Dimmu Borgir – Eonian 2018

Dimmu Borgir are through and through, the most popular and most successful Norwegian metal band.  They are also #2 in bands that were at one point in their career black metal (falling just behind Cradle of Filth).  Since 1993, Shagrath and Silonez have clawed and breathed fire and went through dozens of musicians- some very well known- and marketed themselves as the “evil fantasy/RPG villian” better than any other band.  The brand, however obscure and seemingly non-conformist, resonated with millions as it’s two core musicians have turned their Hollywood Satanism gimmick into a big moneymaker for Nuclear Blast Records.
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Angerot – The Splendid Iniquity (2018)

The Upper Midwest of the United States absorbed quite a lot of Scandinavian immigrants over the course of history. For quite a while there was a story that a Viking king had laid claim to some land in the Midwest, but the Kensington runes that ‘proved’ this have been shown to be fake. First off, many learned people pointed out that the runes used were incongruous with the supposed dating of the artifact, and second it was shown that the engravings were not nearly as old as they would have to be if they were really of Viking provenance. The death metal band Angerot hails from Sioux City, South Dakota and uses the moniker “Swede Worship” to distinguish themselves from the approximately twenty hundred million other bands that imitate the old Swedish Death metal.

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SAD! MetalSucks Flagrantly Plagiarizes Death Metal Underground

They say imitation is the sincerest form of flattery, but such is not true when it’s done by a fat, zit-faced loser with fedora tattoos who calls himself “Emperor Rhombus.”  Because right now, plastered on the MetalSucks front page at the time of this writing, is a ridiculously obvious rip off of an editorial I did just a month ago.  Seriously, the damn thing is worse than when Nile blatantly stole the melody from the Candlemass song “Well of Souls” in their “Unas Slayer of the Gods” mess of a track.  Hell, it’s even worse than that top hat wearing Dimmu Borgir keyboardist replicating the piano from Magnum’s “Sacred Hour” and using it as the intro for Stormblast. But I guess that when your life is regulated to creeping out young girls at Selena Gomez concerts with your virgin-tier Electric Wizard shirt, you’re bound to spend much of your days fantasizing about being a true alpha badass like Brock Dorsey.

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Interview with Cromlech (CA)

The Canadian band Cromlech strode forth boldly onto the field of battle with the promising album “Ave Mortis” in 2013.  Honing their tactics and weapon-craft, in 2017 they released their excellent EP “Iron Guard.”  Blending doom, death, and classic heavy metal influences the mighty Cromlech is the tip of the spear in the coming resurgence of epic power metal. In a brief lull between battles, the members of Cromlech most nobly took a few minutes to answer some interview questions.

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/smr/ Sadistic Metal Reviews: Baby Gasser Edition

 

SADISTIC METAL REVIEWS

https://www.deathmetal.org/tag/sadistic-metal-reviews/

HEAVY FUCKING METAL:

https://www.deathmetal.org/metal/

https://www.deathmetal.org/site-map/

https://www.deathmetal.org/category/faq/

>b-but I heard heavy metal is dead!

https://www.deathmetal.org/news/

https://www.deathmetal.org/review/

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Atlantean Kodex Live Album is Bad

At first glance, this album boasts a cool cover and impressively long song lengths, making a strong first impression. Then I hit play. It didn’t take long to realize this is really, really bad live album. It is not tightly played at all. The two guitars are not in sync and neither are the drums. You have to suffer through really bad lyrics like: “Onward to the sun” and “Destiny is calling!”. Everything is really bad waltzy Sabbath imitation but really boring. I can fairly say that this album qualifies as epic German cheese. So of course it will be popular. The singer sounds like the guy who sang those Budweiser ads Real Men of Genius.
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Thoughts on Composition

Metal music inherited the album concept from pop music. Originally, records could only hold about 3-5 minutes of sound on each side. In the 1940s new techniques allowed each side of a record to hold around 20 minutes of music on each side. Because of these limitations, the ‘single’ became the standard composition in popular music. As LPs became more prominent, the single, played over the radio, was used as the marketing device to sell albums: a couple of catchy singles swimming in a thin grey soup of filler material. Because it is only marginally more difficult and expensive to record and produce a whole album, there are much higher profit margins on LPs than on singles. That a pop album was not a consciously constructed artistic whole is borne by the fact that pop ‘greatest hits’ albums are easy to listen to, straightforward affairs. Consider a greatest hits album from a metal artist… at best it is off-putting and at worst it is a flaccid, confusing affair because all the songs have been removed from their appropriate context.

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Introduction to Power Metal, Part I: Origins and Influences

(Join DMU Legend Johan Pettersson for what may be the most expansive analysis of power metal ever presented in the first of a 3 part series.  Listen to the accompanying suggested listening here)

Of all the subgenres and styles that fall within the metal spectrum (hence excluding unmitigated relapses into rock such as death’n’roll, stoner, nu- and indie metal), power metal most definitely counts as the one that has received the highest amount of scorn and ridicule from critics, fans and outsiders alike. (more…)

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Have You Droned Anyone Recently?

There is something delicious about a drone. Maneuver the joystick, trip the flaps, train the camera, identify the subject. With a deep sigh, avoid contemplating all that is ahead, then click confirm on your control screen. Watch the brief flash and distortion on your video feed as the missile falls free and ignites. Zoom in on the target. Seconds later, a gout of flame and fountain of body parts.

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