Tarnkappe‘s Winterwaker, one of The Best Underground Metal Albums of 2016, was released today on CD and LP from Hammerheart Records. Winterwaker was digitally released late last year and the physical release delayed due to pressing plant backlog.
Dutch black metal band Tarnkappe are streaming their entire upcoming Winterwaker album on Soundclound. Featuring members of Kjeld and Kaeck, Winterwaker is one of the Death Metal Underground staff’s favorite releases of the year: Tarnkappe summon back fond memories of early Gorgoroth, Zyklon-B, and Niden Div 187 refined into effective melodic narratives instead of merely another “cool riff” band aping Darkthone in pop punk songs, which is what Fenriz and Nocturno Culto have been doing themselves for well over a decade.
Tarnkappe‘s Winterwaker (“Guardian of Winter” in English) is another Dutch black metal album aiming to extend the victories of the old forward into a modern world deluged with genericized and masqueraded jingle rock. Most modern black metal recordings consist of typical verse chorus verse hardcore punk songs with occasional tremolo-picked, hopefully minor key riffs and raspy vocals to differentiated it from the punks with their spiky hair and Sharpie-drawn straight edge Xs in the same way that modern opposing political parties mostly present two sides of the same leftist coin merely aiming the public towards financially catering to differing oligarchic leagues. Tarnkappe, a duo composed of members of Kaeck and Kjeld, aim to bury the bodies of the mainstream-media promoted black ‘n’ roll and “war metal” themed crossover thrash groups in an unmarked, shallow mass grave in the forest-tundra.
Dutch insurrectionary black metal band Tarnkappe has released both of its albums on CD as a bundle for those who appreciate black metal that stays true to the late-90s form of the band, which is equal parts later Darkthrone and Zyklon-B.
Some sorry schmuck has to shovel it into a hole and set it on fire.
Article by Corey M.
While 1349 did not quite make good on their promise of delivering a battlefield soundtrack at blistering speeds, Rebaelliun have taken the reigns and driven their blazing chariot into a chaotic realm of vicious blasts and reckless shredding the likes of which many bands have intruded upon only to be cut down due to their inability to survive such an onslaught.
In the past, bands such as Aeon have presented some unworthy offerings at the altar of Deicide, but Rebaelliun diminish those halfhearted efforts even further by adapting their mentor’s tactic of relentlessly aggressive songcraft while actually understanding intuitively their spirit of hatred and hostility. Using the individual musical elements of the band as gears in clockwork, the players rev up the horsepower until the cogs are spraying white-hot sparks.
Some metal was created to be enjoyed drunk and alone with reality TV blaring in the background.