Recent Adventures in Censorship

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The leftists, reds, hipsters, social justice warriors, sexual deviants, and the mentally ill are engaged in a war to suppress all speech not conforming to or validating their political ideology. Anything contrary to their visions of mandated social realism is shouted down by angry mobs. This totalitarianism is affecting all areas of western society including the arts, business, science, and popular culture.

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Horna Withdraws From Blastfest in Support of Peste Noire

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Finnish black metal band Horna withdrew from the Blastfest 2017 festival after the festival’s SJW-pandering organizers canned Peste Noire‘s scheduled performance due to anonymous antifa nags threatening the hotel and venue. On their Funbook page, Horna said “It’s time more bands should do something instead of looking the other way.”

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Internet Dumpster Fire Reddit Has Meltdown Over Orlando Shooting Censorship

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As it becomes clear that censorship is rampant on social media, Reddit is the latest company to stumble when its news channel censored all mention of the Orlando Pulse gay nightclub terrorist attack. According to users, the site removed all conversation about the event — including requests for a blood drive.

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How #MetalGate affects DMU and you too – Advertising

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Google has informed us that they threaten to remove advertising — how we pay our writers — from our site because of controversial content. Since Google is a monopoly on search engine technology and internet advertising, it can act much as a government would to censor content that it finds objectionable. Much like a government, that places control over what you can see, hear and read into the hands of a few bureaucrats with no concern for the needs of free speech.

Listen to the safe spaces rhetoric: “Google does not allow the monetization of content that may be sensitive, tragic, or hurtful.” This vague description makes makes abuse of violation reporting a trivial task, especially given that the sheer reach and volume of Google’s customers forces some degree of automation into the process. Given how metal is under attack by SJWs constantly through abuse reporting mechanisms this forces sites to censor themselves and keeps that censorship — unlike that by governments — entirely invisible.

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In the meantime, #metalgate has gone into full war mode with the disinviting of Phil Anselmo’s band Down from FortaRock festival in the Netherlands. This response to Anselmo’s allegedly ironic Nazi salute at a festival reveals a perfected form of censorship: by convincing businesses to censor your content or otherwise cut off its revenue stream for fear of potentially harmful content, SJWs can destroy content that does not agree with them and face zero recognition or accountability.

A metal festival is one thing; what about the collected knowledge of humanity which had entrusted to the internet? If Google drops advertising, and eventually starts redirecting “dangerous” searches to counter-propaganda, as the company starts to seize more power this type of censorship will only gain more power. It has its fans among the usual power brokers who want to put people in jail for merely visiting questionable websites. This means we have a monopolistic company that has the power of a government to prevent you from seeing whatever material it deems as bad, and instead of using a clear filter for this, Google will continue to use the nebulous “offensive” tag to remove information.

This denies the human nature of truth which is that truthful information goes through a long period of opposition and censorship before it is accepted:

All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident. — Arthur Schopenhauer, German philosopher (1788 – 1860)

Google possesses the perfect way of keeping truth caught in the “violently opposed” stage so it can never be accepted as self-evident. By being vague about what is “offensive,” and putting the burden on sites like us to figure out what they object to and remove it, they ensure broad content removal of controversial topics. Given that five large companies control the internet, your right to speech is governed entirely by their desire to provide a “safe” product. Government never needs to get its hands dirty nor the companies officially admit they have censored anything. In their view, they are merely providing a safer product. And somehow, government seeks OK with Google’s attempts to stay on top through underhanded deeds.

While we detest Pantera, and generally think ill of Anselmo and his many antics, and have personal reasons to detest neo-Nazism and all associated with, at DeathMetal.org we are aware of the history of censorship: it starts with ideas no one will defend, like Nazism and pedophilia, and then expands to include anything that those in power — including rich companies like Google and the other Big Five — find threatening. This is the censorship of the future: removing anything that makes people feel uncomfortable, which will quickly produce a circle-jerk that repeats the same accepted opinions to itself and fails to notice uncomfortable realities. In metal, we face uncomfortable realities head-on because they are still part of reality and throughout history, humanity has thrived where it accepts reality and failed where it denies it. Google, FortaRock, SJWs and other “safe spaces” types are leading us into failure as a species by making denial into a moral good, even if they do it “in our best interests” with the most benevolent of motives.

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Philadelphia councilman proposes registry of bands for “public safety”

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Mark Squilla, a city councilman from Philadelphia, recently proposed a bill that would create a police-accessible registry of entertainers who sought to perform in the city’s venues, with the intent of allowing the police to vet acts and have a voice in whether they would be given licenses to perform. It seems the citizens of Philadelphia weren’t too pleased about this; while Squilla soon claimed that “…this provision is NOT intended to restrict artistic expression or any kind of entertainment, but rather is aimed at addressing public safety and quality of life issues,” opponents of the bill cited various concerns, most notably their belief that the bill would not actually protect the public, and that law enforcement should not be given such wide ranging powers. This sort of legislation, in fact, seems to me like the sort of thing that would result in police trying to keep even slightly controversial entertainers out of their city, or even ones they simply didn’t like if corruption was particularly rampant. If the bill passes in any form resembling its current one, it may create a great deal of difficulty for metal musicians seeking to perform for their fans in the area.

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What it feels like to be the target of an SJW hate mob

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How did this all start?

To the best of my knowledge this all began when the singer of Bestial Evil (Shawn Wright) suddenly became aware of a Facebook status I made approximately 7 weeks ago from the time of this writing, about how the band should be dismissed by fans of Metal, because in my opinion they aren’t any good. Simple as that! We got enough awful crap around here as it is. That being said I never accused them of anything other then being posers, no trigger warning required hahaha. I am not alone in this low opinion of the group either.

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Apparently receiving criticism is not one of their strengths however, so they started a smear campaign complete with all the usual name-calling and threats. I want to point out that it was a private post that I made and only my friends could see it… so how exactly it came to the attention of the people in question is unknown to me, probably a screen shot or word of mouth. I don’t care. I wasn’t hiding it from anyone in the first place and I still stand by what I said too. Bad’s bad and good’s good, tough shit. This is Heavy Metal, not a reality TV show where you get a prize at the end from Carson Daly. There is already a band from Italy named Bestial Evil anyhow so that just goes to show you they didn’t even do their homework in the first place.

How did these guys try to rally an internet army?

Again, social media was involved, like always. Facebook to be specific. A concerned friend showed me a post made on Shawn Wright’s Facebook page inciting a “boot party” if anyone ever saw me out somewhere and proclaiming that I was to be “banned” from the city of Baltimore, that he was gonna come to my house, etc.

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This was based on accusations brought on by Shawn himself that I am a homophobic/neo-nazi or some other completely unfounded nonsense like that. One person even commented that I “infiltrate shows” to sell white power music, which is an outright lie. People ask me to vend at shows very often, I never have to sneak in, let alone with the intent to slip some poor unsuspecting SJW a skinhead album or whatever. The whole thing is totally absurd.

Anyhow, not long after this stuff was brought to my attention I started to receive threatening calls and texts to my phone from Shawn himself. None of which I ever replied to. The voicemails have been recorded and saved though, as well as any other evidence of threats against my home or person. So if anyone does do something stupid I have evidence of a conspiracy I guess. They have done some tidying up on the band page it seems, I think their attempt to raise an army has faltered for now.

Is there truth to their accusations that you run a white power friendly distro?

Absolutely not. While I personally do not believe in censorship of any kind, especially with regards to music and art… there’s just nothing in there that qualifies. The merchandise and albums that I sell span across multiple genres of extreme music, everything from black and death metal to harsh noise and grind, but there’s no “white power” bands…

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The thing they have accused me of is totally baseless and merely an attempt to incite a witch hunt against me to fulfill a personal vendetta and stir up trouble. People of this SJW/hipster type of mindset seem to always invoke these things to try rally an angry mob as a means to carry out intimidation tactics or make it seem like they’re in the right because they got a couple hundred views on their webpage. You see it more and more as of late.

What have they threatened you with? Do you think they can accomplish it?

I was told multiple times that I would be visited at home, that they would kick down my door and “destroy my life”, and then there was the foolish claim that I was going to be sued for “defamation of character and distributing hate material”. Loads of ignorant threats and boasts were made. I welcome any legal action from them, as I am sure the courts would like to hear the voicemails that Shawn left on my phone, threatening me with home invasion. And as for the defamation of character thing, I am pretty sure they just did that to me so good luck getting that charge to stick.

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Personally, I do not think they can actually accomplish these things, especially the part about being sued, but I am not taking it for granted either. That’s not the sort of thing you joke about. I am prepared for all eventual outcomes of this retarded comedy.

What are your distros/bands/projects that people can support?

For over ten years now I have been proactive with music in the Baltimore Maryland area in some way or another, although I do not reside in or claim the city. I was in a weird band a long time ago but I don’t play anymore, there’s too many bands and not enough fans anyhow, I would rather be a fan. I printed shirts for local bands and old school heavyweights like Blood Storm, Nunslaughter and Gravewurm for many many years… and I used to book concerts in Baltimore sometimes but I have taken a hiatus from organizing live events. My label/distro is called Diabolic Force Distribution, the purpose of which has been and always will be to support underground bands and zines get out there to the maniacs that need it.

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Heavy Metal isn’t about fashion or climbing the social ladder, it’s a way of life. It’s outsider art and it’s meant to be challenging and dangerous. Diabolic Force likes to do things the old-fashioned way because I believe in the life force of the music itself and the people in the trenches fighting to keep it real. Diabolic Force will always offer support to those individuals and bands who hate posers and love Satan. Our motto is “Support the underground, bury yourself.”

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Criticism of SJW infiltration of metal peeks out behind media blackout

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Despite being mostly in favor of the SJW infiltration of heavy metal, media sources sometimes reveal skepticism of this rigid mind-meld that is replacing quality metal with an inferior but politically-correct substitute. In fact, the political correctness is merely a method of inducing you to buy it because it has the right “message,” while ignoring the low artistic quality of the material as a whole.

But the SJWs don’t know that. They are not unique, having appeared first in the 1980s with a group that would not call itself politically-correct but acted the same way as today’s SJWs. As hardcore waned, local scenes arose in which people wanted to participate for social reasons: to be popular, find dates, have parties. Their music was not ground-breaking, so they took over with superior numbers, and used politics as a means of filtering out all other music. Thus they triumphed, and promptly made punk so boring it self-destructed in dissipation.

Today’s SJWs are not history students of hardcore punk or any other subject. Their goal is to make themselves important, and to seize control of a genre they think will give them social power, but they cannot replicate its greatness nor understand it, and so they are doomed to failure. What do they care, however — they will simply move on to the next genre, take it over, and have their five years of glory there too before covering up those tats and going to a cubicle job just like everyone else.

But doubt is spreading already. In an editorial over at Stereogum, Michael Nelson launches into the usual SJW rhetoric, and then does something really interesting. The article is a top 50 of metal of the year, but as is typical these days, it must editorialize. So he makes an introduction and then cuts to the real topic on his mind:

But mostly, more than ever before, metal found its very character scrutinized by a hyper-aware, politically divided public — a public largely informed by metrics-focused media outlets eager to weigh in on the issues of the day. This was a carryover from late 2014, when popular blogs like Metal Injection and Metalsucks ran essays with titles like “The Problem With Heavy Metal Is Metalheads: Stop Calling Everyone A Faggot” and “Why Is It Okay To Be Racist And Misogynistic About Babymetal?” And in 2015, the takes arrived on an almost daily basis, via articles like “Racism And Sexism In Heavy Metal Highlighted In New Study” and “Why Is The Convicted Murderer Of A Gay Man Being Celebrated At A Major Metal Festival?“

This past July, renowned metal journalist (and occasional Stereogum contributor) Adrien Begrand wrote a piece for Pop Matters titled “Some Talk, No Action,” putting the entire metal community on blast for failing to effectively flush out certain musicians whose art and/or actions seemed to suggest some form of bigotry or separatist ideology. Begrand called out by name such bands as Cobalt, Inquisition, Lord Mantis, and Bölzer, but he extended the indictment to include countless participants — primarily the media and fans who support (or fail to condemn) any artists who support (or fail to condemn) intolerant worldviews.

This is actually a good (albeit incomplete, but give him a break, he had two paragraphs) history of the explosion of #metalgate. In the late 1990s, the underground fizzled because it had no more greats to offer, and the imitators surged in. Since that time, record labels and hipsters have been trying to find a way to make rock and punk rock — which, unlike metal, which emphasizes transcending the individual, emphasize the importance of individual desires over attention to consequences — into a “metal flavored” form. This is an ideal product for local mediocre bands to make and labels to hype since anyone can do it so there can be a steady stream of profits. SJW-metal is just their tool of forcing everyone else out and taking over.

Nelson goes on to look into the chaos that followed Disma being accused of being horrible Nazis, and he pretty much beats the SJW tin drum here, but then, something interesting happens:

The last thing any of us here wants to do is give additional exposure to artists who peddle or preach hatred or intolerance. The other last thing we want to do is act as some Orwellian thought police slowly sanitizing metal by doling out oxygen only to those artists whose views reflect our own, whose actions meet our personal standards of acceptability. It’s easy enough to treat Burzum’s Varg Vikernes as a pariah: The guy is an enthusiastic, unrepentant bigot and a convicted murderer. (It helps, too, that he hasn’t released a decent album since 2011.) I often wonder, though, how the world would react to “Angel Of Death” or “Unsuccessfully Coping With The Natural Beauty Of Infidelity” if those songs were released today. This is dark music! It’s not supposed to be safe! It can be safe, but nobody ever got into this shit because it was safe; we got into it because it was scary and transgressive and primal. Who are we to make it safe?

Then again, who are we to promote art or artists fostering unsafe environments?

I’m not winding up for some big, poignant conclusion here, sadly. I’m leaving this as an ellipsis.

There’s a certain subtle brilliance in this. The whole point of this lengthy introduction was to get himself SJW cred, then point out that censorship is just like the totalitarian ideologies that SJWs claim to dislike. In fact, Nelson writes that it is even worse, since it is done in the name of good, and points out that many of metal’s classics would not pass this test. Then he leaves the question up to us, since he obviously cannot directly contradict the herd or they will amass and ruin his life (or a least get Stereogum to fire him, and then mob his Facebook account!).

SJW is still a potent movement because it gives power to the unmemorable by allowing them to take down people better than themselves. It gives a voice to the mediocre and a reason why their mediocrity should jump the line ahead of artistic superiority. Like all mass movements, it is a revolt against quality, with the pleasant notion that everyone will be equally important concealing the reality, which is that when everyone is the same nothing good can rise. Metal stands against that, and this is why SJWs target it. But the tide is turning even now.

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#Metalgate: SJWs stage mass complaint attack to remove our accounts

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Although the death of Facebook has been widely reported, it remains the market-leading source for metal bands and others to share information. Last night, SJWs mounted a mass attack of complaints against my personal account, leading Facebook to remove it early this morning. Coupled with what looks like an attack on our database server, this shows exactly how mad and defensive SJWs have become about recent #metalgate activity which has revealed their censorious nature. Their decision to censor via a complaint attack simply confirms this, and reveals a fundamental weakness in Facebook and a reason metalheads should distrust it.

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