FORTRESS EUROPE (The Big Shiny Prison Vol II)’ is the sequel to 2009’s ‘THE BIG SHINY PRISON (Volume One)’ and chronicles the authors journey through the European Counterculture in 2011.

This is a nonfiction road book/music journalism expose which defies all conventions, existing in the territory of Jack Kerouac’s ‘On The Road,’ Henry Miller’s ‘Tropic of Cancer’ and Hunter S. Thompson’s “Fear & Loathing In Las Vegas.’ This modern version of such writing follows author Ryan Bartek as he reveals a postmodern, dystopian vision of the European counterculture while interviewing a number of living legends face to face and drudging through the gutters of society.

‘FORTRESS EUROPE (The Big Shiny Prison Vol. II)’ covers all forms of extreme metal, punk rock, industrial, experimental, rock & electronic and features appearances/interviews with members of Brutal Truth, Master, Agathocles, Wolfbrigade, Rotting Christ, Killing Joke, Funeral Winds, Nahemah, Enochian Crescent, Moonsorrow, LAIBACH, Defeated Sanity, First Blood, Hello Bastards, Abortion, Panthiest, Arkangel, HATE, Repulsione, Dehuman, General Surgery, Corpus Christii, Fides Inversa, Excavated, Primordial, Splitter, Pyramido, Black Breath, Ingurgitating Oblivion, El Schlong, Spacemen 3 & legendary Detroit writer/60’s radical John Sinclair and more.

FREE DOWNLOAD (PDF)

Interview with the author on Berlin TV:

Iron Maiden’s Steve Harris will be taking his new solo/side project British Lion out on the road next month, visiting fourteen countries and twenty four cities across Europe starting in Portugal on Feb 21.

Harris comments, “It’s fantastic to get out there and once again experience the sheer vibrancy of small clubs with the fans right up front and in your face. I think the fans will enjoy that too. It’s exciting, going back to the roots, and it’s going to be fantastic. We are taking this to clubs all round Europe – a full club tour, with club shows at club prices, hot, sweaty and loud.”

British Lion is Harris’ debut solo/side project CD which was released by EMI in September 2012. Alongside him are Richard Taylor on vocals, David Hawkins on guitar and keys, Grahame Leslie on guitar, and Simon Dawson on drums. The 10 track album was mixed by Kevin Shirley, Iron Maiden’s longstanding producer, and is both similar to Iron Maiden and taking the characteristic Steve Harris songwriting in new but faithful to influences directions.

Long-time progressive rock, alternative rock, death metal and Voivod crossover band Supuration (sometimes called S.U.P.) are releasing yet another album of their eccentric yet interesting music.

Cube 3 will hit the CD stores on February 25, 2013, or you can pre-order it here on Listenable Records. Expect more unusual but logical death metal.

Supuration‘s material ranges from early death-grind, recently released on a demos compilation Ultimate Sessions 1992-1993, to this kind of rock-metal fusion that keeps the metal at the forefront and while it is experimental, never forgets to actually write a song.

Unlike most of the rock-metal hybrids now, it is not so much jazz-based as rooted in the oddball progressive and folk rock of the 1970s and the alternative rock of the late 1980s, giving it a richness against which it can play its rougher metal elements.

Following up on Supuration‘s greatest success, 1993’s The Cube, this album promises to restore this band to the spotlight at a time when most “progressive metal” bands can noodle all day long but never write a coherent song.

Here’s the released teaser track, “Consummate,” from the forthcoming Cube 3:

Most metal bands apply intro tracks to greet and set the mood before their music takes form. Metallica used ‘The Ecstasy of Gold’, which readied their audiences and became somewhat their trademark (which suits their country-metal).

Death metal on the other hand went a bit further. From Deicide’s goats in anguish, to Carcass’ surgical salute, to Morbid Angel summoning the Ancient Ones; it’s become standard to employ sounds outside of what bands typically use in their songs. What are your favorite intros?

http://www.youtube.com/watch?v=zCP-No1DcQI

http://www.youtube.com/watch?v=_mEH4ZTdE34

During most of its active life, this one-man band (with occasional collaborators) was ignored for being primitive, primal, raw and feral. Its few-chord songs and droning incessant beat made it an obvious target for mockery; from a distance, it sounded like a mis-tuned Toyota with a broken fan belt.

However, as the 1990s wore on and it became clear that black metal had expressed itself fully and wasn’t “coming back,” people listened to the advice of our reviews and decided that Ildjarn was, after all, part of the essential black metal collection.

In the mid-2000s, Ildjarn re-surfaced with a spate of re-releases on Northern Heritage Records and Full Moon Productions, but then vanished as its creator moved on to other things. However, as of this month, Season of Mist Records plans to re-release the entire Ildjarn catalogue, first digitally and later, on CD and LP.

• Norse (EP)
• Ildjarn (album)
• Strength and Anger (album)
• Landscapes (album)
• Svartfråd (EP)
• Forest Poetry (album)
• Hardangervidda (album)
• Hardangervidda part 2 (EP)
• 1992-1995 (compilation)
• Eksistensens Jeger (single)
• Nocturnal Visions (EP)
• Minnesjord – The Dark Soil (EP)
• Ildjarn 93 (EP)
• Ildjarn Is Dead (compilation)
• Sort Vokter – Folkloric Necro Metal (album)

All 15 reissues will be available digitally in the upcoming weeks and most of them will hit the stores in physical editions later on.

The label warns us: “Please note that Ildjarn ceased all musical activities a long time ago and therefore does not do interviews and does not run any official web page or social network.”

On January 1st, England’s Abyssal released their second album of decomposing death metal via digital download.

Deriving influences from early Immolation, Incantation, and most noticeably Arkhon Infaustus; Abyssal executes their lust for decay and molds it into a good mixture of modern death/doom metal. If a rat gnawing at a corpse manifested into a soundtrack, this would be suiting.

“In a decaying society, art, if it is truthful, must also reflect decay.” – Ernst Fischer

http://www.youtube.com/watch?v=wFoxRK8f4fw

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Proto-death metal ear smashers Master launch an ambitious tour in 2013 in support of their newest album, which sounds the most like modern death metal since their popular On the Seventh Day… release. Catch them in your city or suffer ignominious sodomy!

Fri. March 1st – Los Angeles, CA @ The Joint
Sat.March 2nd – Richmond, CA @ Burnt Ramen
Sun.March 3rd – Portland, OR @ The Branx
Mon.March 4th – Seattle, WA @ 2 Bit Saloon
Tue. March 5th – Boise, ID @ The Red Room
Wed.March 6th – Salt Lake City, UT – TBA
Thu. March 7th – Cheyenne, WY @ Forum619
Fri. March 8th – Topeka, KS @ The Boobie Trap
Sat.March 9th – St. Louis, MO @ Fubar
Sun.March 10th – Madison, WI @ The Frequency
Mon.March 11th – Chicago, IL @ Reggie’s Rock Club
Tue. March 12th – Warren, MI @ The Ritz
Wed. March 13th – Rochester, NY @ Bug Jar
Thu. March 14th – New England – TBA
Fri. March 15th – Brooklyn, NY @ Saint Vitus Bar
Sat. March 16th – Philadelphia, PA @ Gunners Run
Sun. March 17th – Baltimore, MD @ Ottobar
Tue. March 19th – Chattanooga, TN – TBA
Wed.March 20th – New Orleans, LA @ Siberia
Thu. March 21st – Fort Worth, TX @ Tomcats West
Fri. March 22nd – Oklahoma City@Chameleon Room
Sat. March 23rd – Houston, TX @ BFE Rock Club
Sun. March 24th – Austin, TX @ Dirty Dog Bar
Mon. March 25th – Midland, TX @ Fast Freddy’s
Tue. March 26th – El paso, TX @ House of Rock
Wed.March 27th – Albuquerque, NM @ Launchpad
Fri. March 29th – Mexicali, MX @ Bar El Andariego
Sat. March 30th – Pomona, CA @ Characters
Sun. March 31st – CA – TBA
Mon.April 1st – Fullerton, CA @ Slidebar