Tau Cross Regresses On “Deep State”

Tau Cross previewed the cover art and a track of their upcoming Pillar of Fire album on Relapse Records. “Deep State” sees the supergroup headed by Rob “The Baron” Miller regress towards a hybrid of crust, thrash, and modern rock as seen on the final Amebix album, Sonic Mass. While free of the overt Brit pop and Godsmack of Sonic Mass, “Deep State” is still almost static like a rock song with riffs around a static chord for catchy rhythms and vocal hooks to be arranged around. The instrumental music is a tired retread that I have heard at least a few dozen speed metal band do better before.

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Rainbow Releases Two New Songs

Rainbow has just released two new recording songs for the first time in over two decades. “Land of Hope and Glory” is  Ritchie Blackmore reworking the traditional British song and the band also rerecorded their 1981 glam rock song “I Surrender” with their current vocalist, Ronnie Romero.

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The Metal Teddy Bear Experience Interviews Opeth


Interview contributed to Death Metal Underground by Chris Annunziata.

Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.

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Diamond Head Release “Diamonds” Video

New Wave of British Heavy Metal band Diamond Head released a new music video for the hard rock “Diamonds” off their recent self-titled Diamond Head record to promote their upcoming US tour. Diamond Head infamously committed career suicide with the awful Canterbury just a few years after releasing the super influential to Metallica, Lightning to the Nations.

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Crackhead Bobby Liebling Assaults Elderly Mother

Former and probably current crack smoker Bobby Liebling of long running stoner rock, pseudo-metal band Pentagram was arrested for apparently assaulting his elderly mother, causing him to be dropped from Pentagram’s upcoming European tour. Liebling famously was filmed smoking crack in his elderly parents’ basement in suburban Maryland for the Pentagram documentary Last Days Here. Liebling’s drug problems and abhorrent personal behavior have long sabotaged any chance Pentagram may have had at creative of commercial success.

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Dream Theater Are Pop, Not Progressive

Dream Theater are commonly mistaken to be a “progressive” metal band. Their fans love to brag about how “progressive” the band is as it makes them feel smarter than the typical rock and mainstream Maiden and Metallica metal fans. This is the same sort of intellectual smugness that pretentious urban leftists and the communist-infiltrated ivory tower have about the working class, those who do not shout whatever their currently favored political slogans in the street are like Mao’s Red Guards, or whoever openly dislikes the latest pretentious socialist realist film awarded a trophy by the liberal media shills to promote their Marxist agenda.

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Stoner Rock Is Not “Doom Metal”

Earlier this year, independent music distribution platform Bandcamp claimed that many stoner rock bands are in fact doom metal. This is a common logical fallacy based around associating the pace and instrumental tone of the music with actual musical content. The stoner “doom” trend of bands that started in the late 90s and early 2000s and has continued non-stop right up until the present almost twenty years later was one of the earliest hipster attempts to assimilate heavy metal before the waves of speed, death, and now black metal aesthetics rehashed into pop rock for the safe space generation.

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Lucky Charms Metal

Death Metal Underground has received criticism for our review of limp-wristed, warmed-over Swedish heavy metal act In Flames. Our staff called them the Swedish version of Christian glam rock band Stryper. However despite being hard rock, Stryper were actually heavier, more sincere in purpose, and more aggressive than the Comic Sans In Flames. Stryper and the speed metal influenced glam rock of Skid Row were at least far more musical than Fredrik Nordstrom produced melodeaf such as post-Alf Svensson At the Gates, Arch Enemy, Dark Tranquility, In Flames, and Soilwork. Stryper and Skid Row were at least well-versed in 60s and 70s riff rock while directly influenced by Metallica and Slayer:

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