Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”
As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.
With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.
This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death you know.
The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.
New Zealand war metal band Heresiarch announced their upcoming record, Death Ordinance, on their Facebook page. The artwork is by Misanthropic-Art and the album will be released by Dark Descent Records later this year. Heresiarch’s prior releases, Hammer of Intransigence and Waelwulf, were noted as some of The Best Underground Metal Releases of 2011 and 2014 respectively.
Antifascist and Communists have vowed to commit terrorists acts in protest of Swedish war metal (formerly black metal) band Marduk touring the US for the first time in years. The idiotic communist manlets are accusing Marduk of being a “crypto-fascist” band. They will not stop harassing the band, their fans, and concertgoers until all of them are sent to gulags (where work will set them free) or have hollow-point bullets shot into the back of their skulls in the bowels of police stations.
New Zealand war metal band Heresiarch are set to record a new album in February of next year according to a recent post of the band’s in the Nuclear War Now! Productions forum. Death Ordinance will be released by Dark Descend Records.
In anticipation of their eponymous debut, Southern Karelia’s White Death released a track from the album, “Immortal Hunter of the Moon.” This mid-length track instills expectation by improving upon the previous also eponymous two-song EP released in 2014. Where that recording consisted of raw, foot-stomping black metal that was pleasant enough for a listen once in a blue moon, the new track shows an increase in dynamics that lifts the material to a new level of intensity while also –- perhaps more importantly -– giving it a sense of direction.
Necrotic war metal band Trench Warfare recorded four songs in late 2016 for appearance on a future split with Goatdusias and Bestial Karnage entitled Paths to Victorious Perversion. The band recruited drummer Lee Fisher (Commit Suicide, Psyopus, Overlord Exterminator) to record percussion for the upcoming release. Titles on the album include “Twisted Lies of a Wretched Pedophile,” “Astral Projection into the Shapeless Abysmal Void” and “Hatred Prayer.”