Atrocity – Todessehnsucht (Longing for Death) (1992)

Most Death metal bands don’t age gracefully and tend to either become parodies of themselves or end up playing pop music. Atrocity after having conquered Death metal decided to experiment with various genres but each of those experiments has been abysmal failure. This band therefore destroyed its reputation in both underground and mainstream circles to the extent of being forgotten by all. But from 1985 to 1992, Atrocity were on the war path until the release of their Magnum Opus Todessehnsucht (Longing for Death). Five musicians with an obvious passion for classical music combined with Floridian Death metal and the Teutonic trio. More precisely their main influences seem to be Death, Destruction, Kreator, Morbid Angel and Richard Wagner.

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Pathologist – Putrefactive and Cadaverous Odes About Necroticism (1992)

Like thrash before it, grindcore was born out of a convergence of elements of punk and metal. Where thrash combined metal song structure and intensity with the brevity and minimalism of punk, grindcore merged the most abrasive aspects of hardcore punk with the techniques of death metal of the oldest school, arriving at an uncompromisingly direct and streamlined torrent of atavistic rage.

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Onward to Golgotha: The Deepest Death Metal

Incantation‘s debut and best work, Onward to Golgotha, remains the deepest death metal album I have ever experienced a quarter century after its release as of today. With material (“Unholy Massacre” and “Profanation”) dating back to the initial founding of Incantation by guitarist John McEntee and drummer Paul Ledney, Onward to Golgotha was a record influenced as much by Bathory and Beherit as it was Morbid Angel and Autopsy.

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Аспид – Кровоизлияние Released on Bandcamp

aspid cover

Аспид’s (Aspid) lost early 90s technical speed metal album, Кровоизлияние (Extravasation), has been released as a pay as you go, CD-quality lossless FLAC digital download on Bandcamp by Metal Race. Prior to Metal Race’s recent CD from the original DAT tape of the mix supplied by the band that was hard to get outside of Russia, Кровоизлияние was only available on the extremely limited original LP and a horrible sounding CD from a secondary source that was slightly sped up. Listeners worldwide may now enjoy some of the best post 1980s speed metal, resembling a more progressive Destruction.

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Liers in Wait – Spiritually Uncontrolled Art (1992)

liers in wait spiritually uncontrolled art og cover

Article by Lance Viggiano

Liers In Wait cast chains of non-random riffs in the legato style of metal pioneered by Morbid Angel to no effective artistic purpose. Spiritually Uncontrolled Art comprised of rationally woven re-contextualization of familiar death metal patterns which never manage to take on a distinct character as individual tracks. The album as a whole doesn’t begin to approach a definable emotive personality because the subject of this work is the personality of the composer: a master of phrasing with an encyclopedic knowledge of metal so adept in his craft that self-editing would diminish the efficacy of his work. These streams of coherent yet cold consciousness are hewn to Necrolord’s own sense of bravado; made concrete by a vocal delivery that proffers dominance rather than dread.

This is neither music for music’s sake nor music for the sake of expressing a transcendental idea. It is entirely about the composer’s ability to write coherent music out of the first thing that comes to mind – a mind that is very much a wellspring. In some ways this album is analogous to Eighties shred which existed as a pure demonstration of superiority over its contemporaries by parasitizing familiar content that was then latticed to the listener through overly sentimental melodic hooks. Antithetically, Necrolord eschews hooks entirely as they would constitute breaks and disruptions in the stream by deploying recognizable moments and thereby give the impression of emphasizing the better material, and consequently highlighting the lesser ideas of which there are none to be found. Conceptually this seizes the middle ground between tuneless noise and the summa cum laude of ten-mile-long cock rock.

Lasting impressions, significance and meaning is for the sensitive feminine types, not the fucking overlord. In this sense, Liers in Wait is a resounding success. Those lamenting the fact that this music does not “Do something” gravely miss its point.

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Upcoming Miasma – Changes Reissue

miasma changes reissue

Miasma’s Changes is being reissued on CD and LP by Rotten Relics Records. This pressing of the long out of print and compositionally coherent caveman death metal classic is the first with the original sound since the original Lethal Records one from 1992.  It is being done with the approval of all band members, who contributed comprehensive art, photos, lyrics, and liner notes. Rotten Relics says T-shirts will be available too and warns that a Brazilian reissue intended for the South American market only (yeah right) without authorization of the band and probably without the original master is scheduled for release at the same time so watch out.

Listeners may stay informed on Rotten Relics’ Facebook page.

 

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Vader – The Ultimate Incantation Reissue

VADER ultimate incantation reissue 2cd
Vader
‘s debut, The Ultimate Incantation, is being reissued on June 3rd on both CD and LP by Polish label Witching Hour. The original, discarded recording session produced by Tomas Skogsberg at the famous Sunlight Studio in Stockholm, Sweden is included as a bonus disc. The lost Swedish session released for the first time should make this reissue worth checking out for fans of the band along with those of Swedish and Slayer-style death metal in general.

We are proud to present the long awaited reissue of VADER’s debut album “The Ultimate Incantation”. This album was a milestone in death metal history and a groundbreaking masterpiece for the Polish scene allowing our bands to be heard beyond the Iron Curtain. With this record VADER’s international career begun and it’s a cult classic since then. Once again we made our best to deliver this classic album as a top notch release. To match our words we will attach an extra stuff with never before released original album session done by THOMAS SKOGSBERG in SUNLIGHT STUDIOS. And that’s not all. We also asked the master himself – DAN SEAGRAVE to prepare new artwork for this release.

The 2xCD digipack may be pre-ordered from Witching Hour here.

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Crematory – Denial (1992)

crematory denial

Article by David Rosales

Crematory’s 1992 EP is the very definition of good, old riff salad death metal, at least from a basic technical stance. Strings of ideas fly by with less-than-optimal riff glue to hold them together, but an intuitive flow is always present. Adjacent riffs may be linked motif-wise, but sharp corner-turns are never too far away. There is a clear emphasis in contrasting rhythms to create interest in the music in the absence of clearer goals. Denial is a good example of why many black metal musicians who were originally playing death metal chose to forgo this style in order to look for more artistically meaningful avenues of expression. Crematory is fun, and there is an obvious emphasis on technical proficiency that although not forgetting entirely about coherence leaves it as a second thought, and any other landscaping is all but forgotten. Concept building is left to the lyrics, while the music is only an engine to carry those words.

Fans of this old school band’s work tag this lazy and faceless approach as ‘Crematory style’, but in truth, it is just run-of-the-mill riff salad without any particular purpose; only remarkable for presenting some technical variation. This can be particularly observed when the band attempts to take rhythm to the edge of what their speed-based approach allows them and creates this ass-shaking syncopation worthy of Brazilian carnivals. This comes out as comical, but perhaps technically ‘interesting’ for drummers. The guitar’s work is completely driven by these frenetic drums that seem more interested in showing off how many different patterns they can cram into half a minute than in contributing to the larger picture. In fact, the whole of the music appears to be an excuse for rhythmic exercises in “fun and gore”. This is an early demonstration of tongue-in-cheek emptiness that lead these musicians to explore technique but reveal nothing to the soul.

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Listenable Records reissues Immolation – Dawn of Possession

immolation dop

Article by Daniel Maarat

Immolation’s debut has recently been reissued with the original CD mastering intact for the first time since 1995. Closer to conventional speed metal and lacking the complex polyrhythms and syncopation of their prime material (including the masterful Close to a World Below), the album nevertheless remains an accessible must-listen. That this classic was out of print for over twenty years with even the Polish mafia, probably bootleg slammed remaster going for inflated prices on the secondary market shows just how much the Warner Music Group owned, formerly independent Roadrunner Records has been neglecting their back catalog in favor of pushing nu-metal and Nickelback to a lowest common denominator audience. Hopefully more licensed-out, quality digital reissues will follow as Metal Blade was permitted to handle the recent Mercyful Fate and Sepultura vinyl pressings.

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