Giger – Submit to Reality (2019)

Language can be useful for its specificity or its generality, with the latter being exemplified by the phrase “chord progression.” It means a sequence of root notes and harmony notes and in rock music signifies the harmonic backdrop to a song, where in jazz it means more the geometry of a melody in relation to the notes of the scale, signifying what harmony will be used to write melodies within it.

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Oceans Of Slumber Announce New Self-Titled Album For September Release

Progressive-styled metalcore band Oceans Of Slumber announced recently that its latest album, entitled Oceans of Slumber, will be released on September 4, 2020, via Century Media Records. This follow-up to their 2013 album Aetherial, the 2015 EP Blue, and 2016 album Winter continues their merger of prog-rock stylings, hard rock riffs, and lush instrumentation.

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Desperate Earache records Signs Emo vocalist turned Street Rapper

As the money in modern metal continues to dry up despite various attempts to enter the mainstream through the hipster community. Useless label Earache records has resorted to signing Metalcore singer/guitarist and now Soundcloud rapper Alireza. This should come as no surprise since rap music has become the pop music of the 80s and the Earache fans at this point are pretty much the same people that download Iphone recorded rap. The reek of desperation and the constant barrage of race politics that have entered the commercial metal universe reaffirms the idea that Modern metal is heading towards its grave and it should be a fun ride as even more obvious cash-grabs will appear that will soon alienate the gullible hipster crowds.

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Monstrosity – The Passage Of Existence (2018)


Monstrosity – The Passage Of Existence
Metal Blade Records, 2015

Working within an establishment genre presents a challenge to the musician: the major patterns are known, and the audience has been inundated with an abundance of bands who can play the style of the classics note-perfectly, meaning that musicians have to either add new aesthetics to attract a lot of fans, or play a subtle take on the older for those with some knowledge.

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Soymetal Dies As True Metal Rises

As predicted here, the takeover of underground metal by late hardcore tinged substitutes has failed. This music, which we might call “soymetal” because it appeals more to the emo hardcore audience than the feral and realistic traditional metal one, took over because after the underground fizzled in the hands of NWN/FMP impersonators, labels found a new audience in whiny millennial SJWs. (more…)

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