Sadistic Metal Reviews 9/24/2016

shit_burning

Some sorry schmuck has to shovel it into a hole and set it on fire.

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Conqueror – War Cult Supremacy (1999)

conqueror - war cult supremacy

Conqueror wanted to be a part of the “scene” but did not have musical ideas. The band discovered that the muddied sound of early Beherit and Blasphemy circa Fallen Angel of Doom could be used to obfuscate their dearth of ideas. Furthermore the hostility between the Norwegian scene and the rest of black metal could be amplified under false pretenses while not offering any truly satisfying alternative themselves. Basically, point to candy assed pop drivel like Dark Funeral but go to the other end of the spectrum entirely with a paper thin wall of television white noise with a drunken chipmunk howling nonsense. Conqueror’s “music” is structured which ironically stands contra to the concept of all out war. A little anarchy would at the very least allow the essence of battle to bubble up from the pot. Instead it’s a tame morass of very low effort grindcore riffs and mostly incomprehensible low E-string noodling. The best that can be said about Conqueror is that J. Reed has an identifiable sound.

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Intolitarian: Of Gas Masks & Gimp Suits

intolitarian antichrist kramer

Article by Lance Viggiano

Intolitarian is the work of a singular person who polemically positions himself as an artistic paragon standing on the opposite end of a polarity between retro-rehash, imported heaps of plastic and bad Xeroxes. Amidst such a landscape and armed with powerful rhetorical golden guns, he is able to churn out effort after effort which communicates nothing and everyone knows it. Like war metal, which similarly has nothing to say, criticism is parried through a simple maneuver: those who call this spade a spade simply cannot handle how extreme it is for it is certain that this work stands on the precipice of a new aesthetic era that will make death and black metal look like nursery rhymes. This defensive posture is of course a variation of the oft repeated, “You don’t understand” that is used by insular communities and critics to accomplish little more than convince the user of their own superiority where every induced eye-roll reduces to signals of ones own status as a martyr for good taste.

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Vomitor – The Escalation (2012)

vomitor the escalation

Article by Lance Viggiano.

The Escalation perfects the misunderstood Australian art of Cimmerian metal – a deliberately low-brow affair which has little tangible relationship to the Common Practice Period and therefore easily panned. Vomitor deliberately flaunt rock’s loud and emotive ethos through boorish motifs qualified further by a thin and mid-centric texture executed in characteristically poor-taste. Constructed primarily out of recombination of past forms, The Escalation is a deliberately retro affair which succeeds by forming a singular and immediately identifiable voice. Historical precedence for this identity is found in the work of Spear of Longinus – specifically the first demo contained within Black Sun Society. Vomitor do not present a way forward for metal; instead the entity finely maps a territory which was discovered but left largely unexplored by ancestors who clung to the safety and security of the coastlines looking into an inhospitable thicket which obscures a familiar but nonetheless unique landscape.

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Teitanblood – Death (2014)

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All metalheads secretly want the return of early 1990s death metal and black metal. Instead we get nostalgia bands who prey on our desires by delivering aesthetic imitation of the past, but with none of its depth, and by doing so, make a mockery of the underground as desperate metalheads embrace this stuff.

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Inquisition Debut New Song: “Wings of Anu”

Inquisition bloodsheld across

Inquisition have uploaded a new song, “Wings of Anu”, to Youtube from their upcoming album coming out in August on Season of Mist. Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith‘s cover even features the Riot mascot!

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