Now that two decades have passed since underground metal was a threat and its ideas live on in artistic, political, social, and philosophical changes, writers are bringing out more contemplative — and less “fanboy” — visions of that time. These continue with a new book named Aesthetics Of Sickness.
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Guest article by Eugene Stryker
The PC witch-hunt of the Leftist Indie/Mallcore Mafia continues ever on in its plaguing of the Metal scene throughout the 2010’s. No longer content to pillory some of the most vicious and well-respected acts in the Black Metal genre, the latest victim of character assassination and social media hysteria is none other than former Agalloch leader John Haughm.
70 CommentsTags: aesop dekker, Agalloch, anti-semitism, antifa, Betrayal, Black Metal, bruno ganz, don anderson, drama, facebook, hipster black metal, hipsters, hitler, hypocrisy, jason walton, john haughm, judenbook, metalgate, MetalSucks, pillorian, political correctness, portland, post-rock, privacy violation, social media, stephen parker, threats of violence, trevor matthews, uada, virtue signalling
Let us momentarily forget the ridiculous circus act that surrounds the legacy of Mayhem at this time and focus on what earned the band all the praise they deserve. “Life Eternal” provides a particularly interesting example composition because it consists of a collaboration between multiple musicians during the long creative process that led to the release of the album. Featuring the final lyrics Dead ever wrote as a parting gift and some incredible ideas from Varg Vikernes and a large number of ideas from so many other musicians, it encapsulates the original vision that the Norwegian Black metal originally possessed in its purest form.
3 CommentsTags: analysis, attila csihar, Blackthorn, classic, de mysteriis dom sathanas, Dead, Euronymous, legendary, life eternal, mayhem, varg vikernes
Infamous contributed two tracks to the split CD/EP with Cmentarny Zew, Thorncastle and Ordo Sanguinis Noctis named Winter Ruins in Howling Mist released by Darker Than Black Records. These songs demonstrate why Infamous remains at the head of the new brand of black metal, mainly by staying true not just to black metal, but to idea-driven music.
3 CommentsTags: Black Metal, darker than black, infamous
A new underground fanzine called “No Help Came” will feature interviews with the likes of Sammath,Condemner,Into Oblivion,Necronomicon and local Romanian bands should interest Hessians interested in what is going on beneath the funderground. The zine can be followed on Funbook by clicking on this link.
1 CommentTags: condemner, Into Oblivion, Necronomicon, No Help Came, sammath, underground, zine
We find ourselves at one of those terrifying and exciting points in history, like standing on the narrow point of a mountain ledge and feeling the cold northern breeze. The old system has failed; we are going to change to something new, although most are still kicking their feet in a tantrum of protest at the threat of change. This opens up new spaces and possibilities.
19 CommentsTags: Black Metal, far-Right, national socialism, nationalism, Nazism, racism
This article attempts to pseudophilosophize on religious awe and its connection to black metal through the analysis of two songs that are connected beyond time. Herein, we shall Enter the Eternal Fire and Walk the Infernal Fields in pursuit of the archetype of the first romantic hero, that is, Satan. (more…)
8 CommentsTags: Bathory, Bridge of Death, darkthrone, enter the eternal fire, manowar, nietzsche, Paradie Lost, Satan, walk the infernal fields, will to power
In an industry crammed with anti-hero biopics, Lords of Chaos follows the self-destructive rock star trope while sensationalizing the events that occurred during the black metal movement in Norway. Instead of simplifying the story to tell a more accurate tale of actual events, it adopts the more complex and clunky Hollywood cliché of the anti-hero rockstar who must “confront his own demons” instead of the more interesting story, as happened in real life, of a clash over artistic, philosophical, and personal differences. (more…)
7 CommentsTags: attila csihar, Blackthorn, burzum, Euronymous, faust, hellhammer, Jonas Akerlund, lords of chaos, mayhem, mental retardation, Metalion, movie, varg vikernes
After having built up a legacy for over a quarter of a century, it seems fitting to briefly revisit a few thoughts on the genre-defining De Mysteriis Dom Sathanas.
11 CommentsTags: 1990s, attila csihar, Black Metal, de mysteriis dom sathanas, Dead, Euronymous, hellhammer, mayhem, noktorn, norway, snorre ruch, some brief thoughts, varg vikernes
If there is anything impressive about the music Dream Theater have been releasing for the past decade or so, it is the fact that just when one thinks they have reached a new nadir in pointless asinine cringe, they somehow manage to sink down to even further depths of banality with no apparent end in sight.
32 CommentsTags: 2019, annoying, asexuality, autism, bad music, christian rock, chugging, dream theater, fall from grace, james labrie, john myung, john petrucci, jordan rudess, kevin moore, mainstream metal, mallcore, memes, mike mangini, mike portnoy, nu-metal, obnoxious, pointless, pop music, prog metal, pseudo-progressive, reddit, redundant, retardation, self-plagiarism, stupid album cover, thanks reddit, time does not heal, wanking
