For many bands, summer is the perfect time to record music and to rehearse for live concerts in a boiling garage or studio. The festival season and the holidays allow many musicians to take time off to focus on implementing new songs to their set list or to push their capabilities as players. Where most players seek to play more technically dexterous music, a few friends of mine wanted to master a song that was simultaneously simple yet physically exhausting to play. Nihilist and Sodom both fit the bill perfectly but we would settle on “Sentenced to Death” for its brief periods of respite between the bursts of rapid picking. Though we thought of this song as being a basic and minimalistic slice of powerful metal, after our wrists and arms had been decimated completely, we came to realize that the true power of this song is not the constant madness but the final flurry that manages to go even beyond the insanity before it.
Tags: analysis, brief analysis, climax, Nihilist, sentenced to death
The Nomad Project present us here four different singles that will be part of an upcoming EP. An short set of songs that returns seeks to evoke the adventurism of Kraftwerk and the like but through simpler and more modern tools.
Tags: Bizarre Curiosities, the nomad project
So many bands have failed in continuing Sarcófago’s tradition of blasphemic and vicious black metal. Reducing the band to a set of aesthetics and confusing their minimalistic songs for dumb simplicity. I.N.R.I stands out not because of its context or its introduction of certain visual elements that would become common a few years later, but because of its nuanced composition that has eluded later bands. Let us look at the initial riff from the song “I.N.R.I” to understand why.
Tags: inri, riff analysis, sarcofago
Unleashed had at this point released two good records that saw the band create Heavy metal songs with limited Death metal stylings and were known for possessing a particularly small set of tools which almost made their previous very repetitive. On Across the Open Sea, the band’s Magnum Opus, the band re-contextualized their previous influences to create rousing and anthemic works while seeking to expand further into Death metal technique and arrangement. “To Asgaard we fly” shows this subtle marriage between the two and how the band were able to combine such styles without to saturate the listener with stolen Iron Maiden leads.
Tags: across the open sea, death metal, riff analysis, to asgaard we fly, Unleashed
(Join Ionnas as he dives into the final heap of contestants hoping to prove their worth, will there be any talent left or will he be forced to scrape the bottom of the barrel for any redeeming qualities. Either way every band here will have to face the harsh truths of reality.)
May the best survive!
Tags: mefitis, mlotek, mvrdvrcvltvr, putrid vision, savagez, song contest, steeped horsehair, tillian
Shub Niggurath is the third band in what can be called the Mexican big three of Death metal with the other two being The Chasm and Cenotaph. Though Shub Niggurath shared members with both bands and subsequently shared some similarities with both in terms of aesthetics they managed to forge their separate identity in regards to composition. Opting for a form of Death metal based on early Morbid Angel,Deicide and some influences from Emperor and Darkthrone. Shub Niggurath create pompous Death metal out of bare bone parts.
Tags: A Black Moon Broods Over Lemuria, cenotaph, Mexican Death metal, shub niggurath, the chasm, the kinglike celebration (final aeon on earth)
Celebrating Walpurgisnacht, Rob Darken’s (Graveland) folk brainchild Lord Wind has issued a new video clip on the 1st of May.
Tags: burzum, graveland, lord wind, rob darken
At some point even the ablest writer runs out of adjectives and nouns to describe a bad release, but in this case, I will unleash the nastiest word of all: fraud. This album, the typical moron normies pretending to be black metal fans, and the industry that supports it are all frauds.
Tags: AIDS, Black Metal, funeral winds
In an industry crammed with anti-hero biopics, Lords of Chaos follows the self-destructive rock star trope while sensationalizing the events that occurred during the black metal movement in Norway. Instead of simplifying the story to tell a more accurate tale of actual events, it adopts the more complex and clunky Hollywood cliché of the anti-hero rockstar who must “confront his own demons” instead of the more interesting story, as happened in real life, of a clash over artistic, philosophical, and personal differences. (more…)
Tags: attila csihar, Blackthorn, burzum, Euronymous, faust, hellhammer, Jonas Akerlund, lords of chaos, mayhem, mental retardation, Metalion, movie, varg vikernes
Zloslut is a Serbian Black metal that initially consisted of sole founding member Agnarion who had produced all the records by himself but here on Sahar, Agnarion is joined by a full band that changes the dynamic of this album compared to previous works. All the previous rough edges have been rounded out from the production all the way to the riffs themselves. While this does create a certain amount of sterility, it also allows the band the freedom to explore and to develop their own style.
Tags: Black Metal, Finnish Black Metal, king diamond, mayhem, Sahar, zloslut