Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.
Metalucifer, the heavy metal loving parody side project of Gezol from Sabbat (Japan), released a new video to Youtube from their upcoming split 7″ with Sabbat. “We Are Still Metal Kids” is a disposable, haphazard parody of NWOBHM bands such as Iron Maiden and Judas Priest just like all other Metalucifer songs . It will also eventually appear on an upcoming album to be released on Iron Pegasus / R.I.P Records. Metalucifer’s previous albums (Heavy Metal Drill, Heavy Metal Chainsaw, and Heavy Metal Bulldozer) and all of their other cash grab releases are all pretty much disposable kitsch but still better than most of the war metal, metalcore, and crypto-indie rock the Funderground attempts to force down our throats.
Interview contributed to Death Metal Underground by Chris Annunziata.
Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.
Incantation‘s debut and best work, Onward to Golgotha, remains the deepest death metal album I have ever experienced a quarter century after its release as of today. With material (“Unholy Massacre” and “Profanation”) dating back to the initial founding of Incantation by guitarist John McEntee and drummer Paul Ledney, Onward to Golgotha was a record influenced as much by Bathory and Beherit as it was Morbid Angel and Autopsy.
The Mass Destruction Metal Fest to be held in Atlanta, Georgia on November 3rd and 4th announced a great lineup this year with Demoncy and Profanatica among the headliners. Also playing are Acheron, Macabre, Nocturnus AD, Deceased, and Brutality. The festival should be a great chance for headbangers in the southeastern United States to experience two of the best American black metal bands live.
In an age where the culture war has reached all corners of American life it is essential to understand the immense significance of the extreme metal frontier. As a liberal movement on the brink of extinction adapts a full blown communist agenda and wages totalitarian warfare against all beneficiaries of natural selection and individual freedom it is mandatory for the iron willed men and women of metal to defend the most liberated of all musical genres. By defeating these dystopian LARPers on the battlefield of metal culture we will accelerate their complete evisceration and ultimately emancipate the underground metal genre from it’s stagnant state. Therefore we must understand the enemy to swiftly and decisively destroy it.