Most people compare this music to Motorhead, but in my mind, it resembles a fusion between Black Flag and folk music like the old Bob Seeger tracks that limousine liberals pretended to like along with their Harry Belafonte and Leonard Bernstein LPs. A strong punk energy and rhythm pervades the music while a vocal-driven melodic sense guides each song to a quasi-ironic, bittersweet but triumphant conclusion.5 Comments
If someone goes on this tour, make sure to hand Justin Broadrick a telephone to signify that this album has been phoned in. As the term implies, when content creators are no longer focused on making their work significant, an “it’ll do” mentality results. This fits within what Godflesh and related Broadrick-acts have done through their careers.9 Comments
In an unexpected turn of events, Mortal-Kombat-tier Norwegian opera-metallers Dimmu Borgir have gone full on symphonic power metal in their new song. Embracing the trending female fronted power/quest metal sound that has replaced metalcore as the newest wave of a strange phenomenon known as “girlfriend metal” (the metal your girlfriend puts on while she’s cleaning the house), Dimmu have essentially robbed the sound of Nightwish, Epica, and Within Temptation while yet retaining the Hollywood-orc vocals of Shagrath. While moments resembling early Blind Guardian are in fact an improvement over a preceding album that was almost completely devoid of guitars, this is by no means quality power metal nor is it the hybrid of older Dimmu styles that the band has been mouthing off about the past few months.12 Comments
Sometimes in between quests for the perfect transcendent meal, you wind up in the drive-thru. There’s nothing wrong with that- not every action in life has to be one of self-discovery or grandiose vision- sometimes you just want to destroy yourself as a brief respite from analytical or introspective journeys, which actually provides a contrast that truly showcases the merit in the pursuit of depth but also gives an objective worth to consumables that are designed with much less substance in mind. There is a place for what is now known as “slam” in the death metal pantheon, and as with any subgenre of course the progenitors are the best examples of it, as prior to its neanderthalic fall from grace it started as marriage of the percussive elements of Suffocation with the over-the-top imagery of gore-focused grind bands while limiting the use of humanistic elements like melody and cyclical structure. This is a more than valid metal style as it does actually transcend a known formula through divorcing it from song archetypes and instead celebrates an ignorance that is mirrored perfectly in masochistic savagery. Given that is is more rhythmically focused than previous death metal styles is it natural that it would meet its downfall by travelling down an insultingly urban path that betrays the savagery it had once wielded, but it is still worth revisiting a few choice releases to analyze what may unfortunately be the last true movement in a dying genre at the turn of the century.10 Comments
The modern carbine hearkens back to the days of the American frontier when the man in the saddle needed both a sidearm and a rifle but could not be encumbered by the logistic complications of two types of ammunition; his rifle and his six shooter fired the same ammo. Various modern carbines are available in various modern pistol calibers: .45, .40, 9mm, .380. Hi Point makes carbines in all four of those calibers and is currently introducing one in 10mm.43 Comments
Death Metal Underground’s wise founder Brett Stevens posted a thoughtful article last weekend about the duality of exterior and interior being. It describes how in these modern times we’re seeing an illusion of non-conformity that masks the conformity of thought and nature within. This is an effective tactic of those in power be they media, silicon valley, deep state, or (in the case of metal) record executives and journalists: get people to look different, but think the same. This also masterfully articulates why metal is at its lowest creative point in the entire history of its existence: fans and musicians alike have accepted conformity of thought and sound through satisfaction with mere non-conformist aesthetics and culture. And the only way to escape this rut is to violently rebel against everything we have been conditioned to believe is “metal” and “metal culture.”35 Comments
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November 8th, 2016. Manhattan, NY. Election night. I was there.
Wading back and forth between a crowd of suits and red hats gathered outside the Fox News building on 6th ave and a similar group gathered a few blocks north outside the Hilton hotel where the soon-to-be President-Elect was present, I celebrated ecstatically as electoral college results came in showing my favorite politician on the cusp of capturing the presidency. All of us were over the moon with excitement and bliss, particularly because New York City had seldom presented a place where support of the man the media branded as Hitler 2.0 could be expressed openly.
While walking home and passing virtually every media truck parked for a mile along the road where America’s next President prepared his victory speech, a young NPR reporter excitedly rushed over to me with her microphone and cameraman after seeing the ridiculous “Trump 2020” pins on my shirt. I agreed to her request for interview and explained why I thought Trump’s non-interventionist foreign policy and realist economic objectives would benefit the country’s middle and working classes. Admitting her surprise to learn that I was a compliance director working near Wall St. and not the basic redneck Trump voter the media had branded us as, she asked if I was excited about the likelihood of supporting Trump being more socially acceptable now that he was president. “Yeah” I said “It finally won’t be taboo now!”
We could not have been more wrong.
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This band from Germany has been around in one form or another since the 90s. Besides having a reputation as an under-rated act, they actively tour and record. They are considered technical/brutal death metal. I would probably count them as old school death metal. Several releases are available, and it feels somewhat unfair to look at just one release and judge, but lets try.
Well crafted and nicely produced, Temple of the Adversarial Fire by Shaarimoth , appears to be a nice mixture of 90s black metal fun. This is more in the epic vein, rather than underground sounding. Lets face it: the first two songs are great. There is a nice mixture of riffs and beats, with short phrasing. It is a bit heavy on vocals. They can get tiring at points. Bands I hear as influences here include Emperor, Morbid Angel, early My Dying Bride, and Bal Saggoth. Making my way through the album, song 3 leads with annoying vocals (minus 1 star), over a slower heavier riff. In song 4, am waiting for the album to get its mojo back. It does, with a European blast beat that has a sick lower grinded guitar counterpart. A fun, evil Samael style rock riff emerges from that. Some of the vocals still are iffy, but the guitar playing is growing on me. Why is the album so choppy though?9 Comments