Article by Lance Viggiano.
The Escalation perfects the misunderstood Australian art of Cimmerian metal – a deliberately low-brow affair which has little tangible relationship to the Common Practice Period and therefore easily panned. Vomitor deliberately flaunt rock’s loud and emotive ethos through boorish motifs qualified further by a thin and mid-centric texture executed in characteristically poor-taste. Constructed primarily out of recombination of past forms, The Escalation is a deliberately retro affair which succeeds by forming a singular and immediately identifiable voice. Historical precedence for this identity is found in the work of Spear of Longinus – specifically the first demo contained within Black Sun Society. Vomitor do not present a way forward for metal; instead the entity finely maps a territory which was discovered but left largely unexplored by ancestors who clung to the safety and security of the coastlines looking into an inhospitable thicket which obscures a familiar but nonetheless unique landscape.
Continue reading Vomitor – The Escalation (2012)
Article by Lance Viggiano responding to Steve Cefala’s comment spam on Lance’s Sadistic Metal Review of Nothing Left’s demo.
People really need to understand that reviewing – when you aren’t listing the objective qualities of the music – ultimately comes down to the reviewers taste and experience.
The problem is ultimately that our culture cannot discern the difference between values and facts. More specifically, they treat values as if they were factual statements. So, habitually, they lose their shit over contrary irreducibly individual judgements.
I’m sure this guy can find a hundred other metal critics to praise what I think is lack luster. Still, the most embarrassing bit is that a 40 year old man has to resort to trying to fight at the flag pole after school over differences.
Article by Corey M.
Recently Tom Araya, frontman of seminal and legendary extreme metal band Slayer, offered some words of encouragement to Swiss concert attendees regarding their ownership of personal firearms. He makes a case for owning guns, saying that there are invaders and enemies all over the world and in your own countries and towns, who may turn weapons against you anywhere, at any time. Because of this constant threat, owning and carrying weapons of your own is advisable, says Araya, making a pertinent point. Though he made a point to use no names, Arya mentioned events “in other countries” that resulted from people thinking they were magically immune to random violence (a transparent allusion to the Orlando, Florida shootings last month, in which nearly a hundred patrons of a nightclub were gunned down over the course of a few hours and half of those ended up dead, all because of one man with a gun).
Continue reading Tom Araya’s Second Amendment Pragmatism
Article by David Rosales. Occasionally our staff have differing opinions on unpristine works from upcoming or past their prime bands. The editor’s sobering take on Garroted – In the Court of Nyarlahotep was presented in Sadistic Metal Reviews: Taste the Rainbow!
A modernist acoustic guitar intro, an undefined progressive death metal tirade, cavernous vocals and death-grind guitar tones. An exquisite Old School written all over it, and yet, the young Garroted manage to avoid becoming guides in nostalgia trips. Like Colombian Condor, Garroted takes the tools from the past and forges a future strictly on the loyalty to those traditions.
Continue reading Garroted – In the Court of Nyarlahotep (2016)
Dismember are currently in the process of reissuing their merchandise and back catalog to combat rampant poor-quality bootlegs. Brett Stevens reached out to the band for an email interview and drummer Fred Estby most graciously agreed to answer our staff’s questions:
Continue reading Interview: Fred Estby of Dismember
Article by Jon Faugustus.
Dream Theater will be presenting themselves in Belo Horizonte, Brazil, at the Teatro Minascentro. This event adds to one more high-grade theater venue being defiled by the conformist pop this bands sells out to insecure young adults, and ex-Motley Crue fans going through middle life crisis.
Brazil, like Japan, is one of the go-to countries for any mainstream band seeking international recognition. The metal fandom there is as unoriginal and undescerning in their tastes as in the metal the artists produce. This is why it is not surprising to find 1/10000 bands worth listening to occasionally arising from such geographic locations.
Article by Jon Faugustus.
Djent band Periphery to release new album, Periphery III: Select Difficulty, on July 22nd, 2016. This upcoming album further consolidates Periphery’s reputation as the leading non-metal hipster band.
Standing out as an out-of-the-closet Pantera tribute band, Periphery has made a name for itself in the Pro-Tools community and the Mac users forum. The band has come to be known for their anti-establishment, anti-genre-classification, anti-gender-classification, anti-making-sense postures that sets them appart from anything in the rational universe, fitting perfectly in the make-believe world of millenials and the pampered liberal youth.
Article by Johan P.
I’ve never been overly impressed by the folk metal phenomenon, which emerged in the middle of the 1990s and began to gain popularity some years later. I do not mean to imply that there isn’t any good folk music out there. On the contrary, there’s a lot of rewarding traditional music to discover. Many musicians – metallers included – have realized that their respective countries’ folk music reservoir is a gold mine for potential ideas to integrate into more modern forms of music. It was on these premises that folk metal was born. However, if the source material is to be successfully re-animated and be brought into metal or any other genre, it requires some serious work from the composer and performer. Most folk metal bands fail at this point for a variety of reasons, with the end-result often sounding like bad heavy metal adorned with folk-melodies that have been stripped of all subtlety to fit into a rock-based harmonic and structural environment.
Continue reading The Difficulties of Folk Metal
Article by Corey M.
To Starve the Cross sounds like the result of having chopped up a dozen good death metal songs and pasted the bits back together in such a way to eliminate any sense of continuity. Ghoulgotha is obviously made up of experienced and skilled players including the drummer of Ascended Dead and the guitarist from Father Befouled and Decrepitaph (among several other projects).
Continue reading Ghoulgotha – To Starve the Cross (2016)