Like an Ever Flowing Stream Flows Eternal

like an ever flowing stream dan seagrave

Dismember‘s Like an Ever Flowing Stream turned twenty-five this weekend. Like an Ever Flowing Stream upped the intensity from Carnage‘s Dark Recollections in the same way that Legion would do from Deicide‘s debut. Like an Ever Flowing Stream was faster, heavier, and more distorted. Dismember drenched themselves in blood and plugged dimed Boss Heavy Metal 2 pedals into dimed Marshall JCM 900 stacks, generating a ridiculously fat, high-gain rhythm guitar tone to trample and mangle all others.

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The Misnomer of “Melodic” Metal

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“Melodic death metal” is meaningless. What is popularly called “melodic” death or black metal can be roughly divided into the three different types of music sketched out by Ludvig Boysen in his “The Three Types of Melodic Death Metal” article for Death Metal Underground. While Ludvig’s three categories are essentially correct, refining and broadening them allows formal classification of all “melodic” death and black metal. Note that Death Metal Underground’s extensive Heavy Metal FAQ covers the topic of genre in great depth but a brief rundown for the ignorant and lazy is in order.

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Discharge Forced to Reschedule US Tour and Cancel Appearance at Maryland Deathfest

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Maryland Deathfest once again has visa troubles forcing the cancellation of a headliner. Sodom‘s visa troubles last year led to the cancellation of their headlining appearance on the main stage of the parking lot festival. Now, British hardcore legends Discharge (the originators of d-beat hardcore) get the short end of the stick from the Baltimore festival’s disorganization.

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Schattenvald – Der Winterkönig (2016)

schattenvald der winterkonig

Article by David Rosales.

As a wave of revivalists of the old metal ways of the late 80s and early 90s assail us with full optimism, we are face with the dilemma of creation of the new through the emulation of that which is no more. From this sincere intent are born projects like Schattenvald who attempt to extend the lessons of the adventurers of more than two decades ago. However, the bar that was raised by those heroes is set higher than even such well-intentioned moderns band can reach.

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#Metalgate: Nu-Death SJW Shawn Wright Has Meltdown Over Ignored Album

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Shawn Wright of Bestial Evil USA, who has in the past acknowledged his SJW status before embarking on a campaign to remove my Facebook account by complaining to Facebook’s SJW admins, has experienced yet another humiliating internet meltdown.

After the release of the most recent Bestial Evil USA album, Infectious Cross, which achieved zero acclaim for its generic Discharge-meets-Immolation style of metalcore, Wright was seen on Facebook berating at length those who were less than impressed by the album. This made it all too easy for one internet troll, who got under Wright’s skin and relentlessly led him on, provoking the apparently credulous Wright into a tantrum.

“I’ll bring some presents with me,” Wright said, in response to a transparent taunt. He promised to come to Texas and “smack the bitch out of you,” apparently forgetting that he was in the past accused of sexual assault and misogyny. Undeterred, Wright raved on: “We will play with War Master one day and I’ll be right there to hand you back your teeth one by one.”

Apparently not realizing that he was being provoked into a foaming rage, Wright continued with a barrage of insults and memes before the troll lost interest and stopped responding. At that point, realizing that he was talking to himself, Wright posted a final salvo and departed into the empty night.

#MetalGate exploded when metalheads began standing up to bullies who, hiding behind political correctness, were forcing their mediocre work on the metal community through the type of guilt that would make a priest grin. After they were called on this, their audience evaporated outside of the SJW circle, which continues to dwindle as people realize that passive-aggressive bullying is no way to go through life.

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Profanatica – The Curling Flame of Blasphemy (2016)

profanatica the curling flame of blasphemy

Article by Lance Viggiano.

Profanatica return with a tuneful reinterpretation of their sophomore album, Disgusting Blasphemies Against God, refined by the sensibilities of the successful Sickened by Holy Host / The Grand Master Sessions EP compilation. The band presents a newfound confidence in ambient noise by using amplifier feedback as its own instrument in a more integral fashion than previous releases. The Curling Flame of Blasphemy opts for a slow burn approach where literal variations in tempo are suggestive rather than experienced. The result is ceremonious yet there is no culmination of the ritual, no climax; the whole procession ends on a dour note which does not feel conclusive regardless of its efficacy.

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