Sorcier des Glaces Ritual of the End & North Vinyl Reissues

Sorcier des Glaces announced on their Funbook page that their last two albums, Ritual of the End and North, are out now on vinyl LP from Obscure Abhorrence Productions. The albums were some of The Best Underground Metal of 2014 and 2016. They can be ordered from Obscure Abhorrence Productions on the label’s website.


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Antifascist and Communist Terrorists Threaten Marduk Tour

Antifascist and Communists have vowed to commit terrorists acts in protest of Swedish war metal (formerly black metal) band Marduk touring the US for the first time in years. The idiotic communist manlets are accusing Marduk of being a “crypto-fascist” band. They will not stop harassing the band, their fans, and concertgoers until all of them are sent to gulags (where work will set them free) or have hollow-point bullets shot into the back of their skulls in the bowels of police stations.

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Metal Will Never Die

Online music magazine Perfect Sound Forever (nice job stealing the 1980s advertising slogan for the then new CD format) recently posted a piece entitled “Metal For the New Millennium” by an idiotic hipster named Cam Netland who said that metal was a limited music genre as result of being a “as an offset of rock music”. Netland claims that metal became “more hardcore” as a result of the “radicalization” of other genres in this period citing staid examples such as Bad Brains (softened hardcore punk for idiotic affirmative action multi-culturalists) and Public Enemy (rap made into pop music with tough street gang lyrics to make suburban white jocks feel good about their short penises). He goes onto claim that metal is divided into many “micro-genres” and that the new millennium has seen the rise of many new ones such as what Neton terms Babymetal‘s grass-eater Japanese pop music, djent (random post-hardcore jazz fusion) Deafheaven‘s “blackgaze” (screamo pretending to be tough that is neither black metal nor shoegaze), and Vektor‘s random techno speed metal idiocy. Netland cites such turd non-metal albums as MastodonLeviathan (alternative rock), Converge – Jane Doe (post-hardcore math rock), and System of a Down – Toxicity (nu-“metal” which is in actuality of course rap rock).

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Infester – To The Depths, In Degradation Reissue Out Now

Infester‘s To The Depths, In Degradation has been finally been reissued by Martyrdoom Productions on CD and LP. Do not pay scalpers, profiteers, and fetishists hundreds of dollars for the original CD that cost ten buck a decade ago on Discogs or Ebay. Buy the reissue and case of beer and spin it until you understand it. Progress beyond a three-chord speed metal hooligan who went from playing Street Fighter and NBA Jam in pizza parlor arcades to rehash metal shows at bar grills. Wait, half the people buying this reissue from A.V. 666 are too young to remember Mortal Kombat II in the arcade and Super Nintendo. Just buy To The Depths, In Degradation, stop whining that you can’t jump up and down to Infester like a seven year old snorting pixie sticks, and listen to the record until you reach the depths of hell from a hole in the ground.

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Forteresse Announce Récits Patriotiques

French Canadian Gothenburg style metal band Forteresse announced a rehearsal album, Récits Patriotiques, today for all those who care about their boring Gothenburg material that sounds like early Amon Amarth with no tempo changes or variations for beer metallers who do not critically listen to music and prefer to just leave metal on in the background like a heavier version of smooth jazz they can ignore and check in on once every two minutes to see if the band did anything new or are back to scratching their asses. Récits Patriotiques will be released on March 18th, 2017 by Sepulchral Productions on 750 CDs for 750 fundergrounders or hipsters who want to crank frogified Davy Crockett metal to feel special about themselves like kale-flavored ice cream sandwiches. Preorder Récits Patriotiques here if you hate money and wear coonskin caps during sex.

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Profanatica Sickened by Holy Host / The Grand Master Sessions CD Reissue

Hells Heabangers Records has reissued most of Profanatica‘s works from the third millennium on CD. Including are bonus discs for completionists and obsessive compulsive collectors. Profanatitas de Domonatia, Disgusting Blasphemies Against God, and Sickened by Holy Host / The Grand Master Sessions are all pressed on gold CDs like Mobile Fidelity Sound Lab and DCC CDs from the nineties for maximum shinyness and all include bonus CDs of live shows from the early 90s that will probably be only listened to in the car or as background music at work. The Grand Master Sessions was previously vinyl only and is the one that most of the die hard underground fans who moved onto superior digital technological formats will be picking up.

Order them from Hells Headbangers here if your obsessive compulsive disorder demands it.

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Solitvdo – Hierarkhes (2016)


Article by Lance Viggiano.

Solitvdo are yet another epic sounding sing-along, rootin’ tootin’, arm swingin’, marble-pilled good time with yer ole partner melancholy. Think Vikinglider Veldi with riffs about a quarter of the length, half the inspiration and none of the thoughtful placement. Riffing on Hierarkhes is mostly inspired by nu-Rotting Christ but with triumphant melodies echoing swords and sandals epics, song structures are mostly sing-along vocal driven black ‘n’ roll about the Romans, culminating in solos by someone just learning to play whose guitar god is not Jupiter Optimus Maximus but Slash from Guns ‘n’ Roses.

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Black Metal, Nihilism, and Heresy

I. Degrees of an Allegory in Black Metal

Black metal, as any art, spans not only the musical, but the ideological as well as some kind of social component. Those who claim its flag range from popular musicians dressing up, to occult panderers playing at magickians, to extremists, to individuals that society would consider degenerates. There are more groups that could be mentioned but that we do not need to mention explicitly. Needless to say, all of these groups have a very different understanding of what black metal is, and what their seminal exponents such as Quorthon intended or what his work represents, or should represent, once it was out of his hands.

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