Tags: Abigor, aluk todolo, black 'n roll, crypto-indie, diapsiquir, drastus, elend, funeral mist, hipster bullshit, hipster invasion, hipster music, homoeroticism, homosexuality, ihsahn, kathaaria, malign, marquis de sade, metalcore, nihil nocturne, norma evangelium diaboli, poser metal, posers, poseur metal, poseurs, rebirth of nefast, sadistic metal reviews, scenesters, screamo, shit
Metal interview blog Bardo Methodology interviewed Nuclear War Now! Productions owner Yosuke Kinishi earlier this week about his motivations for starting his mostly war metal label. Konishi spoke about his mild misanthropy, veganism, “die hard” edition cash grabs, and how most war metal bands (presumably on his label) fail to live up to the social Darwinism they spout.52 Comments
Tags: bardo methodology, Crossover, crossover thrash, false, false metal, funderground, hipster, hipster bullshit, hipster idiocy, hipster invasion, homosexuality, interview, Japan, metalcore, modern metal, narcissism, nostalgia, nuclear war now! productions, nwn, NWN/FMP, poser, poser metal, posers, poseur, poseur metal, poseurs, thrash metal, trends mosh core fun, veganism, War Metal, yosuke konishi, yukio mishima
Article contributed to Death Metal Underground by Seth Berg.
It seems the Portland neoliberals weren’t content with indoctrinating gullible college students into their pseudoscientific belief system and badgering people for triggering them, since anyone who’s anyone has had to contrive some sort of PTSD in the past five years to keep with the trends.35 Comments
Tags: antifa, antifascist, antifascists, Arghoslent, communism, communists, craig pillard, heresiarch, hipster idiocy, hipster invasion, hipsters, iron bonehead, Iron Bonehead Productions, mao zedong, metalgate, portland, Shroud of the Heretic, sjws, social justice warriors, sturmführer
Article contributed to Death Metal Underground by Richard Sullivan.
Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.50 Comments
Tags: alt-lite, alt-right, attention economics, beta males, capitalism, communism, communists, democracy, economics, feminism, gender identity issues, hippies, hipster invasion, hipsters, human rights, identity politics, idiots, internet drama, mental retardation, metal forum, metal-archives, metalgate, political correctness, politics, sjws, social justice warrior, social justice warriors, social realism, special snowflake
As many movies from the 80s and 90s will tell you (e.g. SLC Punk and PCU), youth counter cultural movements of those decades were once various fragmented groups or “tribes” baring their own identity while all opposing the mainstream Whitney Houston and boy bands on the radio. You had your goths, new wavers, punk rockers, emos, ect. at war with the “jocks and cheerleaders” collective of popular kids and, in some cases, at war with each other. But in the years to follow, the deadly combination of multiculturalism and micro culture has effectively ended this conflict as there was no longer a singular popular culture and therefore no “them” in the classic “us vs. them” dynamic. Therefore, these varying counter cultural factions were unified into one ugly all encompassing monstrosity: the hipster.6 Comments
Tags: black 'n roll, blackgaze, crypto-indie, djent, hipster, hipster bullshit, hipster idiocy, hipster invasion, hipster music, hipsters, homosexuality, indie metal, indie rock, metalcore, toxic holocaust
Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:27 Comments
Tags: black 'n roll, California, cancer, communists, crypto-indie, deafheaven, drugs, hard rock, hipster bullshit, hipster invasion, hipster music, idiots, Leviathan, metalcore, moribund, moribund records, pitchfork media, pop punk, post-hardcore, post-rock, profound lore, scenesters, screamo, shit, shoegaze, USBM, vice magazine, weakling, wolves in the throne room, xasthur
As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.
With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.56 Comments
Tags: abazagorath, American black metal, black 'n roll, Black Metal, crypto-indie, deafheaven, death metal, demoncy, depressive suicidal black metal, elegy records, emo, hipster invasion, judas iscariot, liturgy, moribund records, national socialist black metal, Nihilism, nsbm, pop punk, profanatica, scenesters, screamo, thrash metal, USBM, War Metal
Earlier this year, independent music distribution platform Bandcamp claimed that many stoner rock bands are in fact doom metal. This is a common logical fallacy based around associating the pace and instrumental tone of the music with actual musical content. The stoner “doom” trend of bands that started in the late 90s and early 2000s and has continued non-stop right up until the present almost twenty years later was one of the earliest hipster attempts to assimilate heavy metal before the waves of speed, death, and now black metal aesthetics rehashed into pop rock for the safe space generation.26 Comments
Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.32 Comments
Tags: ananku, best of, Black Metal, death metal, elitism, funderground, Godless Arrogance, Heavy Metal, hipster invasion, james hetfield, kaeck, metallica, sammath, Serpent Ascending, Stormkult, underground, underground metal, underground music
Ignyaz Degtyarov of “flowing black metal” and folk “metal” website and zine Black Ivory Tower slammed and parodied Death Metal Underground for Lance Viggiano’s negative Sadistic Metal Review of Condor’s recently released inferior third album, Sangreal. Apparently reviews of metal records evaluating the actual music behind the recording when compared to the works of past greats is autistic to Degtyarov, who only judges metal by how well it conforms to his Slavic nationalist Weltanschauung. Lance Viggiano speculating that a Black Ivory Tower contributor writing an ultimately boring upon repeated listening album due to chugging wine coolers and wearing The Rocky Horror Picture Show makeup like Sentence of Death era Destruction wounded what appears to be quite a fragile ego.35 Comments