Dark Legions Archive: The Net’s Oldest and Longest-Running Metal Site

Many are familiar with the section of this site, the Dark Legions Archive, that came to us as gfiles from BBSes in the 1980s, later modified for FTP, Gopher, and then web serving on the internet.

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Destroyer 666 Shows Cancelled and Darkthrone Release New Song: “The Hardship of the Scots”

American drama has spilled over to Australia and New Zealand as Destroyer 666 have been scrapped from their Oceania tour with BÖLZER that are now headlining the tour. This is probably due to the hysteria surrounding the Fortnite inspired Christchurch shooter. Who through his actions has managed to shift public opinion towards certain values seen in the left and with media hysteria creating a parallel narrative to the anti-Trump narrative espoused by the histrionic rejects of America, the American tradition of attacking metal bands for no reason has been transported halfway across the world. Soundworks Touring who are responsible for the organization, have sidestepped this whole issue without announcing why KK Warslut and his team were kicked but chose to push all their efforts into promoting BÖLZER with this phrase.

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The Role of Satan in Metal as Envisioned By Bathory and Darkthrone

This article attempts to pseudophilosophize on religious awe and its connection to black metal through the analysis of two songs that are connected beyond time. Herein, we shall Enter the Eternal Fire and Walk the Infernal Fields in pursuit of the archetype of the first romantic hero, that is, Satan. (more…)

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The Elusive Sound

Image Credit: NASA/JPL/Space Science Institute

While it may appear pandering to many that we constantly bring certain albums to the forefront of our discussion, the reason for doing this is that the state of maturity which metal as a whole attained was only able to knock on the door of the mysterious experience transmitted through music. Different albums discovered different doorways, uncovered overgrown pathways, and scaled mountains. Ildjarn found contemplation of the absolute in the eye of stormy rage through elated freneticism. At the Gates reached hitherto unmatched heights of craft and musicality. All rasping and scratching while blindfolded,  a crossing of the threshold by different means and interpretations. Fewer still are the music albums, metal or otherwise, which struck at a purity of sound that needed no interpretation.
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Norway’s Wordless Abyss

Studies have shown that listening to instrumental music while writing, studying, doing accounting, or any other productive task can increase stimulation without the distraction that the words of vocals provide.  But for Hessian, Templar, Heathen and other true metalheads instrumental works can be difficult to come by as extreme metal has not dabbled much into the realms of instrumental savagery.  But thanks to the necrophiliac obsession that many have had with Norwegian black metal and its culture, there are a few enjoyable demos and early rehearsals from Norway’s finest that can provide a motivational grim instrumental experience without demanding too much from the attention of the listener.

Join me if you will for a vocal-less adventure through some of Norway’s best kept foreboding hidden secrets.

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