Every year we are treated to an endless amount of ridiculous lists. It seems that any individual with the ability to express their opinions is obligated to share their Top 10 or top 20 metal releases that more often than not echo the same three websites. The bands that enter such lists tend to come in two varieties: veterans rehashing the same ideas in a more streamlined fashion and those who trick their audience via the use of gimmicks and presenting a familiar product with slightly different aesthetics as the next big thing. In these last two years, speed metal has conquered the number 1 spot of most of these lists. Last year Vektor’s Terminal Redux ruled the metal lists by far with it’s melody derived from Voivod and the phrasings from Destruction’s Eternal Devastation all held together in long sloppily composed epics… ultimately resulting in an above average album but a strong move for the funderground. This year, Texans Power Trip succeed in winning the “funderground 2017 award” with their second album Nightmare Logic. The Speed metal revival movement has finally found its idols to guide it’s path of remaining in the past and offering the most faithful reproduction of late 80s speed/thrash.
Camouflage cargo shorts band Dying Fetus released a music video for “Panic Amongst The Herd” off their upcoming crap album, Wrong One to Fuck With, on sell-out sludge and metalcore label Relapse Records. Relapse insist that:
Now 25 years into their distinguished career, Dying Fetus cement their legacy with Wrong One to Fuck With and uphold their position as the dominant force in death metal today.
Review contributed to Death Metal Underground by Jon Browning.
This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death you know.
Article contributed to Death Metal Underground by Lucius Vorenus.
As reported on by basically every publication ever since bourgeois liberals were forced to learn the name ‘Bad Brains‘ by the graceful ascent of nebulous DC Rastagandist hardcore act into Rock and Roll Hall of Fame reject status, singer H.R. (Huge Rasta) is preparing to undergo brain surgery to correct SUNCT (Section-8 Unemployed Nation-of-Islam Crackrock Tension) on February 21. Huge Rasta has been using “holistic substances” to treat his bad brain. I asked my girlfriend what she thought, given that she listens to music that is thematically much more similar to Bad Brains (i.e. Minor Threat, Black Flag, MOI, TLC, Destiny’s Child, Kelis, Lady, et al) and she pointed out that the guy from Bad Brains has a bad brain. In addition to being a woman, she is wrong inasmuch as the soberly considered thematic direction of the album is that of facilitative Afropunk proto-nationalism. H.R. even managed to upset the singer of Cro-Mags by playing Louis Farrakhan tapes in the van.
Metalheads tend to be wary of punk, recognizing it only for its role as an influence on metal. This attitude obscures the fact that the best of punk is worth exploring on its own terms and merits, starting with perhaps the greatest influence of punk technique and heightened aesthetics in that genre, hardcore punk‘s The Misfits.
Absurd‘s Der fünfzehnjährige Krieg CD of old tracks rerecorded by the current line up is being reissued by Hammer of Damnation for everyone who wishes Absurd’s older material had a sterile metalcore production. Hopefully the reissue is better than the horrible Asgardsrei one.
Maryland Deathfest once again has visa troubles forcing the cancellation of a headliner. Sodom‘s visa troubles last year led to the cancellation of their headlining appearance on the main stage of the parking lot festival. Now, British hardcore legends Discharge (the originators of d-beat hardcore) get the short end of the stick from the Baltimore festival’s disorganization.