Murder Construct – “Mindlock” (Disrupt Cover)

undead_-_a_tribute_to_disrupt

Murder Construct recently released as a single their contribution to the Undead: A Tribute To Disrupt album of cover songs honoring this well-known crust band. While this is a faithful cover, it adds a few layers on top of the original that keep it from becoming boring and inject the personality of Murder Construct into a standard for the post-1980s punk movement.

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Possession Ritual – Incense of Opened Gates (2011)

possession ritual - the incense of opened gates

Article by Anton Rudrick.

German ritual black ‘n’ roll band Possession Ritual released a full-length going by the name of Incense of Opened Gates, with striking artwork by Ars Leprosa in the year 2011 through Nihilward Productions. A note is made that the music itself was written and recorded in 2006. Being one of those limited editions which are rather hard to come by and probably also partially hidden away from the unworthy prying eyes of mundane minds, the author has only been able to listen to two pieces from the album. Hence, all commentaries and reflections upon the band’s work can be traced to perceptions of these exclusively. It will be useful to meditate upon a holistic impression of the band as an entity, and to take each of those to tracks to task separately, to finally arrive at a judgement of the musical work as manifested result of a series of evocations.

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Calgary Music Venue Takes Bait & Bans Black Pussy

black pussy

Trolling stoner rockers Black Pussy had their upcoming September 17th show in Calgary canceled by the Palomino Club after “feminist arts festival” Femme Wave canceled their upcoming events to be held there, believing the band’s troll name to be a “micro-aggression” toward The Vagina Monologues, riot girl punk, and sock monkeys made of used tampons. The venue decided that banning a band from performing would protect the “diversity” of the Calgary music scene in a typical display of “burning the village to save the village” logic no different from Robespierre’s “Committee of Public Safety”.

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Metal Curmudgeon: Bolt Thrower’s Blitzkrieg Halts

bolt thrower - realm of chaos cover

Starting in the mid to late Eighties, many of the originators of death and black metal started to commercialize their music into straight speed metal for mass appeal to a bar show, beer metal audience; social concert goers in the uniforms of leather jackets, band tees, and high tops who treated shows as a time to socialize and shoot the shit with their friends while listening to typical bands that never challenged their musical preconceptions or startled them away from their ritualized moshing. Just a few years prior, many of these types would’ve been the same idiots seen in Heavy Metal Parking Lot. While most of their peers moved on from Judas Priest to Motley Crue and Guns ‘n’ Roses, many listened to what was considered an “acceptable” fusion of heavy metal and radio rock played by groups like post-Ride the Lightning Metallica, Anthrax, and Testament.

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Goatcraft – Yersinia Pestis (2016)

goatcraft - yersinia pestis

Article by Lance Viggiano.

Arpeggiated minor chord melancholy culled from or composed during belligerent improvisational tirades given body by a sluggish left hand approximating power chords to provide the work a lattice to the traditions of metal. Yersinia Pestis abstains from its predecessor’s thematic coherence – an accident of writing what were essentially cover songs of a famous painter – to make marked but mishandled improvements in its individual presentations through tuneful reprisals of established Goatcraft trademarks. The dependence upon staccato and arpeggio retain the artist’s characteristic stiffness in execution which blemishes through its brutishness.

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