Metallica’s mark on metal in both the mainstream and underground still continues to grow as every riff, drum fill,solo etc has been plagiarized. As Metallica progressed towards much tamer territories, the band did the opposite of what common sense dictated at the time. Instead of reneging their previous records, they embraced them and relished their mainstream status as kings of “The Big 4”. This allowed them to exist in a bizarre duality alternating between mainstream Radio Rock and furious Heavy metal depending on the fan. Through this duality many bands have taken from both periods to create a curious mix that resonates with with a wider audience. Demonpalm fall into this category but their music carries potential for something better in some of the brief glimpses shown here.
Check out the art of Russian painter Nicholas Roerich and derive inspiration! The powerful way with which he portrays the stark lucidity of the heights is a daily reminder of the power of art, as she aims to reveal harmonies of unknown truths before our very eyes, to ‘clothe the ideal’ in a perceptible form.
Iron Maiden frontman Bruce Dickinson has embarked since October 2018 on a spoken-word tour in support of his memoir What does this button do? When in Norway, the legendary singer didn’t miss the chance to throw an acapella version of Revelations.
(Join DMU Legend Johan Pettersson for what may be the most expansive analysis of power metal ever presented in the first of a 3 part series. Listen to the accompanying suggested listening here)
Of all the subgenres and styles that fall within the metal spectrum (hence excluding unmitigated relapses into rock such as death’n’roll, stoner, nu- and indie metal), power metal most definitely counts as the one that has received the highest amount of scorn and ridicule from critics, fans and outsiders alike. (more…)
Some bands perfectly encapsulate a sound and an era through the appropriation and development of an existing idea. Van Halen fascinated the mainstream with his take on tapping and his twist on virtuosity which had existed for centuries on various string instruments. Iron maiden took the harmonies from Thin Lizzy and adapted them for their long narrative epics. Suffocation took the slow thrash metal staccato riff and completely changed its use by using them as breakdowns. While those three bands are heavily associated with their respective techniques that have been used by all sorts of bands, Suffocation has spawned multiple subgenres that are all terrible and are completely eluded by the original intention.
Accept is a band best remembered for their old school song called “Balls to the Wall”, which used to play on the Headbanger’s Ball. Driving my BMV down the Autobahn at 120MPH through the Black Forest, I stopped in Bad Reichenhall. You know how they always have insane amounts of Gummy Bears everywhere in Germany. And then next to them are porno mags and stuff like biker lifestyle mags. Those were where I found out that Accept was still going strong at the time. It never ceases to amaze. This band just keeps hanging around, like a bad STD. Here they are again 20 years later. And they have this new album Rise of Chaos, which sounds like a cross between Sabbath’s Dehumanizer and an Exodus album.
With Ozzy Osbourne announcing his second retirement tour (the first being with Black Sabbath) in 2 years, Slayer retiring, Satyricon retiring (from touring the US, the only country that matters), etc we can safely conclude that retirement tours have quickly become a trend. This beckons an interesting question- are record execs pushing these as an attempt to cash-in on aging metal bands?