Blood must be shed to atone for the sins of these mostly horrific recordings. Every single person who thought releasing these was a great idea should attempt to give themselves a self-swirlie while under the influence. Banging their head on the porcelain toilet tank lid will knock some sense into them or crack their skulls open. Hopefully the latter.
Funderground party death ‘n’ roll and deathcore band Hail of Bullets has broken up according to a post on their Funbook page. Hail of Bullets’ illness was no reason to exist as a musical entity beyond lining the pockets and fattening the livers of Dutch death metal scene veterans through CD releases and festival gigs. Martin van Drunen quit the train wreck a while ago probably as death metal fans grew sick of the band’s constant stream of lame releases. The war is over Hail of Bullets. You lost and were executed for your crimes against metal music such as III: The Rommel Chronicles.
These random, gimped releases are held in high regard by high-pitched “metal” critics and core pogo stickers. The Death Metal Underground staff takes it upon themselves to scorn and defile them in the name of all that is good in the metal genre.
One clear sign that a band’s direction is compromised can be seen through unity of style. In this case, we see Gorgoroth lacking a clear voice of their own, in place of which Instinctus Bestialis offers three main ways of constructing sections and a rather pop-oriented way of building whole songs. The first is a bare bones neoclassical melodic method using two guitars, which is an interesting addition to traditionally more modal and harmonically chromatic genres such as death and black metal. Due to the foreign nature of these, the incorporation can be quite delicate and ought to be treated with the utmost care. The second is a collection of standard modern metal tropes ranging from the rhythmic intonations of deathcore with a low-string chug riff, probably inherited from the most prosaic speed metal. Last is the most important of the three in a rather unexpected choice in anthemic heavy metal, which happens to be the customary choice for commercial metal acts which have become barren of inspiration and direction.
Some sorry schmuck has to shovel it into a hole and set it on fire.
Article by Lance Viggiano.
Bloody remains unfertilized by talent are required to be disposed of in the hazardous wastebin by the Department of Public Health.
Hepatitis C or HIV?
Paramus, NJ band Monument Of A Memory creates what some call “modern death metal” and others, with a nod to its origins in a late punk/death metal hybrid, deathcore. The band is about to release its second recording, Catharsis, and vocalist Tommy Gehringer and bassist Josh Correa took the time to give us some insight on music and the theory of being a metal band in the current age.
Coming soon to a used CD bin near you!
More mass murder of the unworthy.