Century Media has reissued third rate Gothenburg melodeaf band Gates of Ishtar’s first two studio albums, The Dawn of Flames and At Dusk and Forever, remastered by Dugout Studios (vinyl mastering by Patrick W. Engel) and with new artwork from Juanjo Castellano as the original artwork was “really ugly” according to the band. The band should have been more concerned with writing worthwhile material than artwork for lame, cash-in releases on the popularity of In Flames and other competitors with VH1’s adult contemporary lite rock. Gates of Ishtar were not “melodic death metal masters” but warmed-over bouncy speed and power metal for a late 90s mallrat and Wacken audiences just like the most of their contemporary bands from Gothenburg, Sweden when they weren’t making outright pop music.
Death Metal Underground has received criticism for our review of limp-wristed, warmed-over Swedish heavy metal act In Flames. Our staff called them the Swedish version of Christian glam rock band Stryper. However despite being hard rock, Stryper were actually heavier, more sincere in purpose, and more aggressive than the Comic Sans In Flames. Stryper and the speed metal influenced glam rock of Skid Row were at least far more musical than Fredrik Nordstrom produced melodeaf such as post-Alf Svensson At the Gates, Arch Enemy, Dark Tranquility, In Flames, and Soilwork. Stryper and Skid Row were at least well-versed in 60s and 70s riff rock while directly influenced by Metallica and Slayer:
These random, gimped releases are held in high regard by high-pitched “metal” critics and core pogo stickers. The Death Metal Underground staff takes it upon themselves to scorn and defile them in the name of all that is good in the metal genre.
Swedish melodick death/black metal band Sarcasm premiered a new track from their upcoming Within the Sphere of Ethereal Minds. “In the Grip of Awakened Times” continues in the same vein as Sarcasm’s previous insipid work released on the Burial Dimensions 2xCD compilation, which had a few promising compositions but was overall uninspiring.
Article by Ludvig Boysen.
Wintersun has finally finished the second half of their 2012 album Time I. Jari Mäenpää, the composer and founder of the band, announced the record was finally finished and will be released “sooner or later.” Mäenpää crowdfunded an entire new home studio and sauna to complete the record. Wintersun released their self-titled debut album in 2004 which became a hit among lower testosterone fans of power and Gothenburg metal due to Wintersun’s use of death metal and black metal technique. In 2012, after years of delay, Wintersun released half of their second album, called Time I which was the first half of the upcoming Time II.
Dark Tranquility announced the release of their eleventh album of Gothenburg melodeaf for release on November 6th on Century Media records.
Coming soon to a used CD bin near you!
The Sadistic Metal Reviews are were we squeeze all the empty calories out of our guts into easily digestible packages for readers’ amusement. The leftovers are distributed to starving third world children to hasten their Malthusian death through infection with the type of drug-resistant bacteria that can only thrive in a Honey Bun.
“Melodic death metal” is meaningless. What is popularly called “melodic” death or black metal can be roughly divided into the three different types of music sketched out by Ludvig Boysen in his “The Three Types of Melodic Death Metal” article for Death Metal Underground. While Ludvig’s three categories are essentially correct, refining and broadening them allows formal classification of all “melodic” death and black metal. Note that Death Metal Underground’s extensive Heavy Metal FAQ covers the topic of genre in great depth but a brief rundown for the ignorant and lazy is in order.
Article by Ludvig Boysen.
There are three different kinds of music that are popularly called “melodic death metal”. Each is distinct and none even belong to the same metal sub-genre.