Blaspherian/Imprecation split 7″ art revealed

July 2, 2014 –

blaspherian-imprecation-split

Dark Descent records unleashed the cover art for the upcoming Blaspherian/Imprecation split 7″ recording. This will combine the power of the two bands, including Blaspherian vocalist Daniel Shaw who drew the intricate and necrotic cover.

Expect copious apostate blasphemy as both of these bands, coming from the religious yet contrarian abyss of Texas, Houston, have nursed an inculcated dislike of all things holy since an early age. Both bands have a root in the original incarnation of Imprecation who released a Morbid Angel/Revenant-ish compilation of demos in 1995.

Since that time, Blaspherian has emerged as the vehicle of songwriter Wes Weaver to express cavernous thunder of old school death metal austere rage and epic historical-mythological minimization of humanity and emotion, while Imprecation has merged melodic doom metal with old school death metal to create a new form of unholy ritual metal.

As these two new legends prepare to holocaust humanity with their acerbic ire and irreverent heresy, the underground awaits with growing anticipation. The underground death metal revival that began in 2009 with Beherit Engram gains momentum as it overcomes inertial barriers and defines this ancient style for a new age.

Diocletian – Gesundrian

June 11, 2014 –

diocletian-gesundrian

The sheer power of war comes alive in the third full-length from New Zealand warriors Diocletian, Gesundrian. The name Diocletian comes from the Roman emperor of the same name who waged what came to be known as the Diocletianic Persecution, which was the final and most severe attack on Christians in the Roman Empire. This band carries on the tradition of hatred and violence from those ancient times in the ferocious Gesundrian.

Not unlike similar acts such as Angelcorpse, Diocletian crafts war metal band but delves into more chaotically melodic construction rather than remaining a cookie-cutter clone of the Canadian bands. Gesundrian thunders forth with a dirge-like riff that builds an intense ardency, like sadness warping into anger, and progresses into a violent and powerful stampede of riffs throughout the entirety of this album like hordes of horseback warriors in the midst of battle.

While not offering anything fundamentally new, Gesundrian maintains the warlike spirit of metal, musically, lyrically, and structurally. For those who crave the invigorating dangers of ancient times, this is a work for you. Sound the drums of war: Diocletian approaches.