Grindcore/alternative-rock/deathmetal/progressive rock band Supuration released a track “Reveries of a Bloated Cadaver” from their upcoming re-envisioning of earlier material, Reveries. The band has taken its style of technical death metal and unconventional progressive rock and used it to re-imagine these older tracks in newer form, but has done so without losing the distinctive energy of the earlier material.No Comments
Hard rock band Black Pussy, who have deliberately provoked the uptight and easily offended with their name, continue to disturb the sedentary and senile world of heavy rock with further provocations. Upon completing a set of successful live dates, the band was amused to see the following from an irate SJW:
As usual, heavy rock is arrayed between the realist rebels and the nanny establishment, with the former wanting to push boundaries further and the establishment wishing it would all go away so they can go back to selling lukewarm 1970s rock as if it were a new genre. SJWs and hipsters, who act as enablers to industry, do the best they can to enforce more boundaries so that heavy rock must be limited to a narrow range of material, making it easy to churn it out on an assembly line and reap the profits.2 Comments
Melodic primal black metal band Infamous, along with cohorts Solitudo and Warnungstraum, will release a three-way split on Eremita Productions in December 2015. The bands — each in a variant of the traditional black metal style — have contributed a total of 50 minutes of material.
Limited to 200 hand-numbered copies, the 6-panel digipak will feature the nature-oriented and feral artwork which customarily adorns Infamous releases. For those who have enjoyed this band’s evolution into more Ildjarn-styled territory, with the warmer melodies familiar to Southern European black metal, should anticipate this release with joy.No Comments
Legendary Dutch death metal band Pestilence is re-issuing its two demos from 1987 on a compilation entitled The Dysentery Penance, out in CD/digital on November 30, 2015 with the vinyl to follow in early 2016. The two demos, “The Penance” and “Dysentery,” show the formative years of the technical death metal style later to evolve from Pestilence.
To be released on Vic Records, this new release shows yet another death metal band reaching into the vaults so that new generations can experience the sense of possibility and discovery as these bands forged ahead in uncharted waters to create the new death metal style.No Comments
Since the early 1970s, the music industry and the social scene behind it — comprised of those who use external appearance to signal social success — has been trying to find some way to counter the authenticity of metal. While rock and blues stars appeared to be rebels, the truth emerged over time that most were very conventional in their outlook except for hedonism.
Heavy metal on the other hand rejected the founding myths of our society since the intellectual shift so-called “The Enlightenment,” in which people decided that social pressure to enable the individual to be “equal” whether right or wrong, good or bad, was more important than social standards. Heavy metal pointed out that our perceived enemies are scapegoats, and the real problem is that the enemy is us, and that people are delusional and happy hippie flower power is another variety of the bourgeois deliberate ignorance of reality that promotes social decay.
In recent years, the same people who were hippies back in the 1960s — the conformity of appearance non-conformist and then going to work at a bank and retiring as a fat Baby Boomer — have returned as “social justice workers,” or SJWs. These people, together with an industry that realizes it can sell more re-branded indie rock than it can discover compelling metal bands, have created a new style that culturally appropriates the appearance of black metal while injecting it with the same messages of self-indulgence, self-pity, victimhood and pacifism that the hippies bleated about back in the day.
As the UK’s leading cheerleader paper reports, the herd is claiming this new false black metal is in fact an “innovation,” despite it resembling music from thirty years ago that black metal bands detested.
Enter “blackgaze”, the buzz term for a new school of bands taking black metal out of the shadows and melding its blast beats, dungeon wailing and razorwire guitars with the more reflective melodies of post-rock, shoegaze and post-hardcore. It’s a geographically loose scene and its bands have been embraced by the indie media, which means you’re now as likely to hear black metal at ATP as in the Carpathian mountains.
Alert readers may note the “post-rock, shoegaze and post-hardcore” attribution, which Death Metal Underground has long identified as being the origins of this material. In other words, it is not black metal, but indie rock playing “dress up” as black metal. The quest of the industry for a safe rebellion goes on.8 Comments
As recent events have emboldened SJWs to be more aggressive in their attacks on those who have not adopted SJW beliefs as the one true religion, increased chatter suggests more criticism is heading toward the Bad Brains, a founding punk band who used thrash speed in their songs alongside reggae interludes.
One SJW source (that disguises itself as satire) summarized the situation earlier this year:
Lauded Rastafarian hardcore band Bad Brains have recently passed a serious milestone in their career, again escaping serious scrutiny for their actions by their gaggle of pathetically-adoring and mostly white male fans.
This year marks the third decade that the beloved African-American religious zealots have completely escaped the prying eye of the punk community for penning incendiary anti-gay lyrics such as “Don’t blow no bubbles, don’t blow no spikes, don’t pack no fudge”.
Many in the punk community, but all of those “many” being SJWs, feel that Bad Brains have betrayed the implicit SJW assumption that any people who are not white should adopted SJW ideology. In fact, it was white punks who began the attack, as Daryl Jenifer reveals in an interview:
Check it out. All the things I’ve been telling you about the road and path of The Bad Brains, there was an era that lead into us discovering Rasta and Jah, and these things that were part of us being black and recognizing this part of our culture. Like with anything, say you’re a young Krishna, there’s a tendency to be over-zealous. We were over-zealous in our views about homosexuality, due to our ignorance, and the fact that we hadn’t matured to a certain level. Just like anyone getting into anything. Every member of The Bad Brains are loving and we have nothing against any of god’s creatures. In our growth and in trying to become wise and see life for what it is, without judgment, we went through a time where we did judge. Anyone can remember a time and say, “oh you remember when I was like that.” A doctor can say, “Remember when I first worked the ER and was all nervous and people were looking at me when I was crazy.” So when you’re coming in as a young Rasta and discovering it, just like in Christianity, homosexuality isn’t accepted. So being young Rasta and studying the religion that’s what you see. But if you still continue to study and mature you’ll find other texts that say, “love all god’s creatures.” So you can’t just make your own thing and say, “This guys black, or this guys homosexual, I don’t like him.” The Bad Brains had a period of time where we might have said some things. Meanwhile, we were in a band and were popular, so it got out there. But someone took that and ran with it. People that hated us for various reasons, people that were trying to be like us. I don’t want to call any names, but like the band MDC were the first to go out of their way to find something wrong with the Bad Brains. Everybody loved The Bad Brains, so they want to find something wrong with us. It happens with everyone like Tiger Woods, you get popular and people are going to try and hate on you.
The SJW crusade in metal and punk continues with its desire not to avoid threatening speech as it claims, but to create “safe spaces” where only SJW-compliant speech is allowed. The ongoing and accelerating criticism of the Bad Brains only fuels this fire and will intensify it until rebuked.10 Comments
Nunslaughter drummer and vocalist Jim Konya, who once famous ran for a local political office with a quasi-Satanic platform, and fueled Nunslaughter through almost a dozen full-length releases and nearly infinite 7″ EPs, experienced a stroke three weeks ago and recently worsened. He will be taken off life support today, October 7, and is not expected to survive.
Konya, whose output with the band was matched by his fierce loyalty to the underground metal scene, will be remembered by many as a generous and committed persona who along with several others created one of the longest-running and most prolific bands in death metal history.4 Comments
Although neither the fest nor the band have confirmed this, users are reporting that the California Deathfest (presented by the Maryland Deathfest promoters) has caved to demands by social justice workers, or SJWs, to dis-invite New Jersey old school death metal band Disma.
Disma, who boast a vocalist of Jewish heritage and write songs about slow melancholic death, are being attacked for the perception that vocalist Craig Pillard’s side project Sturmführer had right-wing overtones. Despite the utter lack of any political content in Disma lyrics, some SJWs — feeling emboldened by recent mass events and cucking by mainstream media — have urged California Deathfest to deny Disma for some time.
As this story develops, more will be posted. This incident represents the type of lynch mob mentality that Metalgate rebelled against in the first place: an intolerance for any speech but the SJW-approved, Soviet-style repetition of certain key issues as a means of seizing power.13 Comments
Folk metal band Primordial vocalist Alan Averill inveighed against social justice worker (SJW) academics who recently witch-hunted “racism” and “sexism” in folk metal, claiming they are johnny-come-latelies using the authenticity of the metal name to draw attention to their careers. Writes Averill:
I don’t know whether to be bothered sharing this shit…..I think what these fuckwits fail to understand, or rather as usual intellectual ghost hunting is the place that ‘folk metal’ takes within the overall timeline and context of metal. The imagery and themes of folk metal are distilled from metals’ pre-occupation with fantasy not necessarily from a historical or factually based context, nor does it have to be. The language of for example Viking mythology has been perfect for metal since Zeppelin wrote ‘The immigrant song’.
Folk metal essentially took the place culturally in metal from where power metal left on in the late 90s and early 00s. Often it has more to do with role playing, gaming and fantasy….just with furry boots.
Claiming that is is somehow racist because it borrows from pre christian European history is just pointless and reductionist, bands do not have to apologise or justify singing about their culture and as I said most of it is through the prism of fantasy and myth because the imagery is simply perfect for heavy metal.
Sexist? again rubbish, I can think of quite a few ‘folk’ metal bands who have written tomes and hymns to the goddesses of the ancient world, both Cruachan and Waylander from Ireland spring to mind. You can find the same reverence for the feminine in nature in not only my own band Primordial (who are not folk metal but have connections to that scene) but also in bands like Enslaved, Wardruna, Our survival depends on us, Dordureh, Fen, Eluveitie, Negura Bunget among so many others (yet this is conveniently ignored) . Not to mention the band quoted as starting the whole genre Skyclad, even a cursory glance at their lyrics and imagery will suggest the opposite of this study. Again just a cherry picked argument from someone hunting ghosts.
Not to mention the fact that if you have ever attended a pagan metal show in Europe or the USA (and I’ve been at loads) you will find a very very healthy % of the crowd are women and often on the stage, the general feel of pageantry and joviality in this scene is least of all full of the macho behaviour these authors are looking for. It’s a young excitable scene which likes to play dress up, dance around and drink a beer or two…
You want ghosts? go ghost hunting somewhere else
I once lectured about Black Metal here in Ireland…to a room full of people full of agendas and opinions and angles for their own conspiracies and prejudices. My opening line
‘You can’t intellectualise a punch in the face’
…..you weren’t there and I am going to tell you how it was so shut up and listen.
You can read the full rant on a favorite social networking site for bored cube slaves to vent about the meaningless of life where some of the feedback has been quite interesting. The backlash against SJWs, revealed by Metalgate when one of the researchers mentioned above, Karl Spracklen, unfriended me over Facebook for allegedly un-PC postings elsewhere on the internet, has now reached a broader audience which is tired of outsiders interfering in metal to pick up on its perceived cachet of cool.4 Comments
Black Funeral guitarist, vocalist and composer Michael Ford has created a Greater Church of Lucifer set to open later this month in Old Town Spring, Texas. As local news reports, the church is scheduled to open on October 30 and will dedicate itself to non-theistic Satanism:
“A Luciferian would find it insulting to bow before any perceived deity,” co-founder and Luciferianism expert Michael Ford said. “We don’t believe as a basis in the existence of a deity that wants us to worship it.”
Luciferianism has been around in some form for centuries, but this is the first time members have erected a building to conduct services.
In contrast, the “Old Town” district of Spring, Texas, a suburb of Houston, is known for kitschy antique stores, artisanal greaseburger restaurants, and a complete lack of parking. Favored by both tourists and zombie-eyed big city dwellers desperate for something to claim as a meaningful activity in their cubicle-job and cubicle-condominium lives, Old Town Spring draws millions of people a year to purchase antiques recycled from garage sales and dumpsters and probably hands out nearly as many parking tickets.2 Comments