Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.
Greetings, fellow metalheads,
Times seem grim. The orcs have taken Osgilliath and approach the gates of the white city. Western Civilization is still dying, accelerated by democracy and consumerism, but rotten to its core with a lack of hope. Metal once gave that hope by showing us an alternate morality comprised of effective realism and epic mythos. Many of us want to live in that time again, but it will not happen through democracy or consumerism. We must choose our leaders and then all of us participate in restoring and advancing the greatness we have known.
Writer and fan Sarah Kitteringham has created a radio show entitled Doom What Thou Wilt for stoner rock, heavy metal and doom metal in Calgary, AB, Canada. Salient details follow:
- Every Tuesday evening
- Next show: May 5, 2015 @ 11:00 pm MST
- Listen here: http://cjsw.com/listen/
Who am I to criticize wide and frequent use of technology? It has brought great benefits and much landfill, as well as seeming to fill our time with activities that are both “work” and “fun” at the same moment. It has made life easier, and made the list of stuff to do longer. I suppose it is a mixed bag.
In general, I am fond of MP3s. “Try before buy” provides a great principle for buying music that in theory would lead to the rejection of the usual stuff and embrace of the distinctive and elevated. This would (again, in theory) give consumers better music and give small bands a chance against big industry bands.
In practice, people simply become overwhelmed with the sheer amount of stuff, which spams their brains, and thus they download a ton and a half of metal and listen to all of it once, which leads to the conclusion that it is all about the same in value. In turn, that causes them to stop worrying about quality and to download anything above “barely acceptable” and put it on their playlist. This favors the big industry, which can use its advertising power to overwhelm those spammed brains and so people go back to the 1980s condition of buying whatever is advertised and ex post facto finding a way to like it.
So, maybe MP3s are not the savior of the music industry. And a relatively recent Abigor interview raises another point: MP3s ruin our appreciation of the album as a whole as if it were a communication from a band to its audience. Instead, we are awash in easily queued and listened music, which by reducing our effort in hearing it reduces our ability to perceive it.
[E]verything should be viewed as one piece of art, not just the sound that’s coming out of a studio in whatsoever form, be it vinyl, CD, a file (originating “from the connection in the wall”, that’s the horizon teenagers have these days.
They don’t care and they’re not as informed as we were – when we liked certain albums back then we knew the lyrics, could draw the logo and knew every dot on the cover or who was in the thanx list. Today it’s about a track in the MP3 playlist only, albums matter less and less). An MP3 player can’t capture, it simply isn’t, such a piece of art. People tear individual tracks out of the album context to an MP3 playlist and the music looses it’s meaning and also it’s value.
How much is such an MP3 worth? Nothing. And therefore people lose respect of the artist’s work as well. They forget that this soundfile actually has a history full of sweat and blood, and quiet some people put in a lot of money before the first cent comes back from sales, all this seems like a long lost echo when I hear people talk about their MP3s. People that talk about their record collection have a different access.
All of this reminds me of the “bad old days” before the internet and underground alike when people heard new stuff on the radio and listened to that without even thinking there might be an option. The same four companies owned every radio station in the major cities, and the same six labels owned everything played by those radio stations. Not much has changed, except that what is driving people to that same old stuff is the vast amount of musical spam coming out in MP3 format designed for people who cannot tell the difference between plausible and mediocre music.
Are You Morbid?, the radio show by newer generations to keep the music of the underground years alive, has returned from the dead. This show briefly thrived on two different radio stations during the 2010-2011 time period and became notorious for its love of the old school spirit in metal, whether past or contemporary.
The new show will be Monday nights from 11PM – 12:30 AM on KUOI FM Moscow 89.3. However, listeners worldwide can tune in via the live stream at http://kuoi.org:8000/kuoi.m3u. You can also watch the show happening live via the KUOI web cam
For those who enjoy classic metal radio, Are You Morbid? utilizes the format of long blasts of music centered around a theme, briefly interrupted by DJ explanations and topical commentary. During its previous life, the show gained listeners worldwide for its quality selection of death metal and black metal.
Notorious multi-national underground metal revival radio show podcast Origin of Feces has launched a new episode featuring a retrospective of the career of Texan occult death metallers Imprecation.
Combining classic death metal and black metal with slapstick humor and mockery of the metal world and the world at large beyond it, Origin of Feces is an attempt to return metal to its more vital days gone by.
DJs Alligator and Tesla run through several classics, including the origins of death metal itself, before battering their way into a block of Imprecation tracks from the past and present works of the band. Expect random commentary and true death metal dedication on this show.
Here at the DMU, one of our goals is chronicling the history of metal, from its dual origins in hard rock & classical music up to its current form of diverse genres. The Heavy Metal FAQ is the definitive tome of metal knowledge; however, one of the best time-tested methods for communicating this information is simply through listening.
Last month, Australian radio program Burning Bitumen presented a 2 hour long aural history of speed metal, from its humble beginnings in ’70s hard rock, to the ’80s NWOBHM, up to the current state of speed metal which attempts to amalgamate the influences of the past while still striving to innovate.
For those who are new to the genre, those who would rather experience sound than read about it, or those who just want to listen to a couple hours of solid metal; this is an excellent place to begin.
Meet the podcast: Oldschool metal and dark ambient, with acerbic yet cosmic commentary.
Click below to download the 158mb mp3 capture from this week’s show.
November 16th, 2011
Erntegang: March of the Titans
Spreu & Weizen: Andacht
Zagrob: The Glorious Sun
Bocksholm: Elektrik Swastika Lokomotiv (excerpt)
Syncope: To Split the Atom
Damned Head: Epidural Threat
Das Brandopfer: Der Totenkranz
Dies Natalis: Angels of Babylon
Falkenstein: Willkommen und Abschied
Strength Through Joy: The Rise & Fall of History
Jännerwein: Durch Jede Stunde
Second Planet: Abyss
Echo West: Dark Space
Trisomie 21: The War Outside (Instrumental)
Neuvo Ideal Nacional: Marcha Andina Sobre Caracas