Solar Mass Premiere “Weaponised” from Pseudomorphosis

solar mass - pseudomorphosis cassette cover

Solar Mass, featuring former Diocletian members, announced that their debut recording of death/speed metal, Pseudomorphosis, will be released on October 3rd on cassette by Iron Bonehead Productions with the higher-fidelity CD and LP formats to follow afterwards. Iron Bonehead premiered a track, “Weaponised” on Soundcloud while the cover was drawn by Rok of Sadistik Exekution.

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Coors Brewing Company – Coors “Banquet”

coors banquet can

The original Coors that is usually advertised with “Banquet” in the title is the least dumbed down for carbonated corn syrup soda chugging couch potatoes of the big three American adjunct lager brews. Budweiser and Miller High Life both taste strongly of green apple while Coors is still clean tasting. The beer smells of bready pale malts, adjunct grains, and somewhat fruity yeast esters. Gulping it down, carbonation slams the tongue, followed by a chewy combination of pale malt and adjunct sweetness that in combination with the yeast flavors, resembles liquefied banana bread. Coors probably slightly stresses the yeast of their flagship Banquet beer to obtain that banana fruit ester while most American brewers, including the so-called craft ones, have terrible control over yeast flavors and generally opt for a neutral yeast profile in comparison to the ancient British and continental breweries. Coors Banquet finishes with a bitter hop finish, noticeable but balanced to not overpower the other ingredients. At well under twenty dollars for a rack of twenty-four cans across the country, Coors Banquet puts hipster and yuppie swill to shame for a balance of flavor and price.

Quality: *****/*****
Purchase: *****/*****

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Sorcier des Glaces – Snowland MMXII

snowland mmxii

Artistically bankrupt metal bands typically rerecord their early material after milking the revenue streams dry through reissues, remasters, anniversary tours, and boxed sets. While the original recordings typically aren’t pristine productions, all charm is lost in the sample-replaced, quantized, digitally-reamped, and phase-butchered retreads shat out by an obsessive tinkerer’s digital audio workstation. All enthusiasm in the performances is butchered by years of alcohol abuse and aging journeyman musicians collecting just another paycheck, e.g. Sodom’s The Final Sign of Evil, Manowar’s Battle Hymns MMXI, and Bolt Thrower’s “World Eater ‘94”. Snowland MMXII is one of the few exceptions to this rule of rehash.

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Depressor – Filth / Grace (2014)

Depressor Filth Grace

Article by Lance Viggiano.

In its best moments punk music transcends volk-rage by serving as a cracked mirror reflecting the forlorn realities that industrialization and intangible goal of perpetual progress wrought as this civilization awaited technological rapture to deliver its destiny among the stars. The reflection was always unclear because of its nature as folk music, marred by smudges and dust that lead it to misdiagnose the cause of its own woes. Depressor spiritually and musically channel this ethos while stepping into the well-worn boots of Godflesh resulting in a body of work resides between industrial, doom/death and punk music. The artists understand that heaviness is not merely a novelty or a token, but a vessel.

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