Slayer‘s Kerry King dished out his top ten favorite metal albums to Rolling Stone as part of the geriatric soft rock magazine’s imbecilic Top 100 Metal Albums list.9 Comments
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Current Slayer guitarist Gary Holt (Exodus), who replaced former primary songwriter Jeff Hanneman after Hanneman contracted necrotising fasciitis from a spider bite and drank himself to death, told Ultimate-Guitar that he is prepared to write new music for Slayer. This can only be an improvement as Kerry King wrote all of the godawful Repentless.22 Comments
Obituary and Exodus are scheduled to tour the United States together later this year in the fall. The “Battle of the Bays: American Tour 2017” will have German speed metal band Dust Bolt opening along with the awful American metalcore band Power Trip. This probably will not be a great tour for underground metal fans but could be fun for beer metallers.8 Comments
Slayer has introduced a new track, “When Stillness Comes,” from their updated 2015 lineup sans Jeff Hanneman (RIP) and Dave Lombardo, with Paul Bostaph (Forbidden) and Gary Holt (Exodus) filling in on drums and guitars. The track begins with what sounds like an attempt to make a simplified version of the introduction to “South of Heaven” or “Reign in Blood,” but it moves at an oddy pace designed for more comforting rhythm than confrontation. Then the track launches into a sort of Nine Inch Nails tribute with offbeat guitar chords appearing to accent the beat, and lots of chanting vocals. In its final minute or so, the track launches into an appreciable but formulaic impression of older Slayer while not dropping the somewhat groove-oriented approach of newer Slayer14 Comments
In the days when bands like Slayer, Metallica and Megadeth fought to hold true to the metal spirit, Lizzy Green, the ex-girlfriend of Exodus’ lead singer, did her share by creating a comic book called Slay Team: The Poser Wars.
The comic book, whose first issue can be found on the Bazillion Points Blog, takes on the theme of the Exodus song “And Then There Were None” and applies it to the helpless poodle rockers of the day: throughout the sooty black and white pages, the Exodus members — the Slay Team — attempt to “slash, assault, and mow down the poodle-haired metal posers spreading falseness instead of relentless metal mania”.
A charming and humorous take on the violent passion of true metal music, Green’s work ends with a relentless cliffhanger leaving us thirsty for more poser blood and more Exodus thrashing.