Analysis of Dissection’s “A Land Forlorn”

Dissection was one of the last bands to be associated with violence and action in metal. Jon Nodveidt, a true Hessian who rejected the modern world,  committed various acts that most will consider morally reprehensible yet they embodied his personal philosophy and the ideology of his music.  Barring the third album, Dissection display a penchant for ambitious composition within a framework of heavy/death and black metal.  The second outing reached too far and ended up sounding almost confused from the virtuosity of the musicians and the wide number of techniques at their disposal without the vision to streamline all these ideas. The Somberlain is a lot more focused in its inspirations by sticking closer to the source material and more structured arrangements.

A Land Forlorn impressively bridges multiple approaches to metal.

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Angerot – The Splendid Iniquity (2018)

The Upper Midwest of the United States absorbed quite a lot of Scandinavian immigrants over the course of history. For quite a while there was a story that a Viking king had laid claim to some land in the Midwest, but the Kensington runes that ‘proved’ this have been shown to be fake. First off, many learned people pointed out that the runes used were incongruous with the supposed dating of the artifact, and second it was shown that the engravings were not nearly as old as they would have to be if they were really of Viking provenance. The death metal band Angerot hails from Sioux City, South Dakota and uses the moniker “Swede Worship” to distinguish themselves from the approximately twenty hundred million other bands that imitate the old Swedish Death metal.

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These Musicians May Be Executed When Sweden Institutes Sharia Law

Sweden is lost.

With an unstoppable invasion of Muslim migrants and a judicial system that refuses to prosecute their crimes, the nation’s progressive government leaders have definitively surrendered the future of Sweden into a Muslim majority.  It will only be a matter of time until a revolution occurs similar to that of Iran in 1979, when the country’s republic is overthrown and replaced by an Islamic theocracy and hijabs are forced on the women of Sweden.  It’s a reality that Swedes had better accept sooner than later as it has already happened to many other less willing nations within the last century.

Under Sharia law, there are harsh penalties for blasphemy, witchcraft, female indecency (exposing your body/not wearing a veil in public) and devil worship- ranging from a life in prison (with the press declaring you committed suicide) to public execution.  There will be no mercy shown for those who profaned/denied the image of God whether the act occurred during or after the new rule of law was instituted.  Therefore, any and all Swedish bands with such lyrical content will be quickly and efficiently strung up en masse when the new government arrives.

And if all this sounds crazy to you, just read the tale of Iranian metal band Confess and the horrors its musicians have been forced to endure.  After recording the lyrically harmless In Pursuit of Dreams (of which song titles include “Did You Get My Last Massage?” and “What Doesn’t Kill You Make You Exhausted!”), the band’s vocalist Nikan Kosravi were thrown into prison, forced in solitary confinement, and denied bail for almost a month.  The kid’s parents had to sell their houss and pay $30,000 for him to be released, and he faced the punishment of death by hanging for the crime of blasphemy.  He eventually hired a human trafficker to smuggle him out of the country to escape a 6 year prison sentence!

FYI Those are Saudi Arabian women being hanged, for all of you hijab-wearing feminists out there

But all the while brainless beta-cuck musicians existing in a Gothenburg liberal bubble like Tomas Lindberg of At the Gates will be decrying nationalism and populism as the horrifying bogyman that threatens their world.  They will cheer the eventual institution of Islamic government as “the end of a tyrannical Christian reign” and will not even notice the militants sneak up behind them until the bag is thrown over their heads.  Some of their fans will cry and throw tantrums and in retaliation be beaten in the streets, but they will ultimately do nothing as their Swedish death metal heroes are hanged by the neck right before their very eyes.

If you have ever played in a Swedish death or black metal band, you’d better get the hell out of the country before the day of Sharia comes (I’m giving it less than ten years).  And if you’re in a band on the below list, I am not kidding you: you are going to die!!!  To the rest of the world, prepare yourself, because it is likely only a matter of time before the musicians of following bands will likely be executed in front of a liberal metal world that was too dumb and too feminine to stand up to what is happening:

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Demos and a Forsaken Future

“Dude, their demos were so much better” is one of the most obnoxious cliches of underground metal.  Usually a sign of virtue signaling used to mask one’s insecurities about their knowledge or taste, many lost souls of a nostalgia-obsessed age will use this one as a pale attempt to one up their brethren.  However in many cases within metal’s sonic sphere, bands that were truly fantastic on their early demos left much to be desired and ultimately left listeners unfulfilled.  Whether it be a record company’s influence, a change in heart or band members, or a touch of genius quickly fumbled away, may bands throughout the history of metal have never quite been able to match the quality of their demo recordings.

With death metal built on an entire sub culture of tape trading, demos were more than a proverbial foot-in-the-door to a potential record deal.  For musicians of the genre’s early days, the demo was the equivalent to having your record in the store- it was being shipped all around the world to fans desperate for something they couldn’t find in shops and to musicians hungry for new ideas.  Furthermore, a band’s demo was untainted by the direction and input of record labels who, in those days, quite often suppressed what was deemed “too weird” or “too extreme” as death metal was often determined by the suits of those days.  Tape trading death metal demos was an underground of its own, and your band’s demo tape wasn’t just a pathway to commercialization or musical success- but a often the start of new friendships in a rapidly globalizing world.  Given all of these unique factors, it’s no surprise death metal was full of bands who could never quite capture the magic of their demos.

To offer a complete list would be a dishonor and disservice to the legions of quality works that fall under this umbrella.  Therefore in today’s editorial, I will briefly offer a handful of my personal favorite death metal demos from bands that could never quite capture the magic.  Though I pay little mind to what happens in our comment sections, this will mark a special occurrence where I’d be delighted to know what DMU’s readers would have on this list.

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Entombed Win Entombed Trademark Case

The three musicians from Entombed‘s classic Left Hand Path lineup, Nicke Anderssen, Alex Hellid, and Uffe Cederlund, won their trademark dispute against Left Hand Path vocalist Lars-Goran “L.G.” Petrov’s Entombed A. D. project in the Swedish Court of First Instance (Patent and Market Court [PMD] at Stockholm District Court). Petrov has used the Entombed A.D. moniker to release lame death ‘n’ roll to tour behind long after the rest of Entombed hung in the towel and admitted they would never be rock stars.

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