Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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King Crimson – Lark’s Tongues in Aspic (1973)

Heavy metal was born in very late 60s and early 70s as a merger of heavy rock, proto-punk, horror film scores and progressive rock, carving out a new form of dark music that spelled out longer phrases than rock by using moveable power chords in complex riffs.

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N.W.O.B.H.M. Survivors

The New Wave of British Heavy Metal was the simultaneous, sudden emergence of hundreds of heavy metal bands in the United Kingdom in the late 1970s and early eighties. The NWOBHM was prompted by the collapse en masse of earlier hard rock bands and heavy metal originators. Led Zeppelin and other blues-based riff rock bands had collapsed into meandering stadium rock with only a couple listenable songs per record at best (“Achilles Last Stand” on Presence). Black Sabbath fell flat on their faces after Sabotage, making the meandering duo of Technical Ecstasy and Never Say Die. Punk declined from almost-progressive works as the The Stooges’ Fun House to boy bands such as the Sex Pistols playing radio pop. Deep Purple regressed to playing what their former guitarist Ritchie Blackmore termed “Shoeshine music.”

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Visiting The Tobacco Barn (Brenham, Texas)

When one traipses through the country outside of the lock-step conformist big cities, it behooves the pipe smoker to look for those varieties of tobacco favored in the less “civilized” areas of the world. This might bring one to Brenham, Texas, where the Brookshire Brothers grocery store offers up a unique and wonderful American tradition: the drive-thru Tobacco Barn.

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Deathspell Omega – The Synarchy of Molten Bones (2016)

deathspell-omega-the-synarchy-of-molten-bones
Article by Lance Viggiano.

Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.

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Sadistic Metal Reviews: 10-23-2016

melting-cdr

Humans and metal bands are self-replenishing resources. There are always more to burn!

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The Decline of the Compact Disc & Music Industry

broken-cd

By the 1990s, the CD reigned supreme. As the economy boomed, annual global sales surpassed 1bn in 1992 and 2bn in 1996, and the profit margins were the stuff of dreams. The CD was cheaper than vinyl to manufacture, transport and rack in stores, while selling for up to twice as much. Even as costs fell, prices rose.

The popular music industry peaked financially in 1996 but had creatively begun bottoming out years before that. Digital file sharing of lossily (and later losslessly) compressed formats simply burst the bubble of the industry’s festering corpse the ignorant had mistaken to still be moving as the putrefying gases bloated body cavities.

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Sadistic Metal Reviews: Taste the Rainbow!

rainbow shit

Coming soon to a used CD bin near you!

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Demonic Slaughter – Dark Paths to Catharsis (2015)

demonic slaughter

Article by David Rosales.

Dark Paths to Catharsis an album clearly intended to be atmospheric black metal, perhaps even a little too intentionally. Its method is of the so-called ‘melodic’ type, describing long, simple melodies played with tremolo picking, a backing power chord guitar, supporting bass, and mid-paced double-bass drums. The vocals are not entirely screeches though, being more a sort of angry dad-rock that is only mildly raspy in style. There are two major problems with the orientation and the structure-building method in Dark Paths to Catharsis: first of all, it is style-oriented; second, it replaces order with feeling.

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