Humans are by nature delusional. They overestimate their importance and demand that reality fit their simple expectations. And yet, they are very good at mastering known skills, so they are highly proficient, but void of purpose. This hollowness is the left side of the metal Bell Curve, and to separate it from the good stuff, we have Sadistic Metal Reviews!12 Comments
Longhena is grindcore that is actually musical. Takafumi Matsubara (Mortalized) became the sole guitarist after Orphan and brought a longer, more narrative, heavy metal sense of songwriting to Gridlink’s hyper proficient blend of their musical influences. The riffing varies from post-hardcore chord progressions to New Wave of British Heavy Metal harmonies of the type originated by Thin Lizzy. Somewhat shocking for a grindcore band not Carcass or Bolt Thrower, Matsubara actually progressive his riffs to tell short narratives in short, cyclical compositions varying from one to three minutes in length, usually climaxing in a bittersweet, often melancholic solo. The drumming is blasting, inspired, and semi-tasteful, with fills that feel almost as if they are about to go off the rails but return to be properly enslaved by the riffing. Vocals are reminiscent of Assuck with lyrical topics ranging from nuclear holocaust to anime and lamentations of the destruction of the player-controlled spaceship in shoot ’em up arcade game. All melodically and lyrically reflect upon listeners certain Buddhist mental concepts of the emptiness, nothingness, and meaninglessness of human existence and suffering.40 Comments
Those of you who read our pipe smoking FAQ may have found your curiosity piqued; you may even have experimented with this strong psychoactive chemical and its benefits, especially if you absorb it through your mouth and not your lungs. At that point, you may wish for some top-notch leaf to explore.28 Comments
Article by Lance Viggiano.
Ananku is random stereotypical sentimentality in terms of both pseudo climactic release and legacy nostalgia underscored by the crooning of its capricious composer. One may skip to any moment of this record and find a passable to competent riff which invites the listener to further explore its contents. Yet to sit through the work in succession, the order – or lack thereof- is much akin to a dreamlike state. Waking life is a comedic but rationally apprehensive continuity; whereas the experience of dreaming is much like thumbing through to one’s favorite moments in no particular order and therefore as a whole Ananku betrays its efforts at thematic unity. The forces behind Serpent Ascending make a noticed use of genre firmament however indecisive haste fashioned for itself a fallen world.17 Comments
Conqueror wanted to be a part of the “scene” but did not have musical ideas. The band discovered that the muddied sound of early Beherit and Blasphemy circa Fallen Angel of Doom could be used to obfuscate their dearth of ideas. Furthermore the hostility between the Norwegian scene and the rest of black metal could be amplified under false pretenses while not offering any truly satisfying alternative themselves. Basically, point to candy assed pop drivel like Dark Funeral but go to the other end of the spectrum entirely with a paper thin wall of television white noise with a drunken chipmunk howling nonsense. Conqueror’s “music” is structured which ironically stands contra to the concept of all out war. A little anarchy would at the very least allow the essence of battle to bubble up from the pot. Instead it’s a tame morass of very low effort grindcore riffs and mostly incomprehensible low E-string noodling. The best that can be said about Conqueror is that J. Reed has an identifiable sound.108 Comments
Article by Anton Rudrick.
Originally babtized as Amerindio at its time of conception in 2014, the project today known to us as Itzamná presents us with one of the forms of Thrash that are most authentically crude. This flows from an inner knowing of violence and adversity which foundation upon personal experience can alone provide. As per Thrash tradition (not to be confused with Speed Metal, also known as “Thrash Metal” in less versed circles), Itzamná channel the spirit of hardcore punk through the phrase-like riffcraft of underground metal. This lends a more apocalyptic character and a bloody thrust to the music in the form of heaviness that it would otherwise be remiss to lack, given the unapologetic finality of the propositions to be found herein.9 Comments
I picked up Dinkelacker’s Octoberfest to relieve myself of the gut cramps from drinking a six pack of Shiner’s pitiful attempt. The Oktoberfestbier Märzen pours out a dark, translucent brown and actually looks very similar Shiner’s Bock but smells better. I sniff dark fruits and grass. The taste is toffee, nuts, dark fruits, toasted bread but those are almost overwhelmed in the end by a generic grassy bitter finish. The beer is not hoppy but has enough hops in it to slightly overpower the malts but without actually letting you taste the hops. I had to drink many bottles to grasp the flavor profile. Dinkelacker – Oktoberfestbier Märzen is still better than any domestic rendition of the Oktoberfestbier style even if it has some probably intentional balance issues inhibiting the flavors so Hans can chug five liters while staring at a 23 year old’s breasts every October.
Father Befouled, one of the only even semi-competent Incantaclones, have announced on their Funbook page that they will be releasing a new album, Desolate Gods, next year on Dark Descent Records. Hopefully the band has progressed beyond straight imitation of Incantation, Profanatica, and Havohej.1 Comment