Former DMU writer and Dawning mastermind Steven Cefala Harassed by Cult Victory Outreach

As you might have noticed, if you have been reading the comments in Brett’s latest tobacco review, Steve Cefala (Dawning, Pale Existence, Condemned to Live, Nothing Left, No God Only Pain) and his family members have been targeted by a cult named Victory Outreach. The police has been notified about these events.

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Rotten Copper – Rotten Copper (2017)

Living in a dying time presents as many troubles as recording in a dying genre. Something went wrong with metal in 1995, and since that time we have had big oaf idiot metal from the NWN/FMP types which bores us, versus popular metal music which is vapid and consumerist at its core and so has nothing to offer of substance.

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Dawning – Mount Um + 1997 Demo (2016)


Another previously unreviewed record judged some of The Best Underground Metal of 2016.

Mount Um + 1997 Demo is a digital anthology collecting what Steve Cefala judged to be Dawning‘s strongest material. Half the run-time (“Side A”) is one new, extended track entitled Mount Um in three parts: “Pilgrimage to Umunhum”, “The Albino Bridge Sacrement”, and a melodic bass outro. Mount Um sounds like Summoning worshiping Emperor‘s In the Nightside Eclipse in a lengthy composition reminiscent of Celtic Frost‘s album work. Ambient fantasy keyboards are perverted into pandemonium as if on an arduous journey of great hardship and loss culminating in a bittersweet victory over the uncaring, vicious forces of nature. Mount Um‘s composition is progressive and profound.

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The Best Underground Metal of 2016

2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.

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Steve Cefala Interviewed by Doom-metal.com

Occasional Death Metal Underground contributor and Dawning and Pale Existence mastermind Steve Cefala was interviewed by Doom-metal.com about his No God Only Pain project. Want to read Steve discussing his influences, the corporate metal of Bob Rock and Scott Burns, survivalism, Hillary Clinton, and how the world is moving into a new dark age of uncertainty following the collapse of neoliberalism? Let’s find out!

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Nothing Left – “Demo 1999”

nagasaki-devastation

Way back in the halcyon days of 1999, Steve Cefala (Dawning, Pale Existence) joined forces with Mike Beams (Exhumed), Brian Glover (Bred For Slaughter, Pale Existence) and Jon Nedbal (Disembodiment, Bred For Slaughter) to make detuned high-volume death/doom metal. From those sessions emerged this 25 minute demo which owes as much to early grindcore as to death metal and doom metal.

The constant assault of “Demo 1999” calls to mind bands like Mortician that intended to make thunderous slow primitive death metal, and energetic heavy-bass assault grindcore bands like Drogheda. The result alternates between slow grinding passages and picked up two-chord uptempo charges, aiming with these basic songs more to create atmosphere than work in a dozen riffs in the death metal style. Like deathgrind slowed down but without the insistence on utterly basic catchy rhythms, taking more of the Napalm Death approach of making basic rhythms sound alien and unnerving, Nothing Left surges like the pulsing sounds of tanks passing in the night on their way to an apocalyptic battle.

Primarily influenced by Mayhem, Brujeria and Mortician, Nothing Left existed for a few short years. To get their signature sound, the band tuned down almost an octave and played at top volume through two full stacks and giant overdriven bass cabinets, then ran the bass through a DOD Meatbox subharmonic pedal that generates a companion tone two octaves below. The result throbs and hangs in the air like a nuclear blast, rumbling and surging within its slowed-down rhythms. True to its influences, it takes the low-fi primitive grind sound and gives it the expansive atmosphere of black metal while reducing all that it creates to incomprehensible destruction. For those who can confront such a monster, band has made the full demo available on YouTube.

https://www.youtube.com/watch?v=eLG8YyTtqi4

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