Dismember‘s Like an Ever Flowing Stream turned twenty-five this weekend. Like an Ever Flowing Stream upped the intensity from Carnage‘s Dark Recollections in the same way that Legion would do from Deicide‘s debut. Like an Ever Flowing Stream was faster, heavier, and more distorted. Dismember drenched themselves in blood and plugged dimed Boss Heavy Metal 2 pedals into dimed Marshall JCM 900 stacks, generating a ridiculously fat, high-gain rhythm guitar tone to trample and mangle all others.12 Comments
“Melodic death metal” is meaningless. What is popularly called “melodic” death or black metal can be roughly divided into the three different types of music sketched out by Ludvig Boysen in his “The Three Types of Melodic Death Metal” article for Death Metal Underground. While Ludvig’s three categories are essentially correct, refining and broadening them allows formal classification of all “melodic” death and black metal. Note that Death Metal Underground’s extensive Heavy Metal FAQ covers the topic of genre in great depth but a brief rundown for the ignorant and lazy is in order.42 Comments
Tags: carcass, chromaticism, death metal, Flight of the Bumblebee, genre, Heartwork, incantation, melodeaf, melodeath, melodic black metal, Melodic Death Metal, melodic metal, music analysis, musical analysis, onward to golgotha, Rimsky-Korsakov
Article by Lance Viggiano.
Profanatica return with a tuneful reinterpretation of their sophomore album, Disgusting Blasphemies Against God, refined by the sensibilities of the successful Sickened by Holy Host / The Grand Master Sessions EP compilation. The band presents a newfound confidence in ambient noise by using amplifier feedback as its own instrument in a more integral fashion than previous releases. The Curling Flame of Blasphemy opts for a slow burn approach where literal variations in tempo are suggestive rather than experienced. The result is ceremonious yet there is no culmination of the ritual, no climax; the whole procession ends on a dour note which does not feel conclusive regardless of its efficacy.29 Comments
Article by Corey M.
Irkallian Oracle make a conscious effort to sidestep many death metal conventions on Apollyon. They have been paying attention to the state of death metal over the last twenty years and noticed how many bands have traveled down the dead-end paths of “tech” and “slam” in pursuit of ever-more-extreme brutality. Irkallian Oracle eschew the brutality while trying to retain the creepy, morbid expression.11 Comments
Sludgecore band Agoraphobic Nosebleed threw a fit for publicity over a recent batch of Death Metal Underground’s Sadistic Metal Reviews. Frontwoman Katherine Katz called us Fox News for our criticism of Agoraphobic Nosebleed’s shrieking short woman over a drum machine shtick and our psychological speculation as to why Agoraphobic Nosebleed would even bother releasing such failure other than for commercial exploitation of a musically-ignorant hipster fan base craving reaffirmation of their modern liberalism. Katz even claimed that artists should be responsible for the extreme actions of others in response to satire and that some topics should be completely off lyrics. For her, everyone who listens to “Embryonic Necropsy and Devourment” will potentially commit feticide. This is incredibly hypocritical for a band who shared a member with Anal Cunt and wrote Frozen Corpse Stuffed with Dope.26 Comments
Tags: Agoraphobic Nosebleed, Angel Witch, Black Metal, black sabbath, blessed are the sick, communists, death metal, Heavy Metal, His Majesty at the Swamp, masculinity, mercyful fate, metalgate, morbid angel, NWOBHM, Occultism, Philosophy, Root, Satanism, varathron, Zjevení