You were born in a time when all things acclaimed were in fact lies.
The reality of life was hidden behind products designed to allay fears.
The future revealed itself as emptiness or worse, false substance.
Daily Fred Nietzsche:
Mankind surely does not represent an evolution toward a better or stronger or higher level, as progress is now understood. This “progress” is merely a modern idea, which is to say, a false idea. The European of today, in his essential worth, falls far below the European of the Renaissance; the process of evolution does not necessarily mean elevation, enhancement, strengthening.
True enough, it succeeds in isolated and individual cases in various parts of the earth and under the most widely different cultures, and in these cases a higher type certainly manifests itself; something which, compared to mankind in the mass, appears as a sort of superman. Such happy strokes of high success have always been possible, and will remain possible, perhaps, for all time to come. Even whole races, tribes and nations may occasionally represent such lucky accidents.
You were born without a hope. You have no future. In fact, nothing has a future.
The only response must be to burn it all down, reduce to zero, and then rebuild.
For decades, musicians have sought the holy grail of combining metal with industrial, but the problem is one of space. Industrial uses space more like rock or jazz, to separate notes, where metal focuses on the continuity of power chord riffs. If the hybrid goes too far to one extreme, it sounds like industrial with fragmented metal riffs; on the other extreme, it loses the machine-like sound of industrial. (more…)
For Generation X, droning sounds were good sounds. The train passing at night meant that order was restored, the Hoover vacuum passing the doorway meant that a parent was home and somewhat engaged, and the relentless churn of machinery meant that the order that was would not collapse quite yet.
For those who keep up with the finer things in life — whisky, pipes, cigars and fully automatic weapons — a new video details the “breath smoking” technique that, while seemingly lost to time, is how most experienced smokers enjoy their pipes.
To be a writer, if you are any good, is to be a blasphemer. Humanity is an entropy engine because each person decides on what view of the world makes them look the best, and so the constant weight pushing down on us is that of the herd, of a group of individuals united only by selfishness, come together into a mob for the purpose of asserting their right to be different and unique, constantly leading away from an understanding of the world around us and any meaning that can be found in it.
As MetalGate is renewed under a flood of censorship targeting the “Alt Right,” confusion prevails as usual, this time about whether metal has any politics at all, and whether those politics support the Alt Right.
Florida death metal band Eulogy re-issued their discography as a limited edition CD and vinyl album on Dark Symphonies Records last year. The recording features the The Essence EP (1993) which is both heavily bootlegged and even more insanely overpriced than normal on eBay, and the 1992 demo “Dismal.” Both releases have been remastered from the original analog tapes.
During the tumultuous past few years, a new sub-genre appeared that combines elements of several existing genres. Fashwave is synthwave with a darkwave sensibility and occasional metal-inspired riffs that sound very much out of the canon of Beherit or Burzum, but simplified to fit within the more synthpop-oriented rhythms of fashwave.
Many have noted the rise of the music in the intersection between martial industrial, synthwave, dark ambient and dungeon synth which has produced a number of offshoot genres. Coming to us from China, Psycho Survivors (失常幸存者) attempt to meld death metal and synthwave music into a new form that has the techniques of industrial with the compositional sensibilities of death metal.
Sandwiched between keyboard compositions which attempt to sound random while hiding a simple progression in notes that initially seem like tangential harmony, Silencioso Dolor Que Aniquila consists of moderately successful compositions using the language of Hellhammer but a sensibility more like a late speed metal band.