Deadhead #6 Zine Reprinted

Schattenmann Publishings has reprinted the sixth issue of the Deadhead Fanzine featuring interviews with Mike Browning and Richard Brunelle from Morbid Angel about the band’s earliest days when they wrote their best material. The original pressing sold out quickly so get yours while it is still available. Schattenmann is planning to recreate and republish other back issues of the Deadhead zine in the future too.

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Gary Holt Prepared to Write Slayer Music

Current Slayer guitarist Gary Holt (Exodus), who replaced former primary songwriter Jeff Hanneman after Hanneman contracted necrotising fasciitis from a spider bite and drank himself to death, told Ultimate-Guitar that he is prepared to write new music for Slayer. This can only be an improvement as Kerry King wrote all of the godawful Repentless.

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Spite Extreme Wing – Vltra (2008)


by Max Schoenbach

Spite Extreme Wing was an Italian black metal band with a vision rooted in their national culture or what they perceived as a manifestation of its innate transcendental aspect. On their older albums they are perhaps comparable to Sigrblot or Kaevum, either aesthetically, or by following similar approach to constructing identity of their art. (more…)

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Ereb Altor Premier “En Synd Svart Som” Music Video

Swedish viking themed heavy metal band Ereb Altor premiered a new music video, “En Synd Svart Som” from their upcoming album Ulfven, which comes out July 7th on Hammerheart Records. Ereb Altor of course worship Hammerheart era Bathory but of course more boring with the rhythm section giving hints of being rooted in metalcore. Hopefully the rest of the tracks on Ulfven will have less wailing, less breakdowns, and more riffs. Hopefully the composition will actually progress to something interesting.

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Celebrating The Spirit Of Heavy Metal

The path of heavy metal is a solitary one. Most people do not like the idea of it, hate the sound of it, and look down on those who like it. It is not simplistic and mindlessly obsessive like rock, nor fancy and high-falutin’ like jazz. It seems deliberately antisocial, disruptive, violent and dark.

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Obituary & Exodus 2017 Tour

Obituary and Exodus are scheduled to tour the United States together later this year in the fall. The “Battle of the Bays: American Tour 2017” will have German speed metal band Dust Bolt opening along with the awful American metalcore band Power Trip. This probably will not be a great tour for underground metal fans but could be fun for beer metallers.

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Metal Is Not Rock

There remains a massive confusion in mainstream media, society, and culture regarding metal as a truly separate genre of music.  The mainstream media and leftist-controlled academia regard metal merely as a subgenre of rock music, rather than its own distinct genre. This is of course absurd. If metal isn’t its own entirely separate genre of music then jazz, folk, country, and blues are all rock ‘n’ roll too as they can all be played with the same basic set of modern instruments. Since this topic is well-documented in Death Metal Underground’s extensive Heavy Metal FAQ, in this article I will merely layout some basic musical differences between the genres and provide a few appropriate examples to hammer it down into the brains of the ignorant.

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Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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Into Oblivion Start Recording Paragon

Canadian experimental death/black metal band Into Oblivion announced on their Funbook page that they are beginning the recording process for their next record, Paragon, tonight after more than five years of writing and refining their material. Hopefully Into Oblivion will have used their time wisely to improve upon Creation of a Monolith.

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Corporate Metal Labels Caught in a Death Spiral

Earlier this week the publishing catalog of metal mega-label Century Media has been pawned off for an undisclosed sum to Reservoir Media, a publishing boutique holding the royalty rights to songs by a variety of pop artists ranging from Drake to Lady Gaga. In investment terms, a boutique is defined as a financial firm that deals with a specific market, so picture Reservoir as a wealthy Wolf of Wall Street-like conglomerate recklessly gambling with the royalties of musicians. This is common in the modern music market, where suits are making bets on the evolving payout methods streaming services, but the surrender of Century Media’s entire catalog of albums (Death, Paradise Lost, In Flames) to a finance firm playing with house money goes to show how desperate the corporate metal labels of yesteryear have become.

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