Summoning has been working on their latest studio album for about a year now. More recently (although admittedly some months ago), they spoke to a writer at Darkview about their plans for the upcoming album. So far, the band members continue to emphasize a degree of continuity with the style established on Old Morning’s Dawn, ranging from its more depressive atmosphere to the reuse of material originally intended for that album. On the other hand, Silenus suggests that some aspects of the music (like the melodic lines) may end up more like older albums, such as Oath Bound and Let Mortal Heroes Sing Your Fame. Regardless of what material it takes after, it’s likely that Summoning’s next album will be of some merit, and we’ll certainly update you on it once we have more concrete information.
On October 16th, 1995, Napalm Records released Summoning’s second album, Minas Morgul; it is arguably the first release by the band to showcase their signature sound. Minas Morgul is heavy on repetition, ambiance, and cheap keyboards, but in spite of its minimalist elements (or perhaps because of them), it’s a surprisingly sophisticated work. On full display here is Summoning’s ability to convey an overarching mood or idea without resorting to extreme aesthetic shifts or overstuffing their tracks. In the process, Summoning often leaves behind conventional black metal technique but never abandons the themes at the core of their music – war, wandering, fantasy, triumph, and so forth. The band’s next album (Dol Guldur) refines much of the technique and production surrounding this approach, but Minas Morgul is still an excellent album 20 years after its debut.
For those of us who think that life is much more than buying the latest technology gadget we don’t need, watching the latest Hollywood TV commercial disguised as a movie or taking photo “selfies” pretending to be into something you really aren’t, romanticized medieval fantasy, ancient myth and legend provide not an escape from reality, but a highlighting of what is worthy of praise in life and human beings. This is the fantasy of Homer, Tolkien, Virgil or Lovecraft. Underneath the enveloping myth of the story, their stories preserve eternal truths about human nature and show it in a more realistic way than the candy-flavoured, shock-oriented realism of George R.R. Martin.
Today, we shall explore the idealist fantasy that sings to us in poetry of the gods, of virtue, and of the indelible kinship to nature as a whole that man has almost forsaken. In an inverted world in which greed has slowly attained a position of honor and in which ideals, philosophy and non-profitable values are systematically mocked, we sometimes find ourselves in need of a reminder that we are not just deluded madmen upholding untenable precepts of a long-forgotten age or even worse, believers of ideas that have never been in line with reality at any point in history.
Between the bushes we stared
At those who reminded us of another age
And told that hope was away
We heard the elven song and
Water that trickled
What once was is now
All the blood
All the longing and pain that
And the emotions that could be stirred
We are not dead
We have never lived
Flowing black metal band Summoning have issued the following update:
After having turned our attention on different things during the first half of this year, we are back to concentrate on summoning again. There are already some new riff composed and rearrangements have been done of songs from the O.M.D session. Protector also started to recreate our homepage, with a total new design and updated content.
So the hammers are pounding loudly again in carven deep and far on the horizons the first ray of light are bearing witness of the return of the old ways …
This announcement cheers many who have come to appreciate the Summoning brand of black metal: longer melodies more tightly integrated with keyboard counterparts, slower pace with more atmosphere, and a medieval/Tolkien-esque escape from the nominalist insanity of modernity.
Earlier this year saw Summoning release their first album in seven years, Old Mornings Dawn. Our review saw it as “a creative journey into the recesses of the mind and embraces the sentimental alongside the epic, using its ambient structuring to immerse the listener in a world far beyond anything they have experienced.”
Fortunately for us, the band possesses six more tracks from the album session. They will began the process of finalizing their production and expect to release these tracks next year as an EP. Until then, the band will hold its fans over by releasing an “earbook” edition of Old Mornings Dawn, which includes two acoustic bonus tracks; and vinyl reissues of Nightshade Forests, Oath Bound, and Lost Tales.
Unfortunately, it’s not all good news; as the band has stated that this is a prelude to a period of dormancy:
“In the end of next year, when everything is said and done, and all works are finished and released, the forges will get cold again,and we will rest at last. Then Summoning will fall asleep again for a longer time, until a new dawn is rising…”
We hope that this interval will not be as long as the gap between Oath Bound and Old Mornings Dawn, but we recognize that art often needs time to germinate and we eagerly await new material, whenever it may arrive.
After the first wave of Norwegian black metal entirely re-defined the genre into a melodic and intensely artistic form of music, it seemed metal had culminated. Its technique exploded in death metal, and with black metal, it began the process of creating narrative melodic compositions.
Summoning jumped into this heap by evolving from a relatively straightforward downtempo black metal band into a melange of keyboards, lengthy fast-picked slow melodic passages, and soundtrack-style framing of song structures in the context of atmospheric, Tolkien-inspired vaguely medievalist metal. Ever since they nailed that combination on Dol Guldur, Summoning has been a legend in the metal scene.
After the experiment in greater use of vocals and folk-like dynamics that was Stronghold, Summoning returned with Oath Bound, which edged them closer to the territory last explored on Dol Guldur before the music got more atmospheric on the Nightshade Forests EP. Seven years later, anticipation ran high for their latest, named Old Mornings Dawn.
Coming from the same creative wellspring as other Summoning works, Old Mornings Dawn channels three separate influences: the classic downtempo black metal of its origins, the “Renaissance Faire” style of folk/world music that it became, and an influence that can only be described as dark 1980s industrial goth pop. This album fits in with Joy Division, Soft Cell, Sisters of Mercy and other darker forms of synthpop and EBM, much in the same way that Nightshade Forests picked up similar influences. At the same time, hints of the Stronghold style where vocals lead composition help define these songs.
What is most pronounced on this album however is that Summoning are using the layered style that worked so well on not only Nightshade Forests but the Lost Tales EP as well, but have removed even more of the metal “forward” style narrative composition. Instead, these are circular compositions with layers, but in the best metal style, moods accrue and eventually force change into an entirely different but complementary riff. The result is a ferment of slightly differentiated influences fit into the only song structures that could incorporate them all. The result is like an exotic tour alongside a riverbank populated by fantastic figures from dreams.
Old Mornings Dawn is a creative journey into the recesses of the mind and embraces the sentimental alongside the epic, using its ambient structuring to immerse the listener in a world far beyond anything they have experienced. The result drifts farther from black metal without betraying black metal, and instead creates a voice unique to Summoning which sensibly does not try to be Dol Guldur II, but to create a niche for itself. Its decreased distance from the listener allows emotion to meld with music and create an atmosphere unique to this band and the spread of time they have chosen with their music.
Were you one of the nerdy kids that wept a little bit when Boromir fell to the orcs? If so, you’ll be very excited for the new Summoning album Old Mornings Dawn. It appears that the album has already been leaked, but I encourage you to pre-order Old Mornings Dawn at this location if you like the music.
Tolkien ambient black metal project Summoning have unleashed their latest recording, Old Morning’s Dawn, via Napalm Records. The pre-order links are now active and the final product will be released June 27, 2013.
Napalm Records promises that “Despite the long break, the congenial duo Silenius and Protector did not stray an inch from their patch. Their distinctive melodies are the heart of all the songs on the latest longplayer, and bring the listeners directly into the fantastic world of Middle-Earth.”
Old Morning’s Dawn follows up on 2006’s Oath Bound, which united the epic spirit of power metal with the gentle melodic atmosphere and inner savagery of black metal, making the ideal soundtrack for medieval battle or spiritual occult warfare against the modern world.
Middle earth sweeping epic metal band Summoning are due to release their next full-length soon. Old Morning’s Dawn will follow after a lengthy gap the spectacular and critically-acclaimed Oath Bound released seven years ago.
After black metal fired off its initial salvo by 1995, Summoning rose from a melodic black metal band into their own style, which meshed longer melodies, lush keyboards and backgrounded guitars, Tolkien-derived imagery and softened but rasping vocals. Building on the work of other long-phrase black metal bands like Ancient, early Enslaved and Gorgoroth, but using its own sense of tempo and mood, Summoning quickly became a favorite for many who were searching for a new direction after the underground blazed out with a final peak of intensity in albums like Transilvanian Hunger and Hvis Lyset Tar Oss.
This weighty inheritance would be too much for any band to handle, but Summoning have refined it over the years, first adding more traditional folk elements and then dialing it back to a streamlined metal sound. During that time, they’ve also fought off accusations of political impropriety and overcome personnel changes and the mercurial black metal scene/market. With their audience primed with the release of the recent movie The Hobbit, Summoning are ready for conquest yet again.
- All guitar riffs have been recorded
- Protector’s vocals are recorded; Silenius will do his share next week
- Bonus tracks might include an instrumental song + “the missing song from the [O]athbound session”