If there’s one thing we’ve learned, it’s that SJWs speak in code. “I’m just going to pass this along” is the dog whistle for “if you’re one of Us, you should ready for attack mode now.” Apparently, SJWs are disturbed by an early 1990s interview with Demonic Christ frontwoman Dana Duffey, and because they disagree with her, they’re forming a Two Minutes Hate to get her removed from upcoming festival appearances.24 Comments
Tonight, on When SJWs Attack: a small metal distro finds itself in the crosshairs and crossfires of political controversy.
Diabolic Force Distribution is a small, independent mail order wholesale price distributor or “distro,” participating in one of the institutions that forged the underground back when metal CDs were unavailable in all but dedicated specialty stores that often went bankrupt. Some time ago, this distro came under fire from “social justice warriors,” or SJWs, who are people who hang out on social media looking for people who are not politically correct enough. Driven by the thrill of subjugating others with political power and the need for self-importance, SJWs frequently destroy lives with their witch-hunting accusations of racism, sexism and other political constructs.
Upon hearing of this situation, I wrote to Diabolic Force Distribution and got the story in interview form. Read on for the latest outrages of the SJWs — the new censors — as they try to limit what you can hear and buy so they can in turn limit what you think.
How did this all start?
To the best of my knowledge this all began when the singer of Bestial Evil (Shawn Wright) suddenly became aware of a Facebook status I made approximately seven weeks ago from the time of this writing, about how the band should be dismissed by fans of metal, because in my opinion they aren’t any good. Simple as that! We got enough awful crap around here as it is. That being said I never accused them of anything other then being posers, no trigger warning required hahaha. I am not alone in this low opinion of the group either.
Apparently receiving criticism is not one of their strengths however, so they started a smear campaign complete with all the usual name-calling and threats. I want to point out that it was a private post that I made and only my friends could see it… so how exactly it came to the attention of the people in question is unknown to me, probably a screen shot or word of mouth. I don’t care. I wasn’t hiding it from anyone in the first place and I still stand by what I said too. Bad’s bad and good’s good, tough shit. This is Heavy Metal, not a reality TV show where you get a prize at the end from Carson Daly. There is already a band from Italy named Bestial Evil anyhow so that just goes to show you they didn’t even do their homework in the first place.
How did these guys try to rally an internet army?
Again, social media was involved, like always. Facebook to be specific. A concerned friend showed me a post made on Shawn Wright’s Facebook page inciting a “boot party” if anyone ever saw me out somewhere and proclaiming that I was to be “banned” from the city of Baltimore, that he was gonna come to my house, etc. This was based on accusations brought on by Shawn himself that I am a homophobic/neo-nazi or some other completely unfounded nonsense like that. One person even commented that I “infiltrate shows” to sell white power music, which is an outright lie.
People ask me to vend at shows very often, I never have to sneak in, let alone with the intent to slip some poor unsuspecting SJW a skinhead album or whatever. The whole thing is totally absurd. Anyhow, not long after this stuff was brought to my attention I started to receive threatening calls and texts to my phone from Shawn himself. None of which I ever replied to. The voicemails have been recorded and saved though, as well as any other evidence of threats against my home or person. So if anyone does do something stupid I have evidence of a conspiracy I guess. They have done some tidying up on the band page it seems, I think their attempt to raise an army has faltered for now.
Is there truth to their accusations that you run a white power friendly distro?
Absolutely not. While I personally do not believe in censorship of any kind, especially with regards to music and art… there’s just nothing in there that qualifies. The merchandise and albums that I sell span across multiple genres of extreme music, everything from black and death metal to harsh noise and grind, but there’s no “white power” bands… The thing they have accused me of is totally baseless and merely an attempt to incite a witch hunt against me to fulfill a personal vendetta and stir up trouble.
People of this SJW/hipster type of mindset seem to always invoke these things to try rally an angry mob as a means to carry out intimidation tactics or make it seem like they’re in the right because they got a couple hundred views on their webpage. You see it more and more as of late.
What have they threatened you with? Do you think they can accomplish it?
I was told multiple times that I would be visited at home, that they would kick down my door and “destroy my life,” and then there was the foolish claim that I was going to be sued for “defamation of character and distributing hate material.” Loads of ignorant threats and boasts were made. I welcome any legal action from them, as I am sure the courts would like to hear the voicemails that Shawn left on my phone, threatening me with home invasion. And as for the defamation of character thing, I am pretty sure they just did that to me so good luck getting that charge to stick. Personally, I do not think they can actually accomplish these things, especially the part about being sued, but I am not taking it for granted either. That’s not the sort of thing you joke about. I am prepared for all eventual outcomes of this retarded comedy.
First phone call
Second phone call
What are your distros/bands/projects that people can support?
For over ten years now I have been proactive with music in the Baltimore Maryland area in some way or another, although I do not reside in or claim the city. I was in a weird band a long time ago but I don’t play anymore, there’s too many bands and not enough fans anyhow, I would rather be a fan. I printed shirts for local bands and old school heavyweights like Blood Storm, Nunslaughter and Gravewurm for many many years… and I used to book concerts in Baltimore sometimes but I have taken a hiatus from organizing live events.
My label/distro is called Diabolic Force Distribution, the purpose of which has been and always will be to support underground bands and zines get out there to the maniacs that need it. Heavy Metal isn’t about fashion or climbing the social ladder, it’s a way of life. It’s outsider art and it’s meant to be challenging and dangerous. Diabolic Force likes to do things the old-fashioned way because I believe in the life force of the music itself and the people in the trenches fighting to keep it real. Diabolic Force will always offer support to those individuals and bands who hate posers and love Satan. Our motto is “Support the underground, bury yourself.”33 Comments
Article by Daniel McCormick; read the original article at The Guardian
I realize the female gender still has some legitimate first world grievances even today: women aren’t funny, cosmetics are expensive, beauty is temporary, but these problems are not institutional. Likewise whatever problem feminism has with masculinity is also not covered by government statutes. That’s because the problems as perceived by feminist theory have become so irrational and illusory and based on perpetuated biases that they shovel their own graves. I’m reminded of an old Twilight Zone episode (06/02/1961 – “The Obsolete Man”), which is a philosophical dialogue on absolutist fanaticism, and authoritarian ruthlessness. This episode ends with the antagonist facing the same sentence he’d inflicted on others, and closing with Rod Serling addressing the viewer.
Science fiction author and video game designer Vox Day has written a handbook for dealing with SJWs including who they are and how to identify them, how they think and act, and how to defend against them and counter-attack. His writing style is easily digestible, and the information he presents is conveniently organized into enumerated laws and steps, such as the three laws of SJWs (the first of which doubles as the book’s title), the stages in an SJW attack, and the points to keep in mind during an attack.
Since his intent is practical, he gives only a brief overview of the ideology and history of SJWs. In his words, “knowing everything there is to know about shark DNA or what fish grizzly bears prefer to eat doesn’t do you any good when you find yourself nose to nose with a hungry one.” This focus is a strong point, as the result is a succinct instruction manual.
In the universities, in the churches, in the corporations . . . free speech and free thought are under siege by a group of fanatics as self-righteous as Savonarola, as ruthless as Stalin, as ambitious as Napoleon, and as crazy as Caligula.
They are the Social Justice Warriors, the SJWs, the self-appointed thought police who have been running amok throughout the West since the dawn of the politically correct era in the 1990s. Their defining characteristics:
- a philosophy of activism for activism’s sake
- a dedication to rooting out behavior they deem problematic, offensive, or unacceptable in others
- a custom of primarily identifying individuals by their sex, race, and sexual orientation
- a hierarchy of intrinsic morality based on the identity politics of sex, race, and sexual orientation
- a quasi religious belief in equality, diversity, and the inevitably of progress . . .
The information in this book will be useful to metal band members and concert organizers who are the targets of SJW attacks. Vox demonstrates, using numerous examples of attacks, that the worst thing these targets can do is apologise, as doing so simply hands the attackers “a confession to bolster their indictment.” In fact, if one learns only a single thing from this book, it should be that SJWs can’t be reasoned with at all: do not engage them in good faith, do not expect them to be honest in any way, and just plain do not take them seriously. This should come naturally to members of an artistic movement fascinated with aggression and violence. And yet, #metalgate has shown us that heavy metal is in the SJWs’ crosshairs.
The reason for this is that metal has been infiltrated by SJWs, whose primary allegiance is always the Narrative, which is the nebulous and frequently changing concept of social justice to which they all adhere, regardless of inherent contradictions and absurdities (see the First Law). To them, the goals of a movement or institution will always be secondary to this, though they mask this insincerity by wrapping themselves in its superficial trappings. When they look at a band like Disma, they ignore what would be most important to a metalhead — the musical, artistic and philosophical content — and instead search for anything about its members that violates their Narrative, then point and shriek hysterically until a crowd forms. Fundamentally, SJWs are bullies who wield social pressure as a weapon.
For a work that deals with such bitter and unlikeable people, the tone of this book is surprisingly positive, and the message is hopeful. Referring to an organized campaign against SJW control of a Science Fiction award, Day says “the importance of Sad Puppies is that it shows how even in a field that has been dominated by SJWs for more than two decades, they are weaker and less numerous than most people believe.” If their weapon is social pressure then a successful resistance would consist of simply not bowing to it. Since they always lie, even to themselves, they operate with a false understanding of the world, which puts them at a disadvantage to those who are honest.
Target the enemy at every opportunity. Hit them wherever they show themselves vulnerable. Play as dirty as your conscience will permit. Undermine them, sabotage them, and discredit them. Be ruthless and show them absolutely no mercy. This is not the time for Christian forgiveness because these are people who have not repented, these are people who are trying to destroy you and are quite willing to harm your family and your children in the process. Take them down and take them out without hesitation. If you have any SJWs working under you, fire them.
The truth is that SJWs care so much about the institutions they control that they will destroy them rather than relinquish control over them. They will consume metal, video games anything else by using their crazy ideology in order to assert individual self-importance. When confronted by them, don’t apologise, but instead counterattack by ruthlessly pursuing and defending truth. In other words,
Forgive me not
This knowledge makes me strong
The casual observer seeing how metalheads and SJWs, who descend more from crustfund punk and emo than metal, might ascertain that the two groups are radically different. This observer might even note how many of the “tryhard” types are in fact thinly-disguised SJWs. But at first appearance, the reason for this separation will be misunderstood.
An average person will see metal as wild and lawless, like a combination of the Wild West and medieval Europe, where SJWs are more like modern Europe: very morally righteous, sensitive and inclusive. This difference separates metalheads from SJWs, but it is not the primal reason why the two are different. It serves as a guidepost to that end however.
Black Sabbath launched themselves during the height of the hippie period. At that time, the popular narrative that people told themselves was that history from the Napoleonic Wars to 1945 was just one big mistake, and the way to defeat it was love, through people power and pacifism and universal acceptance. Apparently none of these people studied history or they would have known how frequently this trope comes up, and how it usually ends! Black Sabbath saw through what these hippies were saying an argued it was more of the same, and that humanity was in denial of reality and has been choosing various “human realities” instead of actual reality, to its doom.
In human experience, our most common error is self-delusion. When that is discovered, we usually choose another self-delusion. The classic example is the alcoholic who runs into the arms of a tent revivalist, and becomes addicted to another set of false promises. Another is the woman who flees her marriage only to find out years later that the new boyfriend she chose is a lot like the last husband. Voters run from one party to another, as they go from one cell phone company to another, thinking that “the other guy” might have answers. And he never does. The reason why is that he is also selling an illusion, because only illusions sell.
This leads us to why metal is different from rock and why it is the natural enemy of SJWs: metal is against illusions. SJWs want you to pick one illusion over others, but metal points out that whatever is popular is illusion and is wrong. We need some other way of looking at the world than what “most people” want to believe is true about it because it makes them look good, feel important and think they are unique. Humanity is basically a large organic machine for producing lies, and every group wants us to substitute their lie for the dominant lie, but all of these lies have their root in the same idea: that what we feel, judge and emote is more important than reality itself.
Look at politics. It is a wasteland. As notorious shock realist author Tom Wolfe once wrote in a letter to a friend:
The Republican Party as now constituted is obviously too stupid to survive…. What is to be done? Of course, that was Lenin’s line and the only lucid one he ever wrote. The answer is nothing. America’s position is unassailable. We are the imperial Rome of the 3rd Millennium. Our government is a CSX train on a track. People on one side (the left) yell at it, and people on the other side (the right) yell at it, but the train’s only going to go down the track. Thank God for that. That’s why I find American politics too boring to write about. Nixon is forced from office. Does a military junta rise up? Do the tanks roll? Give me a break.
Let us separate “rock music thinking” from “real world thinking.” Not in the way that our great-grandparents did, where rock was bad and work was good, but in the manner of people who recognize that popular music is entertainment which pretends to be profound, but is the opposite of art which explores profound subjects through realism. Entertainment wants you to think it has all the answers, but ultimately it is a social phenomenon, like chatting up a girl near the keg at a frat party. It says what flatters its listeners. It wants them to think they are profound, interesting, vivid, heck… it wants them to think they are the stars on the stage… because that sells rock music, and lets all these musicians and labels and journalists keep up the nice cushy lifestyle instead of the job managing a Target or 7-11 they would have had, had rock not come along.
Rock music thinking is advertising. It wants you to think that you can be all the cool in the world for just this one next purchase, whether a tshirt or CD. It needs to offer you highly dumbed-down and simplified ideas that make you feel like you are in control of the world. Why get into the nuances of international politics and millennium-long analyzes of the health of empires? Just say “love is the answer.” All the people will flock to that, not so much as they are idiots — although most of them are — but because they are self-deluding. They want that easy, convenient answer because it makes them feel in control.
SJWs are part of rock music thinking. They have gone from “love is the answer” to “tolerance is the answer,” forgetting that like so many Utopian quests this one will involve denying human nature and human needs, and as a result will require increasing degrees of force to make it work. They also ignore the somewhat banal reality that people mostly do not like each other and tend to associate in groups of people like themselves as a barrier to the broader world. In consequence, what SJWs preach is illusion just like the other illusions. Look at them all.
The public conservatives in this world are arch-dumbshits who think that if they adopt liberal ideas about equality, but keep industry and war going on, we will somehow turn out OK. Their great fiction is that if you just go to a job and spend all of your life there, and then manage your affairs responsibly, society will somehow follow your lead. Actually, they never think that far, because they are dumbshits, as mentioned above.
Liberals also fit in the dumbshit category. They think that if every person is just “free” and “equal,” society will magically self-organize into a permanent Burning Man of love and happiness. They ignore the fact that most people are inveterate liars who avoid the truth compulsively, and that what makes happy societies is forcing those stupid fucks to obey reality instead of their own neurotic, fruity minds. Liberals also like to give away things for free, taking from the useful and giving to the useless and spending themselves out of money, at which point their societies collapse. Europe and the USA are about to collapse from this phenomenon. More dumbshits.
Nazis — and I really don’t want to get into splitting hairs about who’s a fascist, a neo-Nazi, a white nationalist, a racialist or just a bigot — are also in the arch-dumbshit camp. They are SJWs of the far-right. Where SJWs think that tolerance is the answer, Nazis think that intolerance is the answer, and that if we just remove the mud races and Eternal Jews everything will be OK. This ignores the problem that most white people are stupid as bricks and dishonest as whores, and that our society needs a redesign from the top-down not bottom-up. I think Nazis more resemble Communists than they want to think. They are right in that diversity has never worked throughout history, but wrong in who they blame, which joins them in the dumbshit camp.
The far-left might be even stupider. None of them realize that the ideas they are chasing are from 1789 and 1867, but go back even farther to the religious fanatics of the 1500s. They are claiming very old and debunked ideas as a “new way” that will somehow magically avoid all the problems that human society has known since the dawn of time. If we all just went vegan, listened to posi-techno, and gave everyone free money, they think, all causes for conflict would be eliminated. But life is a cause of conflict because that is how it negotiates change so that the more realistic prevails over the self-deluding. Humans don’t want to be reminded of that, because it points out that Darwinistic natural selection (DNS) might take our lives at any moment if we delude ourselves, yet self-delusion is our nature. I see the far-left as overgrown children trying to pretend life is not happening to them.
Libertarians are like Nazis: extreme dogmatics who do not realize the leftist roots of their own philosophy. The idea of the free market I get and support because it allows better products and services to become available without some bureaucrat giving them the rubber-stamp. In fact, the libertarian idea of replacing most of society with a market has merit. The problem is that then we’re back at conservative anarchism where we assume that magically, the tiny group of people doing the right thing will win out over the self-deluding herd. Ain’t gonna happen. Libertarianism is another form of voting where the good people neutralize themselves by never, ever stooping so low as to tell others what to do, and then the masses roll right over them on their way to the Budweiser, light cigarettes and sugary cheeseburgers.
I’m not sure there are any other philosophies in politics worth considering. Anarchism is fun because in small groups, people who know and like each other can collaborate, but it falls apart after that. Communitarianism and distributism and all those other hybrids are ways to try to make socialism work within some kind of cultural context, but those fall apart because the idea of getting free stuff beats out any conditions placed on it. Traditionalism is interesting, but it’s basically Nietzsche for Christians, which makes it less useful, and the idea that religion can substitute for the structure of society — which is generally culture, leadership and religion, informed by economics — is laughable in itself. Same for Rastafarians and atheists I suppose.
Delusionists want to ignore the obvious: this world is hell. We have made a disaster out of civilization and are leading ourselves to collapse. There is no escape from the end, at least until we stop our fundamental error, which is assuming that delusion can substitute for realism, which is just like the alcoholic insisting that he’ll be OK if he only drinks clear liquors, or the tent revivalist telling you that all will be okay if you just believe and ignore the world around you (including the hand in your pocket). Humans tend toward self-deception because it flatters us that we are in control. Politics reflects this with many varieties of denial.
The point I make in insulting every political group that I can think of is this: metal wants to end human delusion, and everyone else wants their type of human delusion to be “validated” by everyone else. This is why metal hates SJWs; SJWs are apologists for our current society because they believe that with just a little tweak to our delusion, we make make the illusion work, when metal reminds us that we are the new Roman Empire falling because we have introduced too much internal conflict and lack a shared purpose. You can only have a shared purpose if you are focused on reality, and as human societies grow and become wealthy, they empower their people to deny reality and become self-deluding. Metal wins over all these silly varieties of illusion.21 Comments
People think like they eat, so when someone talks about heavy metal being destroyed, they envision it being completely consumed like a donut before coffee. In reality, destruction is more like tainting, namely that if I spill a thousandth of a drop of nerve gas on your donut, you won’t want to eat it, ever.
Heavy metal can be destroyed if enough of it becomes hogwash that the smart people flee. Someone would say that has already happened, but I go for the more cheerful “in progress” designation. When a certain amount — say, 20% — of people surrounding metal are the same idiots that one finds everywhere else, or worse highly specialized types of idiots like hipsters, then the good people abandon the genre and it becomes swallowed up by people who do not understand it. They quickly convert it into the Same Old Thing the way they do to every genre and soon it sounds a lot like regular rock music with some heavy distortion and a metal riff now and again. It “lives on” in a different form, but for practical purposes, it is dead.
With revelations emerging that SJWs in punk bands who banned Disma from the Netherlands Deathfest wanted to go after another band first, but when they couldn’t find an excuse for a beatdown there had to attack Disma instead, it has become clear to metalheads that they are under attack. Because of the way SJWs behave, you can no longer not take a side; you are either with the SJWs, or their enemy, in their view. This is driving many metalheads to the anti-censorship side because, independent of political view, we realize that allowing bully gangs to form lynch mobs to witch hunt “bad” thought will result in the destruction of metal.
These incursions are part of a larger pattern. When Mastodon gets shamed and forced to apologize for having scantily-clad women in their hard rock videos, and then Metalgate was launched when SJWs tried to censor non-SJWs on metal mailing lists, it seemed that it was a cluster of events. Then we saw SJWs faking the news and a series of new attacks on actual metal bands by these pretenders. There’s a list of articles published since AD 2000 in which journalists and their lackeys in certain hipster bands and labels push for guilt that leads to censorship. In their view, there is one good way to be, and everyone else is pure bad. Like a light switch: it’s either set to “Full SJW” or it is off, and you should feel bad.
What is frightening about this is how easily SJWs can succeed. Different groups have been trying to take over heavy metal for years because heavy metal is a media signal for rebellion that cannot be bought out with ready cash money like every other “movement” in our time. We’re used to politicians pretending to regulate a group when they are in fact working for that group, or journalists representing entrenched political interests while pretending to be objective. When the FBI talks about corruption threatening the soul and fabric of the US, this — in part — is what they mean. It is relatively easy to take over a genre, turn it into a megaphone for political views, and then discard it when the trend is over. Christians, the far-right, the far-left, and other groups have tried to assimilate metal in this way.
Industry is backing the SJW incursion because it will allow them to make a lot of money in the short term and then transition into selling rock music, which is what they do best because it is easy to make a lot of it and if no stronger option, like metal, exists, to sell a lot of it to an audience bored with pop. Like the Republicans, rock and especially heavy rock are the controlled opposition to sugar-pop but if the industry has its way, will not be really all that different. Media supports industry. Apparently, so do the metalfests. We are seeing a situation where once again metal stands alone, hated by all, but this time our enemies are using passive-aggression to try to take over metal, instead of trying to outright ban it.
Those who love metal will be standing up to protect it. Unlike SJWs, the anti-censorship side does not demand that you adopt a political orthodoxy. It simply says that we need to stop pre-filtering music by whether it has the “correct” political outlook, and need to start being more open-minded. Mention any group and you have immediately assumed they are all the same; not all Democrats or all Republicans are identical. Among there, some interpretations of those belief systems are in fact more advanced than others. Having free speech allows, much like natural selection, better ideas to rise to the top, and this means that we all benefit from clearer information. It’s questionable why anyone would want to stop that — well, unless they want to control your minds through music, of course.4 Comments
Following the banning of Disma from the Netherlands Deathfest by SJWs, those cuddly political fanatics have attacked again by setting fire to a black metal club in Germany.
As reported in local news, the entrance to the club — originally a tiki-themed club now repurposed to be one of the most important black metal venues in Germany — was set ablaze in the night by SJWs who identified with “Antifa,” originally an anti-fascist organization that now works alongside other SJW groups. These groups publicly claimed responsibility for the attack and issued the ominous statement, “This fall we have some catching up what was missed in the last few years!”
Interestingly, Blackland Club was not a Nazi club. It allowed black metal bands to play there and by all accounts, most of the bands who performed at the club were not political in any way. SJWs attacked under the excuse that it provided a platform for Nazi bands, ignoring the fact that most black metal bands have extremist philosophies that make the Nazis look like Williamsburg Democrats. The club became a target because it did not adopt the SJW line that those who do not expressly reject certain beliefs must be destroyed. Some of the “evidence” compiled by SJWs includes that people there wear Burzum tshirts.
This type of phenomenon — a witch hunt organized by an internet hate mob motivated by SJW ideals — was last seen in the Disma debacle where SJWs pushed Disma to apologize for possible pro-Nazi statements by one member. The point of the apology is that it humiliates the person, and shows everyone else a broken and contrite citizen who acknowledges that he has been disciplined, which instills fear in the rest of us of the same happening to us. That is the point of all this SJW scene policing: to create fear and through that, compliance and control. SJWs have made their demands clear: support our ideology or we will destroy your career. This is the power of having an internet lynch mob to deploy against non-conformists.
As political instability in the US and Europe accelerates, we are likely to see more of these clashes as SJWs attempt to unify their ranks. This reveals SJWs are involved in metal only incidentally because their actual purpose is to be involved in politics, and they want to use heavy metal as a propaganda weapon in that fight. This is why their increasingly shrill, intolerant and dogmatic voices are infesting metal, punk and rock as happened when record label Run For Cover Records cut ties with band Whirr over “transphobic” — meaning not fully approving of transsexualism — messages on Twitter:
Last night, the Bay Area band Whirr posted a series of negative tweets about G.L.O.S.S., a punk band whose lead singer is a transgender woman. (The tweets have since been deleted, but an archive can be found at Stereogum.) Among other things, they tweeted, “g.l.o.s.s. Is just a bunch of boys running around in panties making shitty music,” and compared G.L.O.S.S. to the Buffalo Bill character from The Silence of The Lambs.
While this is clearly vitriolic, it is not any more vitriolic than what is regularly posted on metal bulletin boards on the internet. But it does provide an opportunity for SJWs to create a “teachable moment” in which they destroy someone’s life to remind the rest of us to toe the line or we, too, will be on the chopping block. One label created a religion out of this division, and said, “We have zero interest in working w/ hateful people.” That they have in turn created a hateful echo chamber seems like too much thinking for them, but the result is that the metal/punk scenes are polarizing: there are those who are SJW, and there are those who SJWs consider their enemies for not being SJW.
This behavior is not specific to SJWs in metal. Everywhere they go, the commandment is the same: Destroy the unbelievers. If you deny their ideology in public, they will seek you out not to disagree with you, but to try to get you fired and otherwise socially ostracized. It is their one weapon, the threat that they will declare you something the media thinks is bad (“Nazi,” “racist,” “sexist,” “transphobic”) whether or not there is any truth to it, and you will be unable to participate in our liberal-leaning society as a result.
In the meantime, refuting a recent SJW attack which claimed that folk metal was plagued by “sexism” and “racism” but never quite showed how that was true, some sources have begun posting an extended list of folk metal bands that are not white, male and pointed toward European mythos:
Amocualli – Aztec folk metal from Mexico
Arkan – Islamic folk/death metal from France
Kartykeia – Hindu/Vedic folk/death metal from Russia
Melechesh – Mesopotamian folk/black metal from Israel (ethnically Assyrian and Armenian) now based in the Netherlands
Myrath – Oriental folk/progressive metal from Tunisia
Rudra – Hindu/Vedic death metal
Skinflint – folk metal from Botswana
Tengger Cavalry – Mongolian folk metal from China
As usual, the SJW story does not add up because SJWs are ideological fanatics and not realistic members of society. Western Civilization continues crashing into the abyss and no one will do anything about that, so they focus on nice low-hanging fruit like convincing all of us to support the right of transsexuals to listen to black metal too, even though no one had ever attempted to deny them that ability. The best way to combat this is to end the perception that SJWs speak in any way about whether someone is “good” or not, and see them for what they are: lonely fanatics in their lonely apartments, raging at the world for not granting them more power.17 Comments
SJWs have doubled-down on their campaign to force Disma out of the death metal scene. The band, who play non-political death metal, are under fire because one member of the band used politically-sensitive imagery in a side project ten years ago, and has refused to humble himself before the allegedly superior knowledge of SJWs by apologizing and rejecting his former work. Instead, Disma have stuck to the statement that they are not a political band and want nothing to do with either side of the issue.
Since they operate as a type of internet lynch mob, and their power is in generating controversy that causes bands to be ostracized for not joining the SJW hive mind, SJWs in the Maryland Deathfest staff twisted arms to get Disma removed from the Netherlands Deathfest, as shown by the following announcement:
Disma are no longer playing NDF 2016 and have been replaced by Funebrarum.
This is the first time in 14 years of putting on festivals that we’ve been put in such an awkward situation, and in the end, just like a member of Disma who recently quit the band, we’ve decided to distance ourselves from the drama surrounding the band lately.
For the record, nobody “pressured” us into making this decision and the decision is solely ours, but it should be stated that the billing would look drastically different if Disma remained on the bill, as at least 10 bands have said they do not want to play the event if Disma remains on the bill.
We acknowledge that Disma are nothing more than a death metal band (who once played Maryland Deathfest) and it’s unfortunate that their fans cannot see them for what they know them as, but all things considered, there would’ve been far too many negatives than positives for us to deal with by leaving them on the bill. We thought the situation settled down slightly when the admin of the Disma FB page made a statement about a month ago claiming that the band member in question “made mistakes in the past”, but that post was quickly erased and the drama fired up again as a result.
We feel that Funebrarum is an adequate replacement to make up for this, but if for some reason you purchased a Sunday ticket to see Disma, you may request a refund.
This news will surely create a debate that we don’t wish to get roped into the middle of. We’ve always been about putting on a celebration of music and nothing more. Let’s all just try to get along and enjoy dozens of great bands at this festival.
As some savvy observers noted, this statement makes no sense. They claim that nobody “pressured” us into making this decision but also say that we’ve been put in such an awkward situation. This means the situation is of their own making, and their Let’s all just try to get along means not that we all get along, but that we exclude bands so that the Maryland Deathfest organizers feel their own political demands have been met.
If they wanted to be honest, they would not take this action since by their own admission, no one has asked them to do it. The “drama surrounding the band” is entirely made by SJWs, and is a non-issue given that it remains unclear whether this side project was anything more than political provocation, like Craig Pillard dressing up as a Nazi comandant in a Bill Zebub movie and demanding that a character “kick me in the balls” in a Hollywood German accent.
SJWs specialize in concern trolling, or disguising their own political sentiments as public services, and then using that power of guilt to remove all voices but those compliant with their own. This form of totalitarian mindset is far more threatening that even an outright Nazi band, since it expresses a sentiment that a minority of people would agree with, and echoes the sentiments of witch-hunters from centuries past who feared that witches might “infect” others with their “seductive” ideas.
For people who claim to be open-minded and progressive however this viewpoint is not new. Over two millennia ago, the citizens of Athens convicted Socrates of “corrupting the youth” with his ideas and sentenced him to death. They were defending the progressive regime in Athens which had become unstable due to its unrealistic ideas, and instead of fixing its problems, wanted to censor its critics so the citizens remained oblivious to the disaster approaching them.
So it is with SJWs, the Maryland Deathfest, and in fact most of our society. In the 1960s when people were so unnerved by the signs of collapse of our civilization that they turned to the type of “peace and love” ideas on finds on greeting cards and under dreamweavers in gift shops, Black Sabbath showed up to confront them with the “heavy” realities of the world as it exists outside the collective human feelings of the hive mind. Now Disma does the same, and to their shame, some of metal’s institutions are attempting to destroy them.
Edit: for kicks, you can watch SJWs looking for a target to boycott in order to make themselves important. No, really.17 Comments
Aspiring indie-metal photograph Neil Dalton has accused longtime metal creative force Glenn Danzig of assault after a concert in Montreal. According to Dalton, Danzig hit Dalton while Dalton was being held by security guards:
So I went to Danzig last night. Including the 100 dollars I spent on his merch plus the tickets time of work and traveling to Montreal to see him this is the price you pay for taking a photo of Danzig. He called me up on stage got got his pussy security guards to rough me up and held me back me back so he could hit me himself. Cops can’t do fuck all because we’re both not Canadian and they did it off camera and said I fell .could all my friends please share this because I want the world to know what a pussy the guy is.superjoint fucking ruled tho
A number of problems immediately come to mind here: first, it is unlikely that a performer would call someone on stage to publicly beat them when they could dispatch security to beat the person in the dark; second, public accusations are usually nonsense unless a police report has been filed, because people honestly victimized usually go to the police first and attempt “trial by media” later, but most people who attempt trial by media first are trying to work around the lack of evidence; finally, that Canadian cops would fail to arrest someone simply because he is not Canadian stretches credibility since they arrest visitors every day, usually for not paying the $50/ounce Canadian tobacco taxes.
The usual voices on social media started getting weepy and white knighty, and then, someone who was also there spoke up:
After about ten minutes of arguing with the bodyguard and being pushed around by him, Neil finally took off. [Neil] re-entered the venue after being told not to come back. That’s when things got ugly and sure enough Neil got tossed back out this time bloodied up and shoeless. He kept instigating the security and bodyguards by yelling names at them and not leaving like he was told.
Right after the show ended, Glenn came running out and engaged Neil and threw a kick to Neil’s ribs, and connected. He also swung a couple punches that missed before security got Glenn on his bus. Glenn kept calling Neil a motherfucker
Just as in #DeiphagoGate, we see the importance of getting both sides of the story. This one remains unresolved, but to an experienced concert goer, the second narrative is plausible while Dalton’s version of events has numerous holes in it. Again the pattern emerges that those with legitimate grievances go to the police and file a report, while those who are partially guilty themselves go to social media and try to whip up an SJW internet army to administer a false justice.3 Comments
When issues arise like those of ideological fascists in metal, whether of the SJW or far-right types, the inevitable division between art and propaganda arises. Having written about this for over two decades, I make the following distinction: art has artistic purpose, which is to reveal; propaganda has dogmatic purpose, which is to condition and manipulate the mind through projecting a sense of self-congratulatory correctness onto the perceiver.
Luckily, others have written about this topic, and well. From Canadian author Robertson Davies writing at First Things comes this cogent analysis:
When I was a boy, I was a voracious reader. My home had plenty of moral literature on its shelves, and I was urged to read it for my betterment. There was lots of other literature, as well, but I was not forbidden, only discouraged, from reading it as it was said to be “beyond me,” which I quickly discovered meant that it dealt with life pretty much as life was, and not as the determinedly moral writers wanted me to think.
…I could not stomach Little Lord Fauntleroy, who presented me with a political puzzle especially hard for a Canadian: What was that boy, and what did he do? He was an American, but by chance he inherited a title and went to England and became a Lord, and thereafter was remorselessly democratic toward anyone who kept it firmly in mind that he was a Lord, and behaved accordingly. The Little Lord existed to hammer home two things that were presented as mighty truths: We must be democratic and we must recognize the moral superiority that goes with poverty. It was easy, I thought, to be a democrat if everybody toadied to you, and I wished that the Little Lord could spend a few days at the school I went to, where to be known as a tireless reader (for I could not conceal it) was to be an outcast. Many of my persecutors enjoyed the blessing of poverty, but it did not seem to improve their characters. They were savage, jealous, and without bowels of compassion.
My sanity was saved by the books I read on the sly. Dickens, where evil people were plentiful and often rich, successful, and attractive. Thackeray, where snobbery seemed to be the mainspring of much of the action. Thomas Hardy, where life was complicated by opposed moralities and the uncontrollable workings of Destiny, and where God was decidedly not a loving Father. I did not know it at the time, but of course these were the works of literary artists who observed life with keen eyes and wrote about what they saw, as their widely varying temperaments enabled them to see. When I myself became a writer, it was these whom I chose to follow, as best I could, and not the aggressive moralists.
SJW is a form of aggressive moralism. Nazism, which is an attempt to mold far-right values to a Leftist-style ideological structure, makes that same error (which became fatal for it). Similarly Communism and Socialism are moral appeals, meaning that they base themselves not on practical reasoning — “this works” — but on what should be, based on the feelings of individuals united into large angry groups dedicated to tearing down all people above them. Similarly, Christianity in metal attempts to be a dogmatic ideology, and so we get ludicrous songs about fighting for the Lord which like the propaganda above, present the world in black/white distinctions: one side all is goodness and purity, and the other is bad, stupid, rich and horrible.
When approaching these types in metal it is essential to see this distinction. The victimhood music of indie-rock bands for example presents us perfect, innocent, suffering victims of the type that appeared in moralist Christian literature, opposed by equally dark, evil and cruel forces of large corporations and right-wing tyrants. These overly-simplified moral models exist to make people want to be the good, and to polarize against the bad, without digging into any of the complexity of life that a realistic perspective provides. They are baby food for the brain, as manipulative as television commercials, and as deceptive as the seductions of a whore.
Art will always be better than propaganda, but people like propaganda because it makes them feel good about themselves. When you are presented with absolutes like good and evil, and those are put into simple terms of intent rather than achievement of goals, it makes every idiot shuffling in off the street into a hero just by wanting to be like the good guy in the propaganda. This is why propaganda is easily recognizable through its extreme polarization between the bad enemy scapegoat and the good virtuous long-suffering victim who is secretly a hero, just like the average person with a half-failed life wants himself to be, but will never take steps to be alone and can only do so in a large angry mob.
The assault on metal has taken many forms. During its early days, it was rock bands pretending to be metal to try to capture the authentic feel and thus the bourgeois rebel audience. Later the Christians came in, feeling that a message of evil needed to be replaced with a good one. The white power types have tried for years, often with sympathy from legitimate metal bands, but have never taken ground because metal emphasizes realism over politics. Now the SJWs — who are more similar to Communists than Nazis, but use the same methods — are trying to exact same approach. It helps to see this, recognize it as the attempted mind control that it is, and show it the door.8 Comments