PSA: Cirith Gorgor’s Visions of Exalted Lucifer releases today

cirith_gorgor_-_visions_of_exalted_lucifer

We’ve covered Cirith Gorgor’s latest album several times now, but only today has Visions of Exalted Lucifer officially released to the public. According to the band’s official website, it’s available in several formats, including a 2-CD digibook that also contains the band’s 1997 Mystic Legends… demo. It should keep Dutch black metal fans sated until the release of Sammath’s upcoming album later this year.

3 Comments

Tags: , , , ,

More thoughts on Abbath

upside down abbath
Article by David Rosales, read the first review here

It is hard not to laugh when so much of this album plays as if Abbath were trying to sound like modern Ozzy Osbourne: Funny, rhythmic rock grooves, repeated to death while little breaks and winky variations take place (see ‘Winter Bane’ for a good laugh). Most of the remains of a black metal attitude are try-hard and unconvincing. This solo album remains largely black on the outside but poser rock inside.

One of the most painful moments comes when you hear Abbath using the flanger special effect, a remnant of eighties fruitiness. This is in line with the fact that he did not seem to really try to make this a black metal album, but a clearly rock-oriented stunt with only superficial colorings that might lend the project a corpse-painted face to be recognized for. This in itself disgusts me, and should disgust anyone else who rejects the whole idea of metal for the masses, as it only spells out least common denominator dumbing down.

At its best, Abbath might try to sound like the epic heavy metal of Quorthon, especially on the mid-paced tracks where there is an obvious viking air. This is the only rescuable aspect of this album, and it might be the best course for Abbath to take, embracing this epic viking metal altogether and leaving behind the black speed pretensions. That way, he might concentrate on converting these rock bits into proper metal.

No Comments

Tags: , , , , ,

Obscura – Akroasis (2016)

Akroasis

Akroasis stands proud as a representative of cracked out incoherent sugar high penguin of doom random technical “death” metal, and even has a cover that looks like various forms of congealed sugar melting together into a nutrition-free whole. It is truly the perfect product – a deceptively simplistic and potentially addictive recording with little in the way of more rewarding development. Obscura’s efforts on this album alternate between either random gibberish or surprisingly basic song constructions that don’t quite fit the apparent intent and would be shockingly obvious were they not surrounded by thousands of rapid fire notes like a swarm of flies around rotting meat.

One thing that makes reviewing Akroasis particularly easier is how the first track (“Sermon of the Seven Suns”) encapsulates so much of what Obscura is attempting to do. Much has been made of what this band takes from Death, particularly from their later traditional/death fusion works, but the most patronizing is the circular song structures. “Sermon of the Seven Suns” doesn’t have a lot of content, and after an intro arguably inspired by Cynic, it awkwardly rotates between its two major sections of rapidfire blasting and slow jazz fusion jams. The band uses some basic modulation techniques to disguise the repetition, particularly in the first section, but the overall structure does little more than hide the excessively basic structure. While the band’s apparent devotion to this on this track is vaguely admirable for how holistic it is (extending even to the lyrics), it doesn’t make for particularly compelling listening once the shock factor of Obscura’s instrumental proficiency wears off. At best, they’re slightly more creative than Chuck Schuldiner was with song structures – as an FYI, pretty much everything Death put out went main section -> bridge -> repetition of main section -> who needs a coda anyways?

The rest of Akroasis is more densely packed with content, but instead of employing the care and diligence required to shape these into anything coherent, it just falls into all of the typical metalcore traps, so it sounds less like an album and more like a checklist of errors. Besides what I’ve already mentioned in dissecting the first track, Obscura’s songwriting is full of aesthetic novelties (vocoders, non-metal instruments for no apparent reason) and they even incorporate a goofy breakdown in “The Monist” because apparently, metalcore musicians just can’t resist the temptation. Obscura would be a much better band if they could resist their vices, but were they to try and succeed, they would probably become completely unrecognizable to their fans. Why would they bother? The disorganized candy coated tech-death approach seems to be netting them enough fans.

10 Comments

Tags: , , , , , , ,

Artillery to release Penalty by Perception

Back in the late ’80s, Artillery was (to my understanding) one of the more musically literate speed metal bands out there, arguably peaking in commercial success on By Inheritance, which like many late ’80s and early ’90s releases in the genre reflected a more polished, assimilated, and mainstream take on the various ideas present in the genre. Artillery reformed in 2007 and has attempted to capture something of that era with their albums since; Penalty by Perception will release on March 25th and bears at least a superficial resemblance to the band’s previous material on first inspection. For the band’s sake, let’s hope it doesn’t fall victim to the lack of animating spirit that some other revivals from Denmark (like Denner/Sherman) have suffered.

3 Comments

Tags: , , , , ,

Sadistic Metal Reviews mini-feature – Infernal Curse – Apocalipsis (2016)

infernal curse

Article by David Rosales

When listening to most of these modern funderground bands, one gets the impression that a group of random guys eating hot dogs suddenly came up with the idea of recording a death metal album to give some variation to their Saturday afternoons in which they normally just discuss fantasy football. Is this derogatory? You bet. Is this accusation completely out of hand and unjustifiable? Not really, there are very clear reasons to say this.

For starters, a release like Apocalipsis by Infernal Curse amounts to nothing more than foggy noise, lacking any memorability but the memory of a passing metallic cloud of percussion and occasional chords. You might perceive this as being only the personal impression of the author, that it amounts to nothing more than another opinion on an otherwise objectively tolerable and enjoyable work of music. But nobody here is objecting to the idea that someone might enjoy this music. The point is that it is indistinguishable from anything even vaguely similar and devoid of its own character.

Apocalipsis is only the reflection of the disaster that war metal has been for death metal, a poor and superficial of what being an underground art movement is. This is usually the result of becoming self-referential, very much like university “revolutionaries” and other posers who confuse image with content. The trap is believing that through imitation of appearances you might somehow bring about the essence of what is being imitated. Nothing could be farther from the truth, and this piece of unrecognizable shit is just more ammunition for our poser-bashing posts.

6 Comments

Tags: , , , , , ,

Upcoming tours – Nightwish, Sonata Arctica

nightwish_tour_bill

Before you ask, the answer is no; you haven’t overdosed on power metal yet. You’re still alive and reading about how Nightwish, Sonata Arctica, and Delain (whom I’ve never heard of but was apparently formed by an ex-member of Within Temptation) are about to tour the United States and Canada. If you absolutely had to hear tracks from Endless Forms Most Beautiful in a live context, now might present a golden opportunity for you, or at least a yellowish one. However, this tour is apparently popular enough that some of its earlier dates have already sold out. Expect musical literacy, science advocacy, overblown melodrama, and whatever Sonata Arctica does to rule these nights.

12 Comments

Tags: , , , , , , ,

Sorcier des Glaces sets release date for North

We had a brief teaser for North almost a year ago. In the mean time, Sorcier des Glaces has released one of its upcoming tracks, as well as a longer trailer for the album, and they’ve also set a release date – February 29th. I’d take this release date with a grain of salt, since Sorcier des Glaces has been known to delay them a great deal for whatever reason. Case in point – this album’s predecessor (Ritual of the End) was originally planned for 2012 but didn’t release until 2014. Still, whether or not it gets released on time, it should be a worthy acquisition; the band’s style remains intact, and that means strength of melodic development and extended songwriting for everyone.

2 Comments

Tags: , , , , , ,

Rotting Christ streaming the entirety of Rituals

Another album that I briefly wrote about a while back is approaching its official release date. Rituals by Rotting Christ will release on February 12th, 2016, and is still available to preorder from Season of Mist in the meantime. You know how a great deal of established and older bands stick to their stylistic guns, especially now that the crisis of the 1990s is but a dim memory? Rotting Christ is amongst them; they’ve continued their traditional-black-etc fusion ways as hinted at on their earliest albums and established, at the very latest, on Triarchy of the Lost Lovers. If this album fails to be of any value, you’ll at least have Thy Mighty Contract as a fallback.

1 Comment

Tags: , , , ,

Borknagar – Winter Thrice (2016)

borknagar winter thrice

Winter Thrice would’ve ensnared me for some time, had it come out in 2009. In my youth, I was more receptive to pomp and circumstance in my music, and if there’s one thing Borknagar’s latest recording does especially wrong, it’s that it never relents from its apparent desire to be epic, even to the point of having its share of contrived quiet sections for obvious dynamic contrast. Restraint is not part of these musician’s repertoire, and it makes for yet another flat (albeit psychically draining) album that I can’t imagine even its most rabid fans having much patience for once the initial blitz of sales wears off.

At its core, Borknagar is descended from the same sort of ‘atmospheric’ black metal that their fellow scenesters and countrymen in Arcturus once made a living doling out to the masses. It’s probably a coincidence (at best, historical understandable in the context of Norway in the early ’90s) that both of those bands have some roots in especially unusual death metal oriented recordings. What degraded these bands (and similar ones) over time was their ever increasing addiction to sonic novelty. While Borknagar was quicker to unify a few elements they liked and streamline everything else into their signature sound (I described the teaser as “melodramatic, pseudo-progressive heavy rock music”), they’ve ended up so dependent on their own aesthetic that it interferes with their ability to develop their songs.

Now, Borknagar is technically proficient, as you might expect from any metal band that sells and isn’t deliberately ultra-primitive. However, only the vocalists’ contributions manage to rise to any sort of prominence. If I strain my ears, I can catch a glimpse of what the instrumentalists are attempting, and I’m sure it’s pleasant enough as a result of all the time that went into writing and recording it, but there’s very little of substance there beyond the ‘epic’ orientation of Borknagar’s songwriting. On top of that are a series of sung parts from three vocalists all scrambling for your attention. These are again skilled singers (and shriekers) to the point that their performance takes center stage, but when the arrangements they perform are so forgettable, does it really matter?

Ultimately, I found Winter Thrice to be so aggressively unmemorable, to the point that remembering just what it sounds like beyond a vague impression of 3/4 time and minor key progressions is difficult. At its best, it sounds good, but this stylish album is ultimately free of substance.

9 Comments

Tags: , , , , , ,

Folteraar – Vertellingen van een Donkere Eeuw (2016)

folteraar_cover-e1453943147973

Article by David Rosales

Folteraar’s 2016 release comes to us with a proposal that is very much in vogue in the current metal underground. To any wary of the pitfalls of following trends, this might ring alarm bells almost automatically. But we must not be hasty in this judgement, since even though the establishment and spread of a method may really be, in fact, taken up by a large number of hands who are not up to the task and will undoubtedly produce subpar results, this does not mean that we won’t also find those out there who have focus and vision to make use of pre-defined rules with a sober mind. A clear example of this is Condemner’s Omens of Perdition.

As much as we all yearn for another quality release, however, Folteraar exemplify the rule and not the exception to the avalanche of high-spirited but poorly thought out metal albums that make up the bulk of releases nowadays. Since there is nothing in particular to point out about Folteraar, as it has no particular value or fault but just repeats every cliche of the underground war-metal-noise-garbage intersection, we won’t spend too much time pointing out flaws that have been pointed out once and again in the past in this site. The duty still falls on us to point out the very particular approach Vertellingen van een Donkere Eeuw brings to the table as a representative of the most blurry instantiations of this line of thinking.

This brings to mind several influences that served to furnish the raw materials for the formation of early ’90s underground metal. These are primarily heavy metal of the so-called ‘doom’ stripe and hardcore punk. It is easy to appreciate a deconstruction of these in this music which seems to be violent for violence’s sake. Worse than that, it seems to ape so much at the tropes it has learned from the past that the music does not seem to build anything else. Folteraar’s music is just a sequence of cliches that build up to no content. Themes do not build up, in either melody, harmony or rhythm. This is just a sequence of loud screams; a hysteric madman in a padded room would make more sense.

Do yourself and the “community” a service and do not put this aside but actively campaign for a distinction between its utter nonsense and the codified communication that is achieved by its betters. The author encourages (and will keep doing so while releases such as this keep coming) the reader to return time and again to Condemner and allow it to rise in his consciousness, as its structures become more familiar and its development thereby becomes evident. Throw most, if not all, war metal such as Vertellingen van een Donkere Eeuw in the trash bin.

12 Comments

Tags: , , , , , ,

Classic reviews:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z