Irillion – Egledhron (2016)

Some releases go neglected upon release as their poor production makes it too hard to discern what is actually being played for those without neutral high-fidelity setups. Upon upgrading my own, I realized that Irillion’s debut Egledhron EP is one of them. The production is so muddy and filthy that even warm “audiophile” style setups have a hard time discerning what the downtuned and distorted electric guitars are playing. While two earlier Sadistic Metal Reviews from our staff noted the recording as a promising but inferior, listening on a more revealing setup reveals Irillion’s self-recorded musical intentions and goals: Irillion wish to play flowing Eastern European black metal like Graveland with a filthy Joined in Darkness era Demoncy style production and atmosphere and an almost Transilvanian Hunger manner of variation.

(more…)

10 Comments

Tags: , , , , , , , , , ,

Cirith Gorgor – Bi Den Dode Hant (2017)

Cirith Gorgor try to apply the technical musicianship of the best death metal to black metal as Demonaz did on Immortal‘s heavily Morbid Angel influenced last gasp, Blizzard Beasts. However Cirith Gorgor’s songwriting on Bi Den Dode Hant cannot even hope to approach the level of the Norwegian greats and best death metal bands of the early nineties; Cirith Gorgor sound more like Hate Eternal or any other generic rock band recorded by Erik Rutan‘s Klingon forehead trying to be Mayhem as black metal is cool with the kiddies now due to them reading on Facebook that Varg stabbed Euronymous in the face over twenty years ago.

(more…)

3 Comments

Tags: , , , , , , , , , ,

Midnight – Shox of Violence (2017)

Midnight are the definition of beer metal. Midnight sound like Motorhead if Motorhead accidentally took tranquilizers and forgot to write chord progressions and progressive minor-key heavy metal leads in their songs. Midnight are Motorhead if when Lemmy got arrested for drug possession in Canada in the early seventies while touring with Hawkwind, Lemmy did not merely get kicked out of Hawkwind and deported back to the United Kingdom; Midnight are Motorhead if the Canadians were really the Soviets who institutionalized and lobotomized Lemmy while forcing him at gunpoint to cart around a potent IV drip of anti-psychotics and sedatives for the rest of his life.

(more…)

14 Comments

Tags: , , , , , , , , , ,

Disma Premiers The Graveless Remains Title Track

Craig Pillard‘s (Incantation) controversial death metal band Disma premiered the title track from their upcoming EP, The Graveless Remains on Soundcloud today. “The Graveless Remains” is nothing special despite featuring the drumming of once and probably still amazing original Immolation drummer Craig Smilowski. Preorder The Graveless Remains from Profound Lore Records here if you wish the the will to enact your own inner-desires to own every C-grade death metal release ever published if the record is of the same caliber as the title track which I surely hope it won’t be. I know some of our readers out there will feel compelled to buy this even if that is the case. though. The Graveless Remains probably won’t as good as the Disma LP and certainly not even Mortal Throne of Nazarene. Where there’s a will, there’s a way but more of the Craigs is always welcome.

(more…)

10 Comments

Tags: , , , , , ,

Teitanblood Announce Accursed Skin


Article by Lance Viggiano.

Norma Evanglium Diaboli announced a new EP from crusty noise rock band Teitanblood. Accursed Skin consists of two lengthy tracks: “Accursed Skin” (14:28) and Sanctified Dysecdysis (11:46). Writing riffs is hard because it requires some modicum of actual creativity when you aren’t bashing power chords or lifting material from others. That’s why Teitanblood quit trying immediately after the mediocre Seven Chalices and let itself be carried by presentation and aesthetic to a greater degree than that record was on Death. Accursed Skin will be the second instance of this band using already released material to pad out the run-time of an EP as they cannot conjure up enough static, lukewarm grind/crust riffs and cool vocals to fill a release with new material.

27 Comments

Tags: , , , , , , , , , ,

Upcoming The Ruins of Beverast EP

German one man doom/black metal band The Ruins of Beverast have a new EP coming. How fucking boring will this be? Based on Blood Vaults, probably pretty fucking boring. Hopefully The Ruins of Beverast manages to tie his few interesting riffs together into meaningful compositions that don’t wear out their welcome and make me punch the stop button. He hasn’t been successful with that so far.

9 Comments

Tags: , , , , , ,

Dead Congregation – Sombre Doom (2016)

dead-congregation-sombre-doom

Sombre Doom is the new EP from Dead Congregation. The riffing is in the same Immolation and Incantation style with simple but effective variations as on their past releases while the production is a less compresssed version of Dead Congregation’s prior album, Promulgation of the Fall, some of The Best Underground Metal of 2014. Thankfully gone are the cheesy Kerry King style leads and guitarists AV and TK have markedly improved the song structure.

(more…)

4 Comments

Tags: , , , , , , , , ,

Martire – Martire (1991)

martire-martire

As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.

(more…)

9 Comments

Tags: , , , , , , , , ,

Deathspell Omega – The Synarchy of Molten Bones (2016)

deathspell-omega-the-synarchy-of-molten-bones
Article by Lance Viggiano.

Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.

(more…)

94 Comments

Tags: , , , , , , , , ,