to create variety and you have more repetitive songs that try very hard at the same trope of “creating atmosphere” by virtue of their repetition. This is as tiring on its own as it is as a result of having heard this approach by countless other mediocre bands.

3 Comments

Tags: , , , , , , , , , , , , , , , ,

Classical String Quartets for the death metal fan, fourth edition

schubert webern

 

Today, we’ll visit string quartets from both the Romantic and Modernist eras. The purpose is to give continuity to the line started in the first few articles. We visited Beethoven and Shostakovich, then Mozart and Bartók, and for the last time we visited the respected teachers Haydn and Schoenberg. This time we visit one of the the Romantic heirs to the Beethovenian tradition, the writer of music with a very private character, Schubert, and the genius serialist composer Webern, one of the most (if not the most) outstanding students of Schoenberg.

 

Franz Schubert: String Quartet no. 14, Der Tod und das Mädchen

This quartet is dubbed after an earlier lied of the same name, whose main theme Schubert used as the theme for the the second movement of this string quartet.

 

https://www.youtube.com/watch?v=Jlzv1yUFo-A

 

Anton Webern: 5 Sätze für Streichquartett op.5 (5 movements for string quartet)

It is a common misconception that serialism is a more mechanical method of composition, because it s a method. While some (including myself) believe it is an unnatural (contrary to the Common Practice Period notions) method contradicting the physics of frequencies, it is, apart from that fact, as much of a valid and constrictive method as any other. No more, no less. It just follows a different set of rules. And because it is counter-intuitive for people unaccustomed  to it, compositions with this method may well prove to be even more demanding by virtue of this lack of familiarity the general public has with it – it has harder to make something that makes any sense for the human ear. In my humble opinion, the dependency on an ethereal pulse becomes paramount in this type of music.

5 Comments

Tags: , , , , , ,

Classic reviews:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z