Some sorry schmuck has to shovel it into a hole and set it on fire.
Axl Rosenberg (Matt Goldberg) of metalcore blog MetalSucks recently reaffirmed his website’s social justice warrior stance in an editorial entitled “Stop Saying Politics Have No Place in Metal”. Rosenberg points out that Tony Iommi’s guitar tone was a direct result of the socioeconomic circumstances of his upbringing but incorrectly assumes that Black Sabbath’s lyrics were written by Ozzy Osbourne’s even rougher childhood when they were in fact primarily written by Geezer Butler who was obsessed with the occult, the work of Aleister Crowley, and horror fiction and films. Rosenberg then uses the lyrics from “War Pigs” to attempt to show that Black Sabbath had strong political undercurrent. All dedicated fans of the band know that the song was originally titled “Walpurgis” about the Witches Sabbath on Walpurgis Night and the label forced them to change the title as they thought it too overly satanic. The anti-war lines are just expressing that politicians and generals sending off young men to die for only the benefit of the leaders in the rear is evil too and actually reflects popular opinions of World War I as much as Vietnam. Attempting to attach any political significance to these is preposterous.
The mentally ill delude themselves into believing they’re something they’re not and expect the rest of the world to fall in line with their fantastical psychosis. The Death Metal Underground staff doesn’t.
Axl Rosenberg, the founder of social justice warrior metalcore website MetalSucks, called blackened glam metal band Destroyer 666 racist over frontman K.K. Warslut’s altercation with masked antifacist thugs at a Danish festival. Earlier Rosenberg called Todd Jones from sludgecore band Nails a “scene bully” for titling their new album You Will Never Be One of Us, which he took as directed against social justice warrior internet agitators like himself.
Article by Jon Faugustus.
Djent band Periphery to release new album, Periphery III: Select Difficulty, on July 22nd, 2016. This upcoming album further consolidates Periphery’s reputation as the leading non-metal hipster band.
Standing out as an out-of-the-closet Pantera tribute band, Periphery has made a name for itself in the Pro-Tools community and the Mac users forum. The band has come to be known for their anti-establishment, anti-genre-classification, anti-gender-classification, anti-making-sense postures that sets them appart from anything in the rational universe, fitting perfectly in the make-believe world of millenials and the pampered liberal youth.
More mass murder of the unworthy.
Only the flames can purify these rehashed and generic sinners.
The Sadistic Metal Reviews are were we squeeze all the empty calories out of our guts into easily digestible packages for readers’ amusement. The leftovers are distributed to starving third world children to hasten their Malthusian death through infection with the type of drug-resistant bacteria that can only thrive in a Honey Bun.
Baltimore social justice warrior Shawn Wright threatened to extort Death Metal Underground through a defamation lawsuit to fund his crappy crustcore band Bestial Evil USA‘s national tour in the comments section of our recent news article covering his latest whining.