Gary Holt Prepared to Write Slayer Music

Current Slayer guitarist Gary Holt (Exodus), who replaced former primary songwriter Jeff Hanneman after Hanneman contracted necrotising fasciitis from a spider bite and drank himself to death, told Ultimate-Guitar that he is prepared to write new music for Slayer. This can only be an improvement as Kerry King wrote all of the godawful Repentless.

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Ukrainian Zoo Erects Tom Araya Statue


Article contributed to Death Metal Underground by Seth Berg.

A zoo in Demidiv, Ukraine has recently revealed a statue of speed/death metal godfather Tom Araya as well as a pillar featuring lyrics from Slayer‘s classic “Dead Skin Mask” off Seasons in the Abyss. Hats off to the folks at XII Months zoo for accomplishing something that will help introduce the next generation (and probably sections of the current youth demographic) to an essential band. Perhaps this will mean that certain children in Ukraine will be exposed to quality metal first rather than the turds that float to the top in media and plant a seed that will help ensure that up and coming hessians aren’t complete modern metal bozos.

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Slayer Playing Download Festival 2017

Slayer are playing the 2017 iteration of the Download rock festival in France on the Plessis-Pâté / Brétigny sur Orge / Cœur d’Essonne BA217 air base, which is a thirty minute drive from Paris according to the festival organizers. Every other band at this festival is some lame rock or pseudo-metal turd pusher but at least they probably do not smoke bath salts like the French president. Probably not. You can never be sure of the substances some of these degenerates ingest given how awful their music is.
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A.V. Club Editor David Anthony Posts Metal Hit List

Social justice warrior hipster scumbag David Anthony of communist multimedia shill website The A.V. Club (owned by The Onion) thinks that heavy metal has a Nazi problem. David Anthony is a bitchy, neurotic pinko throwing a fit that certain musicians who want to kill everyone as all humans are damn, dirty apes are not particularly fond of the concept of arbitrarily protected classes of people. The AV Club think that mildly successful and average death metal band Disma should be publicly hanged, drawn, and quartered in front of all of the proletariat as former Incantation frontman Craig Pillard released a National Socialist themed techno album over a decade ago. Nobody is spared from David Anthony’s hit list. Joining Pillard in the AV Club’s metal pogrom are Inquisition, AbsurdLemmy from Motorhead, Slayer (especially Tom Araya), Varg Vikernes, Deafheaven, Antichrist Kramer, Lord Mantis, and No Colours Records. Anthony also cited two quotes from Mayhem drummer Hellhammer‘s interview in Until the Light Takes Us as of course closet case David Anthony does not listen to black metal and only watched the movie. The only relatively unknown dirt he dug up was Lord Mantis fucking a transvestite but that was from a Vice interview he probably bookmarked due to the graphic description of a casual homosexual encounter.

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Kim Kelly Interviews Kerry King; Reveals Crab Claw

Alleged groupie, liar, white genocide advocate, and humanoid orc communist Kim Kelly interviewed surviving Slayer guitarist / sideshow attraction Kerry King for Vice Noisey on Youtube. Kerry King, wearing war metal shades, talks about Slayer’s influences and development on their early, formative material.

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Metallica – Hardwired… to Self-Destruct (2016)

metallica-hardwired-to-self-destruct
Review contributed to Death Metal Underground by the Peckerwood Boys. The audio review may be heard here.

Yep, just me here. A new Metallica album of all 45 rpms of pure American metal! 180 grams, limited to 500 copies. I’m gonna spin this bitch like NASCAR!

Lookin’ under the hood here, you got your Black Album riffs, you got your Pantera, and that sir, that’s gonna get you over to your cousin’s house faster than her boyfriend so you can propose to her. Now this album right here has really got me saying, “I’m glad, I’m glad it was Cliff!” That Master of Muppets there album had a lot on it I couldn’t understand in it. It was like tryin’ to make sense of one of them pieces of paper with scribbles on it, them black scribbles man.

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Still Reigning 30 Years Later

still-reigning
Article by Lance Viggiano.

After Slayer‘s foray into narrative composition on Hell Awaits, Slayer could have taken any number of directions in the then fertile metal landscape: gone in for the throat of aggression, matured their pubescent approach to long-form content, or paired down on riff quality for focused but circular songs. Reign in Blood was something of a compromise bred to appease more Floridian tastes which crave motion before coherence or purpose. The album is brief but bookended by two of the better songs in their discography which daftly elevate the questionable content residing in between. The remaining material siphons off of the paired down and quintessential “Angel of Death” by meandering in whatever assortment of good but disconnected riffs the Hanneman/King dichotomy happened upon in between Heinekens; held together in tacit alliances by a sweltering pace which exhausts itself right as the title track closes the record. The foresight required to write an album such as this is commendable but Reign in Blood is not Slayer’s watershed moment if for nothing more than the sheer amount of disposable songs – not riffs – which constitute the majority of the runtime. This uncomfortable fact goes unrecognized due to the sheer brevity of this work. Yet as I wrote this brief paragraph I must have recited the full album in my head at least a few times and I have not listened to the album is many years. May the resolve of Reign in Blood’s memetic warfare continue to withstand assailants from the ever flowing genre compost bin and grant listeners to the strength to withstand the torrents of nature herself.

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Slayer Fan Defies Hurricane Matthew

In times of chaos, the primordial appeal of Slayer comes forth as the vision of clarity that it is. This metal fan chose to meet the winds head-on, whether as tribute to the power of the storm or resistance to it, or both. The result proves entertaining, including the possibility that the video cut off before Matthew hurled a six-ton SUV with irritating family stickers on the back into the fan, leaving a very Slayer-esque red spot on the pavement.

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