Necrophagia – Ready For Death (1986)

Our world changed a great deal between the early and mid-eighties: technology expanded, media control arose, and music rose against the nascent New World Order and its social environment composed of both “I got mine” style mercantilism and precious snowflake post-hippie ego-adornment. The quest was on to make crossover music that combined the alienation of punk with the archaic futurism of metal.

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Death Metal Band Tuol Sleng Outrages Cambodians

Not realizing that death metal focuses on confronting the illusions behind which we hide in a social bubble instead of accepting that life includes death and lies like equality, democracy, and consumerism lead to group suicide, Cambodians expressed outrage that a death metal band borrowed the name of the most notorious Khmer Rouge death camp:
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